Keith Haring (after) - Untitled 1998 - Pop Art Artprint






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Description from the seller
- Large-format Keith Haring print, Untitled 1998, 65 x 66 cm, in flawless condition.
- Artist: Keith Haring
- Title: Untitled 1998
- printed and published by Kunstverlag circa 1980-1990
- back stamped, "ARTEDIO Gallery Poster Collection"
- acquired directly from Kunstverlag
- since then professionally, light-protected stored in a graphics warehouse
- Technique: offset color lithography
- Condition: flawless, well preserved, perfect condition
- Note: beautiful print with vibrant colors
- Overall size: 66 x 67 cm
- Origin: Kunstverlag
- Copyright: Estate of Keith Haring
- Printed in Germany
Keith Haring:
Keith Haring, a defining artist of the 1980s, is known for his iconic, colorful figures and symbols that create a unique bridge between street art and pop art. Haring began his career on the streets and subway stations of New York, where he drew his characteristic, dancing figures and luminous forms on advertising billboards with chalk. These works, which often addressed social and political issues such as AIDS, apartheid, and drug abuse, made him a central figure in the art scene of his time.
Haring’s style, characterized by bold, clear lines and recurring motifs like the “Radiant Baby” and the dancing figures, shows clear parallels to the works of Jean-Michel Basquiat, another significant figure of the New York street-art scene. Both artists used the streets as their canvas and brought their art to the public in a way that radically differed from the traditional gallery and museum world. Haring’s colorful, accessible imagery also echoes the Pop Art movement, particularly the works of Andy Warhol, with whom Haring was close friends. Like Warhol, Haring used simple, recognizable symbols to convey complex themes and reach a broad audience.
Another influence on Haring was the graphic and linear quality of comics, which plays a central role in his works. This affinity with comic culture connects him to artists like Roy Lichtenstein, who also drew on comics as an artistic source, though in an ironic and distanced manner. Haring, however, infused his works with a direct, often activist message, linking him to the political works of Barbara Kruger and Jenny Holzer. Both artists used text and image to comment on social and political issues, much as Haring did in his posters and public artworks.
Shipping information:
We roll prints onto rigid heavy-cardboard tubes, wrap them with corrugated cardboard, and ship them in specially designed, very sturdy cartons. Shipping is tracked with a tracking number.
About us:
We have been active in the art trade for over 20 years and have extensive experience in the professional handling and shipping of artworks.
- No shipping to the Canary Islands, Taiwan -
Seller's Story
- Large-format Keith Haring print, Untitled 1998, 65 x 66 cm, in flawless condition.
- Artist: Keith Haring
- Title: Untitled 1998
- printed and published by Kunstverlag circa 1980-1990
- back stamped, "ARTEDIO Gallery Poster Collection"
- acquired directly from Kunstverlag
- since then professionally, light-protected stored in a graphics warehouse
- Technique: offset color lithography
- Condition: flawless, well preserved, perfect condition
- Note: beautiful print with vibrant colors
- Overall size: 66 x 67 cm
- Origin: Kunstverlag
- Copyright: Estate of Keith Haring
- Printed in Germany
Keith Haring:
Keith Haring, a defining artist of the 1980s, is known for his iconic, colorful figures and symbols that create a unique bridge between street art and pop art. Haring began his career on the streets and subway stations of New York, where he drew his characteristic, dancing figures and luminous forms on advertising billboards with chalk. These works, which often addressed social and political issues such as AIDS, apartheid, and drug abuse, made him a central figure in the art scene of his time.
Haring’s style, characterized by bold, clear lines and recurring motifs like the “Radiant Baby” and the dancing figures, shows clear parallels to the works of Jean-Michel Basquiat, another significant figure of the New York street-art scene. Both artists used the streets as their canvas and brought their art to the public in a way that radically differed from the traditional gallery and museum world. Haring’s colorful, accessible imagery also echoes the Pop Art movement, particularly the works of Andy Warhol, with whom Haring was close friends. Like Warhol, Haring used simple, recognizable symbols to convey complex themes and reach a broad audience.
Another influence on Haring was the graphic and linear quality of comics, which plays a central role in his works. This affinity with comic culture connects him to artists like Roy Lichtenstein, who also drew on comics as an artistic source, though in an ironic and distanced manner. Haring, however, infused his works with a direct, often activist message, linking him to the political works of Barbara Kruger and Jenny Holzer. Both artists used text and image to comment on social and political issues, much as Haring did in his posters and public artworks.
Shipping information:
We roll prints onto rigid heavy-cardboard tubes, wrap them with corrugated cardboard, and ship them in specially designed, very sturdy cartons. Shipping is tracked with a tracking number.
About us:
We have been active in the art trade for over 20 years and have extensive experience in the professional handling and shipping of artworks.
- No shipping to the Canary Islands, Taiwan -
