Reliquary Kota - Bakota - Gabon






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Reliquaire Kota, a Kota reliquary figure from Gabon of the Bakota culture, 60 cm high, made of wood with copper, dating to the late 20th century, in good condition.
Description from the seller
Origin. Gabon
Name of the tribe. Bakota
Material. Wood, copper
Dimension. 60 cm
Shipping method. Colissimo within 24-48h; please open
This piece presented is a Kota reliquary figure, a type of traditional art originating from Gabon.
Structure: It is a stylized, two-dimensional figure, designed to be mounted at the top of a basket containing the bones of ancestors. The form is divided into two main parts: a large head and a geometric body reduced to an openwork diamond.
Materials and aesthetics: The object is covered with metal sheets, mainly brass (yellow) and copper (more reddish), hammered onto a wooden core. This metal contrast was highly valued for its shine, believed to repel evil forces.
The head: It features a central oval shape topped with a crescent moon headdress. The face, very schematic, is marked by protruding eyes and a symmetrical structure. The metalwork alternates smooth surfaces with textured or incised areas.
The body: The lower part, often called the 'diamond' or 'body', is treated in an abstract manner. It ends in a conical tip, which traditionally served to fix the figure in the reliquary.
These figures, called mbulu-ngulu, are not portraits but symbolic and stylized representations intended to protect and honor the remains of ancestral lineages.
Origin. Gabon
Name of the tribe. Bakota
Material. Wood, copper
Dimension. 60 cm
Shipping method. Colissimo within 24-48h; please open
This piece presented is a Kota reliquary figure, a type of traditional art originating from Gabon.
Structure: It is a stylized, two-dimensional figure, designed to be mounted at the top of a basket containing the bones of ancestors. The form is divided into two main parts: a large head and a geometric body reduced to an openwork diamond.
Materials and aesthetics: The object is covered with metal sheets, mainly brass (yellow) and copper (more reddish), hammered onto a wooden core. This metal contrast was highly valued for its shine, believed to repel evil forces.
The head: It features a central oval shape topped with a crescent moon headdress. The face, very schematic, is marked by protruding eyes and a symmetrical structure. The metalwork alternates smooth surfaces with textured or incised areas.
The body: The lower part, often called the 'diamond' or 'body', is treated in an abstract manner. It ends in a conical tip, which traditionally served to fix the figure in the reliquary.
These figures, called mbulu-ngulu, are not portraits but symbolic and stylized representations intended to protect and honor the remains of ancestral lineages.
