Mblo mask - Baule - Côte d'Ivoire





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Description from the seller
Ivory Coast
Baoulé
Wood
Height: 535mm
Width: 180mm
Depth: 140mm
African wooden mask of the Baoulé people from Ivory Coast.
This anthropomorphic wooden mask is a remarkable example of the art from the center of Ivory Coast.
It is a mask of Baoulé origin, one of the country’s most important ethnic groups, renowned for the refinement, delicacy, and balance of its statuary. More precisely, this piece surmounted by a full figure belongs to the category of portrait or entertainment masks, called Mblo (or Ndoma).
1. Baoulé origin and aesthetic characteristics
Visual analysis of the mask immediately reveals the idealized beauty canon specific to Baoulé sculpture:
A face of great serenity: The forehead is high, rounded, and clear. Almond-shaped, half-closed eyes oriented downward give the mask an expression of interiority, restraint, and respectful dignity. The nose is long, fine, and straight, while the mouth, small and slightly open, hints at carefully sculpted lips.
Ritual scarifications: The face is adorned with small geometric reliefs symbolizing traditional scarifications (ngole). A series can be seen aligned across the top of the forehead, as well as small marks at the corners of the eyes and on the temples, signs of cultural refinement and social belonging.
Hair and collar: The hair is styled in a rounded bun finely lined with parallel lines. All around the jawline, a crenellated or jagged border (best visibility on the chin) stylizes a prestige beard or a decorative collar that shapes the face’s oval.
The summit statuette: The top of the mask is crowned by a complete anthropomorphic female figure, carved standing, hands on hips. Her crest hairstyle echoes that of the main mask. This superposition of figures adds an exceptional level of prestige to the object.
Dark patina: The surface bears a black, smooth, and glossy patina, traditionally obtained by a treatment using plant dyes and repeated rubbing, contrasting with the rough and hollow back of the wood.
2. Ritual and social use: Mblo joy dances
Unlike the sacred and formidable masks of the Baoulé (such as the Goli or the Bonu Auen which are forbidden to women), the Mblo mask has a primarily secular and festive use:
Paying homage to a community member: Mblo or Ndoma masks are designed to celebrate or honor a real village person, reputed for physical beauty, dancing talent, or great moral qualities (generosity, wisdom). The sculpted figure at the summit may refer to an identity trait of this person or to their lineage.
Dance sequence: During entertainment festivities, funerals of notable figures, or public commemorations, a skilled dancer wears the mask, fully dressed in fabrics and fibers to conceal the body. The back of the mask shows the small side holes on the inner border, which were used to thread ties to firmly attach the object to the wearer’s face.
Public appearance: The dancer performs a rhythmic and theatrical choreography, often accompanied by the woman or personality the mask is meant to honor. It is a moment of parody, social cohesion, and collective aesthetic celebration.
3. Significance: A celebration of beauty and social order
In Baoulé country, art serves to make the world more beautiful and harmonious to soothe spirits. This mask is not a realistic (photographic) portrait of the honored person, but an idealized representation of their soul and status.
The perfection of the lines, the perfect symmetry of features, and the careful patina celebrate self-control, intelligence, and spiritual maturity. By displaying such a mask to the public, the Baoulé community reaffirms its highest moral values: respect for the elders,
Fast and protected shipping. Packages are sent with a tracking number. Delivery in France within 1 to 3 days via Chronopost, 2 to 5 days throughout the European Union via Chronopost International. Delivery via Colissimo International to the rest of Europe and worldwide
We speak english.
mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
Seller's Story
Ivory Coast
Baoulé
Wood
Height: 535mm
Width: 180mm
Depth: 140mm
African wooden mask of the Baoulé people from Ivory Coast.
This anthropomorphic wooden mask is a remarkable example of the art from the center of Ivory Coast.
It is a mask of Baoulé origin, one of the country’s most important ethnic groups, renowned for the refinement, delicacy, and balance of its statuary. More precisely, this piece surmounted by a full figure belongs to the category of portrait or entertainment masks, called Mblo (or Ndoma).
1. Baoulé origin and aesthetic characteristics
Visual analysis of the mask immediately reveals the idealized beauty canon specific to Baoulé sculpture:
A face of great serenity: The forehead is high, rounded, and clear. Almond-shaped, half-closed eyes oriented downward give the mask an expression of interiority, restraint, and respectful dignity. The nose is long, fine, and straight, while the mouth, small and slightly open, hints at carefully sculpted lips.
Ritual scarifications: The face is adorned with small geometric reliefs symbolizing traditional scarifications (ngole). A series can be seen aligned across the top of the forehead, as well as small marks at the corners of the eyes and on the temples, signs of cultural refinement and social belonging.
Hair and collar: The hair is styled in a rounded bun finely lined with parallel lines. All around the jawline, a crenellated or jagged border (best visibility on the chin) stylizes a prestige beard or a decorative collar that shapes the face’s oval.
The summit statuette: The top of the mask is crowned by a complete anthropomorphic female figure, carved standing, hands on hips. Her crest hairstyle echoes that of the main mask. This superposition of figures adds an exceptional level of prestige to the object.
Dark patina: The surface bears a black, smooth, and glossy patina, traditionally obtained by a treatment using plant dyes and repeated rubbing, contrasting with the rough and hollow back of the wood.
2. Ritual and social use: Mblo joy dances
Unlike the sacred and formidable masks of the Baoulé (such as the Goli or the Bonu Auen which are forbidden to women), the Mblo mask has a primarily secular and festive use:
Paying homage to a community member: Mblo or Ndoma masks are designed to celebrate or honor a real village person, reputed for physical beauty, dancing talent, or great moral qualities (generosity, wisdom). The sculpted figure at the summit may refer to an identity trait of this person or to their lineage.
Dance sequence: During entertainment festivities, funerals of notable figures, or public commemorations, a skilled dancer wears the mask, fully dressed in fabrics and fibers to conceal the body. The back of the mask shows the small side holes on the inner border, which were used to thread ties to firmly attach the object to the wearer’s face.
Public appearance: The dancer performs a rhythmic and theatrical choreography, often accompanied by the woman or personality the mask is meant to honor. It is a moment of parody, social cohesion, and collective aesthetic celebration.
3. Significance: A celebration of beauty and social order
In Baoulé country, art serves to make the world more beautiful and harmonious to soothe spirits. This mask is not a realistic (photographic) portrait of the honored person, but an idealized representation of their soul and status.
The perfection of the lines, the perfect symmetry of features, and the careful patina celebrate self-control, intelligence, and spiritual maturity. By displaying such a mask to the public, the Baoulé community reaffirms its highest moral values: respect for the elders,
Fast and protected shipping. Packages are sent with a tracking number. Delivery in France within 1 to 3 days via Chronopost, 2 to 5 days throughout the European Union via Chronopost International. Delivery via Colissimo International to the rest of Europe and worldwide
We speak english.
mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
