Clock - Antique Marble - 1850-1900 - Trainer Sculpture






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Marble clock in Antique Napoleonic III style from 1850–1900, with a mechanical movement and a 31‑day power reserve, featuring a bronze‑toned sculptural kennel of a horse trainer atop the case, French origin, in good condition and in working order, measuring 46 cm high by 23 cm wide by 14 cm deep and weighing 4 kg, striking on the half hour with one bell.
Description from the seller
This is a Napoleonic III-style clock from the 19th century, a piece that combines the function of timekeeping with a strong sculptural sensibility, as demanded by the French taste of the Second Empire. The clock’s body, with solid lines and balanced proportions, is made in a dark tone that acts as a theatrical backdrop for the gilded elements. The metal bezel frames the dial with elegance, while the numerals alternate between Roman and Arabic, a very characteristic detail of decorative clocks from the era. Inside it preserves the chimes, a mechanism that adds historical value and confirms its nature as a quality domestic clock, although—as with most 19th‑century pieces—it may require adjustments to regain full precision.
Above the case rises a sculptural group of a horse trainer, modeled with dynamism and a clear narrative intention. The horse, upright and tense, conveys strength and movement; the trainer, firm and focused, provides balance and drama to the scene. This type of sculptural groups was highly valued in the Napoleonic III period, where decoration sought a theatrical and romantic effect, mixing history, nature, and technical virtuosity. The finish, bronze-like in appearance, reinforces the sense of a noble piece and makes the clock an object that transcends its function to become a salon sculpture.
The ensemble rests on a base with legs and relief ornaments, small details that complete the Second Empire aesthetic: opulent, detail-oriented, with a taste for contrast between dark surfaces and golden accents. It is a clock that not only marks time but embodies the decorative spirit of 19th‑century France, where every object was meant to tell a story and fill the space with presence.
Tracked shipping and careful packaging.
Seller's Story
This is a Napoleonic III-style clock from the 19th century, a piece that combines the function of timekeeping with a strong sculptural sensibility, as demanded by the French taste of the Second Empire. The clock’s body, with solid lines and balanced proportions, is made in a dark tone that acts as a theatrical backdrop for the gilded elements. The metal bezel frames the dial with elegance, while the numerals alternate between Roman and Arabic, a very characteristic detail of decorative clocks from the era. Inside it preserves the chimes, a mechanism that adds historical value and confirms its nature as a quality domestic clock, although—as with most 19th‑century pieces—it may require adjustments to regain full precision.
Above the case rises a sculptural group of a horse trainer, modeled with dynamism and a clear narrative intention. The horse, upright and tense, conveys strength and movement; the trainer, firm and focused, provides balance and drama to the scene. This type of sculptural groups was highly valued in the Napoleonic III period, where decoration sought a theatrical and romantic effect, mixing history, nature, and technical virtuosity. The finish, bronze-like in appearance, reinforces the sense of a noble piece and makes the clock an object that transcends its function to become a salon sculpture.
The ensemble rests on a base with legs and relief ornaments, small details that complete the Second Empire aesthetic: opulent, detail-oriented, with a taste for contrast between dark surfaces and golden accents. It is a clock that not only marks time but embodies the decorative spirit of 19th‑century France, where every object was meant to tell a story and fill the space with presence.
Tracked shipping and careful packaging.
