Mblo mask - Baule - Côte d'Ivoire





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Description from the seller
Ivory Coast
Baoulé
Wood
Height: 380mm
Width: 185mm
Depth: 125mm
African wooden mask of the Baoulé ethnicity from Ivory Coast.
This anthropomorphic wooden mask is a ritual masterpiece from the Baoulé people, established in central Ivory Coast. It is more precisely a mask for entertainment and adornment called Mblo (or Ndomba), used to embody the double spirit of a famous woman in the community for her beauty, dance, or social status.
1. Formal characteristics and details of the sculpture
Baoulé art achieves in Mblo masks a perfect balance between physical idealism and technical mastery, visible through several details:
The face and scarifications: The mask offers an oval face with fine, serene features. Almond-shaped eyes are half-closed, almost introspective, topped by perfectly arched brow ridges that meet at the base of a long, straight nose. The small mouth is delicately carved in relief, slightly ajar. The forehead and temples bear small geometric scarifications in relief, fundamental identity and aesthetic marks of Baoulé culture.
The monumental trilobed hairstyle: The crown features a highly refined coiffure divided into three rounded lobes (a central ridge flanked by two wide lateral shells). The entire hair is meticulously engraved with fine, parallel, regular striations. Small twisted or braided protuberances also point downward along the sides of the forehead, enhancing the elegance of the adornment.
The patina and the back: The monoxylous wood has a dark, smooth, and glossy patina on the exterior face, achieved by friction, polishing, and application of vegetable oils. On the reverse, the marks of the adze are visible in the hollow of the mask. Also visible are lateral holes bored in the wooden border, which were used to fasten the fabric or raffia costume concealing the dancer's body.
2. Functional and ritual use: Mblo celebrations
In Baoulé tradition, Mblo masks belong to the most accessible and most profane category of the performing arts, as opposed to sacred and feared bush masks (such as the Goli or the Bonu Amuin).
A tribute to a living figure: The Mblo mask is almost always commissioned to stylize the portrait of a real woman of the community, valued for her moral or physical qualities. Although worn exclusively by men, the mask pays homage to this woman, who typically attends the performance as guest of honor.
The entertainment dances (Gbagba): These masks appear on the occasion of major village celebrations, visits by dignitaries, or funerals of respected individuals. Accompanied by an orchestra of drums and horns, the dancer performs complex choreographies, mimics scenes of daily life, or parodies human traits.
Strengthening social bonds: By combining satire, humor, music, and the celebration of beauty, Mblo mask performances act as an outlet. They help defuse tensions within the village, reaffirm moral norms, and strengthen community cohesion.
3. Symbolic meaning of aesthetics
For the Baoulé, physical beauty is the direct reflection of inner beauty and moral integrity. The half-closed eyes express restraint, dignity, and self-respect; the high, open forehead symbolizes intelligence and spiritual maturity; finally, the complex hairstyle testifies to cultural refinement and order in the face of the wilderness of the bush. This mask does not seek to be a realistic copy of its model, but rather an embodiment of the social and aesthetic perfection of the ideal African woman..
Fast and secure shipping. Parcels are sent with a tracking number. Delivery between 1 to 3 days in France with Chronopost, 2 to 5 days across the European Union with Chronopost International. Delivery with Colissimo International in the rest of Europe and worldwide
We speak english.
Mask african art Afrokanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrokanische Maskenkunst
Máscara de estatua de galería de arte africano
Seller's Story
Ivory Coast
Baoulé
Wood
Height: 380mm
Width: 185mm
Depth: 125mm
African wooden mask of the Baoulé ethnicity from Ivory Coast.
This anthropomorphic wooden mask is a ritual masterpiece from the Baoulé people, established in central Ivory Coast. It is more precisely a mask for entertainment and adornment called Mblo (or Ndomba), used to embody the double spirit of a famous woman in the community for her beauty, dance, or social status.
1. Formal characteristics and details of the sculpture
Baoulé art achieves in Mblo masks a perfect balance between physical idealism and technical mastery, visible through several details:
The face and scarifications: The mask offers an oval face with fine, serene features. Almond-shaped eyes are half-closed, almost introspective, topped by perfectly arched brow ridges that meet at the base of a long, straight nose. The small mouth is delicately carved in relief, slightly ajar. The forehead and temples bear small geometric scarifications in relief, fundamental identity and aesthetic marks of Baoulé culture.
The monumental trilobed hairstyle: The crown features a highly refined coiffure divided into three rounded lobes (a central ridge flanked by two wide lateral shells). The entire hair is meticulously engraved with fine, parallel, regular striations. Small twisted or braided protuberances also point downward along the sides of the forehead, enhancing the elegance of the adornment.
The patina and the back: The monoxylous wood has a dark, smooth, and glossy patina on the exterior face, achieved by friction, polishing, and application of vegetable oils. On the reverse, the marks of the adze are visible in the hollow of the mask. Also visible are lateral holes bored in the wooden border, which were used to fasten the fabric or raffia costume concealing the dancer's body.
2. Functional and ritual use: Mblo celebrations
In Baoulé tradition, Mblo masks belong to the most accessible and most profane category of the performing arts, as opposed to sacred and feared bush masks (such as the Goli or the Bonu Amuin).
A tribute to a living figure: The Mblo mask is almost always commissioned to stylize the portrait of a real woman of the community, valued for her moral or physical qualities. Although worn exclusively by men, the mask pays homage to this woman, who typically attends the performance as guest of honor.
The entertainment dances (Gbagba): These masks appear on the occasion of major village celebrations, visits by dignitaries, or funerals of respected individuals. Accompanied by an orchestra of drums and horns, the dancer performs complex choreographies, mimics scenes of daily life, or parodies human traits.
Strengthening social bonds: By combining satire, humor, music, and the celebration of beauty, Mblo mask performances act as an outlet. They help defuse tensions within the village, reaffirm moral norms, and strengthen community cohesion.
3. Symbolic meaning of aesthetics
For the Baoulé, physical beauty is the direct reflection of inner beauty and moral integrity. The half-closed eyes express restraint, dignity, and self-respect; the high, open forehead symbolizes intelligence and spiritual maturity; finally, the complex hairstyle testifies to cultural refinement and order in the face of the wilderness of the bush. This mask does not seek to be a realistic copy of its model, but rather an embodiment of the social and aesthetic perfection of the ideal African woman..
Fast and secure shipping. Parcels are sent with a tracking number. Delivery between 1 to 3 days in France with Chronopost, 2 to 5 days across the European Union with Chronopost International. Delivery with Colissimo International in the rest of Europe and worldwide
We speak english.
Mask african art Afrokanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrokanische Maskenkunst
Máscara de estatua de galería de arte africano
