Maternity statue - Baule - Côte d'Ivoire






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Baoulé maternity statue from Côte d'Ivoire, carved in wood with a natural fibre cord, standing about 55 cm high and in good condition.
Description from the seller
Ivory Coast
Baoulé
Wood and cord
Height: 550 mm
Width: 110 mm
Depth: 140 mm
This 55 cm tall wooden sculpture is a classical and powerful representation of motherhood, originating from the Baoulé ethnic group of Ivory Coast. It portrays a standing female figure bearing her child, a universal theme but here treated according to the strict aesthetic and spiritual codes of Akan culture.
Here is a detailed analysis of its origin, stylistic criteria, and ritual uses.
1. Origin and Stylistic Characteristics
Baoulé art is distinguished by its search for harmony, symmetry, and the finesse of detail. This statue brings together the most prestigious markers of this style:
The Maternity Iconography: The woman carries a child strapped to her back. The child tightly embraces the mother's torso, its small legs gripping her hips with great natural ease.
The Somitale Hairdo: The mother's head is crowned with a monumental, tiered headpiece or headdress, ending in a very graphic conical or pointed shape. This elaborately crafted coiffure expresses high social status, nobility, and dignity.
Cheloid Scarifications: The body of the statue is richly adorned with traditional raised scarifications (cheloids). Distinct vertical and horizontal series appear on the face (around the mouth and on the cheeks), on the chest, as well as a very dense geometric pattern on the protruding abdomen surrounding the navel. Among the Baoulé, these marks are symbols of civilization, ideal beauty, and cultural belonging.
Ritual Elements and Patina: The statue features a dark, crusty patina in places, evidence of its age and ritual handling. There is also a cord or link made of natural fibers tied around the mother's neck, an addition often linked to devotion practices or protective rituals.
2. Functional and Ritual Use
In Baoulé society, a maternity statue of this size fulfills major spiritual and therapeutic roles:
A. The Cult of Fertility and Protection
The depiction of a mother carrying her child is the ultimate symbol of lineage continuity and life.
These statues were frequently commissioned by women or couples facing infertility issues, or who had suffered the painful loss of young children.
Under the guidance of a diviner (wanzan), the statue became the receptacle for protective spirits. The woman would care for it, wash it, oil it with oil or kaolin, and make symbolic offerings to encourage a pregnancy to term and to protect the newborn from invisible forces or diseases.
B. The Wife from the Beyond (Blolo Bla)
Although the maternity theme is very specific, this sculpture can also represent a particularly honored form of Blolo Bla (the spouse of the spirit world).
If the diviner considered that a man’s spiritual wife required being depicted as an accomplished mother to appease her jealousy or to address an imbalance in the person’s earthly life, such a statuette would be carved.
Luxurious details (complex scarifications, high coiffure) serve to flatter the spirit so that it grants its blessing (prosperity, health, offspring) to the earthly home.
In summary
This 55 cm Baoulé maternity figure is a superb example of West African ritual art. Through the balance of its shapes and the richness of its body motifs, it embodies not only the Akan aesthetic ideal but also the deep hopes of protection, fertility, and a sacred link between the living world and the world of the ancestors.
Items are shipped with insurance and tracking number.
Fast and secure shipping. Parcels are sent Monday through Saturday.
Delivery between 1 to 3 days in France, 2 to 5 days across Europe.
Seller's Story
Ivory Coast
Baoulé
Wood and cord
Height: 550 mm
Width: 110 mm
Depth: 140 mm
This 55 cm tall wooden sculpture is a classical and powerful representation of motherhood, originating from the Baoulé ethnic group of Ivory Coast. It portrays a standing female figure bearing her child, a universal theme but here treated according to the strict aesthetic and spiritual codes of Akan culture.
Here is a detailed analysis of its origin, stylistic criteria, and ritual uses.
1. Origin and Stylistic Characteristics
Baoulé art is distinguished by its search for harmony, symmetry, and the finesse of detail. This statue brings together the most prestigious markers of this style:
The Maternity Iconography: The woman carries a child strapped to her back. The child tightly embraces the mother's torso, its small legs gripping her hips with great natural ease.
The Somitale Hairdo: The mother's head is crowned with a monumental, tiered headpiece or headdress, ending in a very graphic conical or pointed shape. This elaborately crafted coiffure expresses high social status, nobility, and dignity.
Cheloid Scarifications: The body of the statue is richly adorned with traditional raised scarifications (cheloids). Distinct vertical and horizontal series appear on the face (around the mouth and on the cheeks), on the chest, as well as a very dense geometric pattern on the protruding abdomen surrounding the navel. Among the Baoulé, these marks are symbols of civilization, ideal beauty, and cultural belonging.
Ritual Elements and Patina: The statue features a dark, crusty patina in places, evidence of its age and ritual handling. There is also a cord or link made of natural fibers tied around the mother's neck, an addition often linked to devotion practices or protective rituals.
2. Functional and Ritual Use
In Baoulé society, a maternity statue of this size fulfills major spiritual and therapeutic roles:
A. The Cult of Fertility and Protection
The depiction of a mother carrying her child is the ultimate symbol of lineage continuity and life.
These statues were frequently commissioned by women or couples facing infertility issues, or who had suffered the painful loss of young children.
Under the guidance of a diviner (wanzan), the statue became the receptacle for protective spirits. The woman would care for it, wash it, oil it with oil or kaolin, and make symbolic offerings to encourage a pregnancy to term and to protect the newborn from invisible forces or diseases.
B. The Wife from the Beyond (Blolo Bla)
Although the maternity theme is very specific, this sculpture can also represent a particularly honored form of Blolo Bla (the spouse of the spirit world).
If the diviner considered that a man’s spiritual wife required being depicted as an accomplished mother to appease her jealousy or to address an imbalance in the person’s earthly life, such a statuette would be carved.
Luxurious details (complex scarifications, high coiffure) serve to flatter the spirit so that it grants its blessing (prosperity, health, offspring) to the earthly home.
In summary
This 55 cm Baoulé maternity figure is a superb example of West African ritual art. Through the balance of its shapes and the richness of its body motifs, it embodies not only the Akan aesthetic ideal but also the deep hopes of protection, fertility, and a sacred link between the living world and the world of the ancestors.
Items are shipped with insurance and tracking number.
Fast and secure shipping. Parcels are sent Monday through Saturday.
Delivery between 1 to 3 days in France, 2 to 5 days across Europe.
