Sculpture, Chinees Ruiterbeeld - 31.5 cm - Earthenware






Thirty years' experience in decorative objects and two decades as shop owner.
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 136274 reviews
Rated Excellent on Trustpilot.
A Ming Dynasty Chinese three-colour ceramic horse statue, unsigned, 30 × 31.5 × 9 cm, sold with stand, from China, in good condition.
Description from the seller
This sculpture is inspired by the typical rider figures from the Tang dynasty. The Tang dynasty (618-960) is generally regarded as the zenith of Chinese civilization and ushered in a long period of prosperity, peace, and stability. Most of the three-colored pottery was produced as grave goods (minqi). Around the capital Chang’an there were several large workshops dedicated to producing such figures. In the graves of high-ranking individuals, pottery of all sizes and kinds was interred. Thus there were figures meant to guard the tomb against malignant spirits from the underworld and figures to please the gods.
The horse was regarded as the most favored animal figure and was often produced in molds. The animals were then considered a status symbol and were particularly popular at the imperial court. They had their own name, and some Tang emperors had portraits of their favorite horses made by court painters. Even in the afterlife, the Chinese elite did not want to miss their beloved horses. The horse also stood for speed, strength, and energy in the traditional Chinese zodiac.
This figure presumably dates from the Ming period or earlier.
Condition report: This figure shows signs of normal wear but no visible damage or cracks.
Provenance: This figure was part of a private collection from Ghent consisting of several similar figures that, based on the owners’ inventory, were purchased from various dealers in Belgium and France between May 2001 and August 2011.
This sculpture is inspired by the typical rider figures from the Tang dynasty. The Tang dynasty (618-960) is generally regarded as the zenith of Chinese civilization and ushered in a long period of prosperity, peace, and stability. Most of the three-colored pottery was produced as grave goods (minqi). Around the capital Chang’an there were several large workshops dedicated to producing such figures. In the graves of high-ranking individuals, pottery of all sizes and kinds was interred. Thus there were figures meant to guard the tomb against malignant spirits from the underworld and figures to please the gods.
The horse was regarded as the most favored animal figure and was often produced in molds. The animals were then considered a status symbol and were particularly popular at the imperial court. They had their own name, and some Tang emperors had portraits of their favorite horses made by court painters. Even in the afterlife, the Chinese elite did not want to miss their beloved horses. The horse also stood for speed, strength, and energy in the traditional Chinese zodiac.
This figure presumably dates from the Ming period or earlier.
Condition report: This figure shows signs of normal wear but no visible damage or cracks.
Provenance: This figure was part of a private collection from Ghent consisting of several similar figures that, based on the owners’ inventory, were purchased from various dealers in Belgium and France between May 2001 and August 2011.
