Marcel Mendez - Fragmented Face # 63 -XL- ( No reserve )






Studied art history at Ecole du Louvre and specialised in contemporary art for over 25 years.
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Marcel Mendez presents Fragmented Face # 63 -XL- (No reserve), a 2026 original acrylic painting on canvas in a neocubist, double-portrait style, 100 cm high by 70 cm wide, signed by hand and in excellent condition, from the Las 1000 Caras series and sold directly by the artist.
Description from the seller
Title: Fragmented Faces #63
Series: The 1000 Faces
Technique: Acrylic on canvas
This work offers a magnificent and symmetrical exploration of duality through a double portrait with a neocubist and synthetic cut. On a clean, flat light blue background, two identical anthropomorphic figures are presented in parallel, engaging in a visual dialogue based on repetition and reflection. Each face is vertically split by a sharp central black line. In both figures, one half of the head is tanned in absolute black and the other in delicate pale pink, with the eyelids alternating in vibrant yellow and carmine red tones. Geometric details such as the circular bright red cheekbones and the linear earrings that subtly hang accentuate the graphic character of the composition. Both silhouettes wear jackets in the same blue hue as the background, topped with stiff collars in a bright red that serve as a powerful chromatic anchor at the bottom of the painting.
The result is a sophisticated painting that blends traditional portraiture with geometric abstraction and synthetic cubism. The vibrant color palette and the sharp hard-edge lines create a visually compelling piece. It is an ideal work for collectors seeking a fusion between figurative art and modern abstraction, adding a distinguished and avant-garde presence to any space.
The canvas is carefully rolled and securely packaged in a sturdy tube for shipment.
The images you are viewing now are examples of how the artwork can look when framed and hung on a wall.
⸻
Unique work
Mixed media on canvas
Year: 2026
Art Series:
The 1000 Faces is an evolving artistic project conceived as a collection in progress, intended both from its conceptual value and its projection in the contemporary art market. The series proposes the creation of 1000 original works, each unique, numbered and linked to a single recognizable visual language, which makes the set a solid and collectible body of work.
My artistic practice centers on reinterpretation of the portrait through a geometric and contemporary approach. Each face is built using color planes, defined lines, and fragmented structures that generate compositions that are balanced yet dynamically altered. This tension between order and rupture gives each piece its own identity, while maintaining coherence within the series.
The use of color is intentional and strategic: contrasts between warm and cool tones that provide visual strength and immediate appeal, qualities particularly valued on platforms like Catawiki, where first impressions are key. The clean, modern, and highly recognizable compositions facilitate integration into different spaces, both private and professional.
From a collection perspective, The 1000 Faces is conceived as a progressive opportunity for acquisition. Each work is numbered (for example, #001 / 1000), reinforcing its limited character within the global project and adding long-term value. As the series grows, so does its relevance and coherence as a whole, increasing interest for collectors.
This project not only offers visually striking pieces but also a clear and consistent narrative: an exploration of contemporary identity through repetition, variation, and formal synthesis. In the context of online sales, these qualities allow positioning each work not only as a decorative piece but as part of an artistic project with vision, continuity, and potential for value appreciation.
The 1000 Faces is designed to be collected, evolved, and consolidated as a recognizable series within accessible contemporary art.
Title: Fragmented Faces #63
Series: The 1000 Faces
Technique: Acrylic on canvas
This work offers a magnificent and symmetrical exploration of duality through a double portrait with a neocubist and synthetic cut. On a clean, flat light blue background, two identical anthropomorphic figures are presented in parallel, engaging in a visual dialogue based on repetition and reflection. Each face is vertically split by a sharp central black line. In both figures, one half of the head is tanned in absolute black and the other in delicate pale pink, with the eyelids alternating in vibrant yellow and carmine red tones. Geometric details such as the circular bright red cheekbones and the linear earrings that subtly hang accentuate the graphic character of the composition. Both silhouettes wear jackets in the same blue hue as the background, topped with stiff collars in a bright red that serve as a powerful chromatic anchor at the bottom of the painting.
The result is a sophisticated painting that blends traditional portraiture with geometric abstraction and synthetic cubism. The vibrant color palette and the sharp hard-edge lines create a visually compelling piece. It is an ideal work for collectors seeking a fusion between figurative art and modern abstraction, adding a distinguished and avant-garde presence to any space.
The canvas is carefully rolled and securely packaged in a sturdy tube for shipment.
The images you are viewing now are examples of how the artwork can look when framed and hung on a wall.
⸻
Unique work
Mixed media on canvas
Year: 2026
Art Series:
The 1000 Faces is an evolving artistic project conceived as a collection in progress, intended both from its conceptual value and its projection in the contemporary art market. The series proposes the creation of 1000 original works, each unique, numbered and linked to a single recognizable visual language, which makes the set a solid and collectible body of work.
My artistic practice centers on reinterpretation of the portrait through a geometric and contemporary approach. Each face is built using color planes, defined lines, and fragmented structures that generate compositions that are balanced yet dynamically altered. This tension between order and rupture gives each piece its own identity, while maintaining coherence within the series.
The use of color is intentional and strategic: contrasts between warm and cool tones that provide visual strength and immediate appeal, qualities particularly valued on platforms like Catawiki, where first impressions are key. The clean, modern, and highly recognizable compositions facilitate integration into different spaces, both private and professional.
From a collection perspective, The 1000 Faces is conceived as a progressive opportunity for acquisition. Each work is numbered (for example, #001 / 1000), reinforcing its limited character within the global project and adding long-term value. As the series grows, so does its relevance and coherence as a whole, increasing interest for collectors.
This project not only offers visually striking pieces but also a clear and consistent narrative: an exploration of contemporary identity through repetition, variation, and formal synthesis. In the context of online sales, these qualities allow positioning each work not only as a decorative piece but as part of an artistic project with vision, continuity, and potential for value appreciation.
The 1000 Faces is designed to be collected, evolved, and consolidated as a recognizable series within accessible contemporary art.
