Igbo pipe-smoking statuette - Igbo - Nigeria






Holds a postgraduate degree in African studies and 15 years experience in African art.
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Description from the seller
Pipe-smoking Igbo woman, Nigeria
Description
A small, finely crafted Igbo female statuette from southeastern Nigeria. It rests on a round, flat base and is carved from a single piece of very hard wood. The head, in its structure and decoration, recalls the famous Igbo “agbogho mmwo” masks — representing the spirit of a beautiful young girl from the beyond.
The face, entirely white (thanks to kaolin), bears black scarifications similar to those of the “mmwo” masks. The sculpture features a high central crest that is openwork, and the hairstyle consists of concentric relief circles (as on the Igbo “mmwo” masks).
The nose and the upper lip are bright red. The body, a uniform dark brown, is adorned with a wide collar extending over the shoulders. A decorative chain, crossed at the back, runs above the chest and back. The arms are adorned and she wears bracelets and ankle rings. The woman sits on a typical Igbo stool and holds a long-tube tobacco pipe in both hands.
A charming and rare object, of exceptional workmanship.
Height: 22 cm; width: about 8.5 cm
The Igbo People (Ibo)
The Igbo, also called Ibo, are a major ethnic group of southeastern Nigeria. They are among the country’s most influential populations, with a rich, ancient, and highly structured culture.
Igbo society is traditionally organized around autonomous villages, where decisions are made collectively by the elders and lineage heads.
There is no single central power, which distinguishes the Igbo from many other West African societies.
Traditional Igbo religion rests on belief in a supreme god, Chukwu, along with numerous secondary deities and nature- and ancestor-associated spirits. Rituals, offerings, and divination play essential roles in daily life and spiritual practice.
Igbo art is especially renowned for its masks, statues, and ritual figures.
The “agbogho mmwo” masks represent spirits of idealized young girls, symbols of beauty, purity, and spiritual perfection. Female sculptures, such as this one, are often associated with ancestors, shrines, or important ritual functions.
The Igbo are also a mercantile and agricultural society.
They notably cultivate yams, cassava, and maize, and have developed a dynamic trading network across the region.
Music, dance, and festive ceremonies occupy a central place in their culture, accompanying rites of passage, funerals, and community celebrations.
In summary, the Igbo are a West African people with a complex, deeply spiritual culture, renowned for their social organization, refined art, and strongly rooted religious traditions.
Seller's Story
Pipe-smoking Igbo woman, Nigeria
Description
A small, finely crafted Igbo female statuette from southeastern Nigeria. It rests on a round, flat base and is carved from a single piece of very hard wood. The head, in its structure and decoration, recalls the famous Igbo “agbogho mmwo” masks — representing the spirit of a beautiful young girl from the beyond.
The face, entirely white (thanks to kaolin), bears black scarifications similar to those of the “mmwo” masks. The sculpture features a high central crest that is openwork, and the hairstyle consists of concentric relief circles (as on the Igbo “mmwo” masks).
The nose and the upper lip are bright red. The body, a uniform dark brown, is adorned with a wide collar extending over the shoulders. A decorative chain, crossed at the back, runs above the chest and back. The arms are adorned and she wears bracelets and ankle rings. The woman sits on a typical Igbo stool and holds a long-tube tobacco pipe in both hands.
A charming and rare object, of exceptional workmanship.
Height: 22 cm; width: about 8.5 cm
The Igbo People (Ibo)
The Igbo, also called Ibo, are a major ethnic group of southeastern Nigeria. They are among the country’s most influential populations, with a rich, ancient, and highly structured culture.
Igbo society is traditionally organized around autonomous villages, where decisions are made collectively by the elders and lineage heads.
There is no single central power, which distinguishes the Igbo from many other West African societies.
Traditional Igbo religion rests on belief in a supreme god, Chukwu, along with numerous secondary deities and nature- and ancestor-associated spirits. Rituals, offerings, and divination play essential roles in daily life and spiritual practice.
Igbo art is especially renowned for its masks, statues, and ritual figures.
The “agbogho mmwo” masks represent spirits of idealized young girls, symbols of beauty, purity, and spiritual perfection. Female sculptures, such as this one, are often associated with ancestors, shrines, or important ritual functions.
The Igbo are also a mercantile and agricultural society.
They notably cultivate yams, cassava, and maize, and have developed a dynamic trading network across the region.
Music, dance, and festive ceremonies occupy a central place in their culture, accompanying rites of passage, funerals, and community celebrations.
In summary, the Igbo are a West African people with a complex, deeply spiritual culture, renowned for their social organization, refined art, and strongly rooted religious traditions.
