Statue "bateba" - Lobi - Burkina Faso






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Statue 'bateba' in wood from the Lobi culture of Burkina Faso, measuring 290 mm high, 80 mm wide and 75 mm deep.
Description from the seller
Burkina-Faso
Lobi
Wood
Dimensions :
Height : 290mm
Width : 80mm
Depth : 75mm
I. Origin and Stylistic Characteristics
This wooden statuette of 29 cm, heavily eroded and patinated, presents the stylistic and ritual characteristics of the artistic productions of the Lobi ethnic group, established mainly in Burkina Faso, as well as at the borders of Ivory Coast and Ghana.
This sculpture is a representative example of Lobi brut and expressionist art. Several visible elements confirm this origin:
• General morphology: A voluminous, ovoid head, a columnar torso with a protruding pointed navel, and short, massive lower limbs ending in wide, block-sculpted feet.
• Treatment of the face: Minimalist and vigorous features with eyes and lips sculpted in slight relief, as well as an application of dark pigment or black resin covering the entire front of the skull.
• Asymmetric arm posture: The left arm extends downward and backward to rest directly on the hip, while the right arm is broken at the shoulder. Among the Lobi, atypical postures (raised arms, arms behind the back, asymmetry) are not incidental: they respond to specific ritual demands.
• Condition of the wood: The dried, ravined surface marked by deep longitudinal cracks testifies to great antiquity and prolonged exposure to the elements as well as to sacrificial libations.
II. Function and Ritual Use
In Lobi culture, this statuette is called a Bateba. Far from being a mere aesthetic object, the bateba is considered a living and sacred being, an direct intermediary between the world of humans and the spirits of the bush called the Thila (singular: Thil).
• The diviner’s injunction: The creation of such a statuette is always ordered by a diviner (thildar). It is he who dictates the particular posture and the role of the object to respond to a specific problem faced by a family (illness, poor harvest, need for protection).
• Protection of the domestic altar: Once carved, it is installed on the family altar of the sanctuary (thilduo). Its main mission is to materialize the presence of the spirits in order to ward off sorcerous forces, diseases and harmful intentions.
• A spiritual shield: The unique position of the arms (here the folded arm placed behind the back) often symbolizes vigilance, counter-attack, or the action of “blocking” passage of malign influences. Bateba are designed to actively intercept evil on behalf of their owners.
Rapid and protected shipping. Packages are sent with a tracking number. Delivery from 1 to 3 days in France via Chronopost, 2 to 5 days across the European Union via Chronopost International. Delivery via Colissimo International to the rest of Europe and worldwide
We speak english.
Mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
Máscara de estatua de galería de arte africano
Seller's Story
Burkina-Faso
Lobi
Wood
Dimensions :
Height : 290mm
Width : 80mm
Depth : 75mm
I. Origin and Stylistic Characteristics
This wooden statuette of 29 cm, heavily eroded and patinated, presents the stylistic and ritual characteristics of the artistic productions of the Lobi ethnic group, established mainly in Burkina Faso, as well as at the borders of Ivory Coast and Ghana.
This sculpture is a representative example of Lobi brut and expressionist art. Several visible elements confirm this origin:
• General morphology: A voluminous, ovoid head, a columnar torso with a protruding pointed navel, and short, massive lower limbs ending in wide, block-sculpted feet.
• Treatment of the face: Minimalist and vigorous features with eyes and lips sculpted in slight relief, as well as an application of dark pigment or black resin covering the entire front of the skull.
• Asymmetric arm posture: The left arm extends downward and backward to rest directly on the hip, while the right arm is broken at the shoulder. Among the Lobi, atypical postures (raised arms, arms behind the back, asymmetry) are not incidental: they respond to specific ritual demands.
• Condition of the wood: The dried, ravined surface marked by deep longitudinal cracks testifies to great antiquity and prolonged exposure to the elements as well as to sacrificial libations.
II. Function and Ritual Use
In Lobi culture, this statuette is called a Bateba. Far from being a mere aesthetic object, the bateba is considered a living and sacred being, an direct intermediary between the world of humans and the spirits of the bush called the Thila (singular: Thil).
• The diviner’s injunction: The creation of such a statuette is always ordered by a diviner (thildar). It is he who dictates the particular posture and the role of the object to respond to a specific problem faced by a family (illness, poor harvest, need for protection).
• Protection of the domestic altar: Once carved, it is installed on the family altar of the sanctuary (thilduo). Its main mission is to materialize the presence of the spirits in order to ward off sorcerous forces, diseases and harmful intentions.
• A spiritual shield: The unique position of the arms (here the folded arm placed behind the back) often symbolizes vigilance, counter-attack, or the action of “blocking” passage of malign influences. Bateba are designed to actively intercept evil on behalf of their owners.
Rapid and protected shipping. Packages are sent with a tracking number. Delivery from 1 to 3 days in France via Chronopost, 2 to 5 days across the European Union via Chronopost International. Delivery via Colissimo International to the rest of Europe and worldwide
We speak english.
Mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
Máscara de estatua de galería de arte africano
