Punu-Lumbu ancestor statue - Gabon






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Description from the seller
Origin. Gabon
Tribe name. Bapunou
Material. Wood
Dimension. 52 cm
Shipping mode. Colissimo within 24-48h open.
This decorative wooden sculpture is a magnificent representation of a maternity figure (phemba or pfemba), deeply rooted in the artistic traditions of the Ogooué basin cultural area of Gabon, and more precisely associated with the Punu, Lumbo peoples, or related groups (such as neighboring Vili or Yombe, which share strong stylistic influences).
The Face and the Hairstyle: The face features the classic and idealized traits of feminine beauty according to the region’s standards. The eyes are almond-shaped, half-closed, evoking serenity, inner life, or a link with the spirit world. The hairstyle is particularly elaborate, structured in braids or rounded coils, topped with a crest or a summit bun (often called poko).
The Adornments: The figure wears a rigid collar or neck ring clearly marked, highlighting an upright head carriage.
The Theme of Motherhood
The Posture: The mother is depicted standing on an integrated circular base, with legs slightly bent.
The Child: She lovingly holds her child horizontally or slightly inclined at the hips, supported by both hands. The child is carved with care, its own face turned upward toward the mother.
Symbolism: Among the Punu and Lumbo, the motherhood figure is not just a simple scene of daily life. It embodies lineage continuity, fertility, the protection of offspring, and the sacred bond with ancestors who grant life.
Cultural Context and Use
These statuettes were typically kept in family or clan shrines, or used by secret societies and diviners. They could serve to:
• Encourage the fertility of the women of the community.
• Protect pregnant women and newborns from evil spirits or illnesses.
• Serve as a receptacle for the spirit of a protective ancestor.
Origin. Gabon
Tribe name. Bapunou
Material. Wood
Dimension. 52 cm
Shipping mode. Colissimo within 24-48h open.
This decorative wooden sculpture is a magnificent representation of a maternity figure (phemba or pfemba), deeply rooted in the artistic traditions of the Ogooué basin cultural area of Gabon, and more precisely associated with the Punu, Lumbo peoples, or related groups (such as neighboring Vili or Yombe, which share strong stylistic influences).
The Face and the Hairstyle: The face features the classic and idealized traits of feminine beauty according to the region’s standards. The eyes are almond-shaped, half-closed, evoking serenity, inner life, or a link with the spirit world. The hairstyle is particularly elaborate, structured in braids or rounded coils, topped with a crest or a summit bun (often called poko).
The Adornments: The figure wears a rigid collar or neck ring clearly marked, highlighting an upright head carriage.
The Theme of Motherhood
The Posture: The mother is depicted standing on an integrated circular base, with legs slightly bent.
The Child: She lovingly holds her child horizontally or slightly inclined at the hips, supported by both hands. The child is carved with care, its own face turned upward toward the mother.
Symbolism: Among the Punu and Lumbo, the motherhood figure is not just a simple scene of daily life. It embodies lineage continuity, fertility, the protection of offspring, and the sacred bond with ancestors who grant life.
Cultural Context and Use
These statuettes were typically kept in family or clan shrines, or used by secret societies and diviners. They could serve to:
• Encourage the fertility of the women of the community.
• Protect pregnant women and newborns from evil spirits or illnesses.
• Serve as a receptacle for the spirit of a protective ancestor.
