Cesare Frugiuele - Gustav. Forma. Colore.





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Cesare Frugiuele presents Gustav. Forma. Colore., a two‑piece acrylic on cardboard diptych from 2022, comprising two 35×50 cm works not joined and framed under glass with a Certificate of Authenticity; original edition, Italy, in excellent condition, sold directly from the artist, with overall dimensions 50 cm high by 70 cm wide.
Description from the seller
Author: CESARE FRUGIUELE - Italy
Title: "Gustav. Form. Color." - 2022
Diptych in acrylic on cardboard, consisting of two pieces of 35x50 cm, not joined and to be framed with glass protection.
With Certificate of Authenticity.
Visit my website:
www.artepassionedivita.com
Discovering art at age thirteen, self-taught, almost by chance, was a unique, exciting experience.
Even today, sixty years later, I relive it as then.
From the beginning, I instinctively nurtured an authentic passion for drawing and painting.
Over the years, I later came to appreciate figurative art and the measured tendency toward abstraction, admiring the work of the “Greats” and constantly caring for the chromatic aspect as the protagonist.
Then, as dictated by the natural evolution of intimate artistic research, interest shifts toward new influences, new techniques.
Personal contribution transforms, becomes more intimate and reworked, at times positively conditioned also by the primordial sign-like expressions of the human being.
The throughline of the journey, even amid the alternation of apparent stylistic changes, never manages to renounce the impulsive, spontaneous interpretation of the color of life…
Author: CESARE FRUGIUELE - Italy
Title: "Gustav. Form. Color." - 2022
Diptych in acrylic on cardboard, consisting of two pieces of 35x50 cm, not joined and to be framed with glass protection.
With Certificate of Authenticity.
Visit my website:
www.artepassionedivita.com
Discovering art at age thirteen, self-taught, almost by chance, was a unique, exciting experience.
Even today, sixty years later, I relive it as then.
From the beginning, I instinctively nurtured an authentic passion for drawing and painting.
Over the years, I later came to appreciate figurative art and the measured tendency toward abstraction, admiring the work of the “Greats” and constantly caring for the chromatic aspect as the protagonist.
Then, as dictated by the natural evolution of intimate artistic research, interest shifts toward new influences, new techniques.
Personal contribution transforms, becomes more intimate and reworked, at times positively conditioned also by the primordial sign-like expressions of the human being.
The throughline of the journey, even amid the alternation of apparent stylistic changes, never manages to renounce the impulsive, spontaneous interpretation of the color of life…

