Mask - Nigeria (No reserve price)





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Cevgimier, a Nigerian Yoruba wooden mask, 47 cm high by 26 cm wide, in good condition with age‑related wear and stains.
Description from the seller
M.
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Cevgimier, of Nigerian origin, is a typic representation of Yoruba art. The piece features distinct scarification marks on the cheeks, patterns that symbolize both identity and social status. The eyes are large and pierced, giving a vigilant expression that evokes the presence of ancestors. The stylized hairstyle reflects the attention to bodily details in Yoruba culture.
Magnificent African mask
The Yoruba constitute one of the largest ethnic groups in West Africa, mainly located in the southwest of Nigeria. Their society is organized around kingdoms and city-states, each with its own traditional ruler and ancient lineages. Yoruba art is distinguished by its diversity and the richness of its expressions, including sculpture, beadwork, and textiles. Yoruba religious traditions rest on the veneration of the Orisha and a deep respect for ancestors, who occupy an essential place in daily life and ritual. Art objects, like this head, are therefore the material witnesses of a complex symbolic heritage, where the role of sculpture
M.
Search
Cevgimier, of Nigerian origin, is a typic representation of Yoruba art. The piece features distinct scarification marks on the cheeks, patterns that symbolize both identity and social status. The eyes are large and pierced, giving a vigilant expression that evokes the presence of ancestors. The stylized hairstyle reflects the attention to bodily details in Yoruba culture.
Magnificent African mask
The Yoruba constitute one of the largest ethnic groups in West Africa, mainly located in the southwest of Nigeria. Their society is organized around kingdoms and city-states, each with its own traditional ruler and ancient lineages. Yoruba art is distinguished by its diversity and the richness of its expressions, including sculpture, beadwork, and textiles. Yoruba religious traditions rest on the veneration of the Orisha and a deep respect for ancestors, who occupy an essential place in daily life and ritual. Art objects, like this head, are therefore the material witnesses of a complex symbolic heritage, where the role of sculpture

