Italian school (XX) - Natura morta






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Natura morta, an oil on canvas painting from Italy dating to 1950–1960, original edition and sold with frame.
Description from the seller
“Natura morta”
Oil on canvas
Signed, (author not identified)
Period: 1940/1960
Measurements: 86 x 66 in frame contemporary
Canvas: 80 x 60 cm
Italian painting of the second half of the 20th century, probably between the 1940s and 1960s, with a post-Cubist/Expressionist language. The construction through flat areas, the monumental black jug, the fruits almost reduced to geometric shapes, and the palette of greens, ochres, browns, deep red and dirty whites recall that Italian season that passes through post-Cubist and Neo-Figurative experiences.
Composition of a still life characterized by a marked formal synthesis, with a dark jug, fruits and objects arranged on the plane according to a compact construction. The painting is carried out through chunky, material color fields, bounded by decisive dark outlines. The palette alternates greens, yellows, browns and deep reds with the white-gray tones of the background. The language shows post-Cubist and Expressionist hints, linked to the Italian figurative research of the mid-20th century. Signature difficult to read at the bottom right.
Condition report
The work presents in a discreet general state of conservation, compatible with its age. The pictorial surface shows widespread craquelure and natural signs of aging, more noticeable in the lighter areas and in certain parts of the background. There are slight abrasions, small surface irregularities and deposits consistent with the age of the work.
The canvas appears mounted on its own wooden frame and bears, on the back, traces of paint, oxidation, and the normal patina of time. The perimeter fastening system appears dated. No evident tears of particular importance are detected, although a direct examination with oblique/UV light would be necessary to identify any restorations or retouchings.
Frame: golden wood, with diffuse abrasions, small losses and signs of use along the profiles and corners, compatible with aging.
Overall, conservation conditions are consistent with the period and the execution technique.
*** Work presented without reserve / to the highest bidder
With certificate of sale and lawful provenance
The frame is considered a complimentary accessory, therefore complaints about possible damage during shipping will not be considered.
Seller's Story
“Natura morta”
Oil on canvas
Signed, (author not identified)
Period: 1940/1960
Measurements: 86 x 66 in frame contemporary
Canvas: 80 x 60 cm
Italian painting of the second half of the 20th century, probably between the 1940s and 1960s, with a post-Cubist/Expressionist language. The construction through flat areas, the monumental black jug, the fruits almost reduced to geometric shapes, and the palette of greens, ochres, browns, deep red and dirty whites recall that Italian season that passes through post-Cubist and Neo-Figurative experiences.
Composition of a still life characterized by a marked formal synthesis, with a dark jug, fruits and objects arranged on the plane according to a compact construction. The painting is carried out through chunky, material color fields, bounded by decisive dark outlines. The palette alternates greens, yellows, browns and deep reds with the white-gray tones of the background. The language shows post-Cubist and Expressionist hints, linked to the Italian figurative research of the mid-20th century. Signature difficult to read at the bottom right.
Condition report
The work presents in a discreet general state of conservation, compatible with its age. The pictorial surface shows widespread craquelure and natural signs of aging, more noticeable in the lighter areas and in certain parts of the background. There are slight abrasions, small surface irregularities and deposits consistent with the age of the work.
The canvas appears mounted on its own wooden frame and bears, on the back, traces of paint, oxidation, and the normal patina of time. The perimeter fastening system appears dated. No evident tears of particular importance are detected, although a direct examination with oblique/UV light would be necessary to identify any restorations or retouchings.
Frame: golden wood, with diffuse abrasions, small losses and signs of use along the profiles and corners, compatible with aging.
Overall, conservation conditions are consistent with the period and the execution technique.
*** Work presented without reserve / to the highest bidder
With certificate of sale and lawful provenance
The frame is considered a complimentary accessory, therefore complaints about possible damage during shipping will not be considered.
