Crest / Helmet mask - Mama - Nigeria






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Wooden mask-cimier from the Mama people of Nigeria, in good condition, with dimensions 230 × 250 × 530 mm and no stand.
Description from the seller
Nigeria
Mama
Wood
Height: 230mm
Width: 250mm
Length: 530mm
This mask-crest (or topknot) carved in wood 23 cm high comes from the Mama people (sometimes called Kantana), an ethnic group living in the upper Benue valley, in north-central Nigeria.
From an artistic standpoint, it is a remarkable example of abstraction and minimalism in West African sculpture.
1. Stylistic and Aesthetic Characteristics
The simplification of forms: Unlike other Nigerian ritual styles that are highly figurative, Mama art favors lines of extreme austerity. The mask consists of a hemispherical cap intended to embrace the crown of the dancer's head.
Zoömorphic hybridization: The sculpture very stylizedly evokes the head of a large savanna animal. The forepart forms a beak or a toothed, open jaw (sometimes recalling a bird or a crocodile), while the rear is topped by two large curved and flat horns that almost meet, magistrally portraying the savannah buffalo (Bubalus depressicornis).
The patina: The wood displays a raw, crusty, earthy patina, often linked to the application of red ochre pigments or ritual substances during ceremonies, typical of objects actively used for a long time in a traditional context.
2. Ritual Use and Significance
Among the Mama, this type of mask-crest, sometimes associated with Mangam rituals, serves fundamental social and agricultural functions:
Agrarian cult and fertility of the earth: The buffalo is a symbol of power, vitality, and a link with the wild natural world. This mask was primarily exhibited during agricultural calendar rituals (sowing, harvest celebrations) to solicit the goodwill of spirits, ensure crop abundance, and promote the fertility of the village women.
Funerary ceremonies: It also appeared at the funerals of dignitaries or important clan members to channel the energy of the deceased, purify the community, and maintain spiritual order between the world of the living and that of the ancestors.
Dance performance: Worn as a crest on top of the head, the mask was completed by a voluminous costume of palm fiber or straw that fully covered the dancer's body, turning the wearer into a moving spiritual entity during festivities.
Packages are shipped Monday to Saturday with a tracking number.
Delivery by Chronopost between 1 to 3 days in France and 2 to 5 days throughout the European Union. Delivery to the rest of Europe and the world with Colissimo International.
We speak english.
mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
Seller's Story
Nigeria
Mama
Wood
Height: 230mm
Width: 250mm
Length: 530mm
This mask-crest (or topknot) carved in wood 23 cm high comes from the Mama people (sometimes called Kantana), an ethnic group living in the upper Benue valley, in north-central Nigeria.
From an artistic standpoint, it is a remarkable example of abstraction and minimalism in West African sculpture.
1. Stylistic and Aesthetic Characteristics
The simplification of forms: Unlike other Nigerian ritual styles that are highly figurative, Mama art favors lines of extreme austerity. The mask consists of a hemispherical cap intended to embrace the crown of the dancer's head.
Zoömorphic hybridization: The sculpture very stylizedly evokes the head of a large savanna animal. The forepart forms a beak or a toothed, open jaw (sometimes recalling a bird or a crocodile), while the rear is topped by two large curved and flat horns that almost meet, magistrally portraying the savannah buffalo (Bubalus depressicornis).
The patina: The wood displays a raw, crusty, earthy patina, often linked to the application of red ochre pigments or ritual substances during ceremonies, typical of objects actively used for a long time in a traditional context.
2. Ritual Use and Significance
Among the Mama, this type of mask-crest, sometimes associated with Mangam rituals, serves fundamental social and agricultural functions:
Agrarian cult and fertility of the earth: The buffalo is a symbol of power, vitality, and a link with the wild natural world. This mask was primarily exhibited during agricultural calendar rituals (sowing, harvest celebrations) to solicit the goodwill of spirits, ensure crop abundance, and promote the fertility of the village women.
Funerary ceremonies: It also appeared at the funerals of dignitaries or important clan members to channel the energy of the deceased, purify the community, and maintain spiritual order between the world of the living and that of the ancestors.
Dance performance: Worn as a crest on top of the head, the mask was completed by a voluminous costume of palm fiber or straw that fully covered the dancer's body, turning the wearer into a moving spiritual entity during festivities.
Packages are shipped Monday to Saturday with a tracking number.
Delivery by Chronopost between 1 to 3 days in France and 2 to 5 days throughout the European Union. Delivery to the rest of Europe and the world with Colissimo International.
We speak english.
mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
