Fertility Fetish - Kongo / Bakongo - DR Congo






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Description from the seller
Democratic Republic of the Congo (DRC)
Kongo
Wood, patina of use.
Height: 390mm + base 55mm
Width: 110mm
Depth: 90mm
Origin statuette Kongo (more precisely from the Yombe or Woyo sub-group, in the region of the Congo River estuary).
Here are the typical elements that confirm its origin and use:
1. Kongo / Yombe stylistic markers
Several characteristic clues do not lie:
The headdress (Mpu): This high rounded cap, or mitre-shaped, represents the traditional hat woven from raffia fiber, worn exclusively by clan leaders or high-ranking women.
The gaze and inlaid eyes: The white eyes, often originally made with shards of mirror, glass, or imported porcelain, are a major signature of Kongo art. They symbolize the character’s ability to see beyond the visible world and to communicate with the realm of the dead (Mpemba).
The open mouth and carved teeth: One can see the dentition through slightly parted lips, a common aesthetic and ritual practice in this region.
The kneeling posture: Unlike Baoulé statues which are almost always standing, the kneeling (or seated in a cross-legged posture) on a square pedestal is very common among the Kongo. It is an attitude of respect, devotion and dignity.
The geometric scarifications: The relief patterns on the shoulders and upper back are typical of Yombe female adornments.
2. Sacred use and function
In Kongo culture, such a female figurine has an important ritual function:
Ancestor worship and fertility: These pieces (sometimes close to the maternity figures known as Pfemba, even if this one does not bear a child) embody the founding female ancestor of the lineage. The Kongo society is matrilineal, and women are the pillar of the transmission of power and life.
Spiritual intermediary for the Nganga: This statue served as a receptacle or anchor for spirits. It was used by the diviner-healer (the Nganga) during rituals aimed at healing fertility problems, protecting the community, or legitimizing the power of a clan chief.
Packages are sent from Monday to Saturday with insurance and tracking number.
Delivery between 1 to 3 days in France with Chronopost, 2 to 5 days across the European Union.
Delivery in the rest of Europe and worldwide with international Colissimo.
We speak english
Mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
Máscara de estatua de galería de arte africano
Seller's Story
Democratic Republic of the Congo (DRC)
Kongo
Wood, patina of use.
Height: 390mm + base 55mm
Width: 110mm
Depth: 90mm
Origin statuette Kongo (more precisely from the Yombe or Woyo sub-group, in the region of the Congo River estuary).
Here are the typical elements that confirm its origin and use:
1. Kongo / Yombe stylistic markers
Several characteristic clues do not lie:
The headdress (Mpu): This high rounded cap, or mitre-shaped, represents the traditional hat woven from raffia fiber, worn exclusively by clan leaders or high-ranking women.
The gaze and inlaid eyes: The white eyes, often originally made with shards of mirror, glass, or imported porcelain, are a major signature of Kongo art. They symbolize the character’s ability to see beyond the visible world and to communicate with the realm of the dead (Mpemba).
The open mouth and carved teeth: One can see the dentition through slightly parted lips, a common aesthetic and ritual practice in this region.
The kneeling posture: Unlike Baoulé statues which are almost always standing, the kneeling (or seated in a cross-legged posture) on a square pedestal is very common among the Kongo. It is an attitude of respect, devotion and dignity.
The geometric scarifications: The relief patterns on the shoulders and upper back are typical of Yombe female adornments.
2. Sacred use and function
In Kongo culture, such a female figurine has an important ritual function:
Ancestor worship and fertility: These pieces (sometimes close to the maternity figures known as Pfemba, even if this one does not bear a child) embody the founding female ancestor of the lineage. The Kongo society is matrilineal, and women are the pillar of the transmission of power and life.
Spiritual intermediary for the Nganga: This statue served as a receptacle or anchor for spirits. It was used by the diviner-healer (the Nganga) during rituals aimed at healing fertility problems, protecting the community, or legitimizing the power of a clan chief.
Packages are sent from Monday to Saturday with insurance and tracking number.
Delivery between 1 to 3 days in France with Chronopost, 2 to 5 days across the European Union.
Delivery in the rest of Europe and worldwide with international Colissimo.
We speak english
Mask african art Afrikanische Maskenkunst arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
Máscara de estatua de galería de arte africano
