Lluís Domingo Abelló (1917) - NO RESERVE - Bodegón con sandía

Pictura Subastas presents this magnificent artwork by Domingo Abelló, depicting a colorful still life with a overflowing central fountain of fruits and vegetables, accompanied by a green bottle, a white bulb, and a juicy slice of watermelon. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Dimensions of the work: 32.5 x 41 x 1 cm.
· Oil on paper signed by the artist in the lower right, Domingo Abelló.
· The piece is in good conservation condition.

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description. Digital representation in a rough mockup; there may be differences with the actual article in color, scale, and details.

The painting will be professionally packaged by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packaging and the transportation itself.
Shipping will be carried out by Correos, GLS, or NACEX with tracking. International shipping available.

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This painting presents a vibrant still life featuring a large overflowing fountain of fruits and vegetables, accompanied by a green bottle, a fruit piece in the foreground, a white bulb, and an intense watermelon slice. The composition brings together greens, yellows, oranges, reds, purples, and whites on a bright background, creating a scene full of vitality and warmth. The foods appear distributed abundantly and spontaneously, as a celebration of the earth, cooking, and the simple pleasures of everyday life.

The large fountain occupies the central area and functions as the main element. Its wide, oval shape extends horizontally, providing a solid base for the pieces it contains. The vessel is depicted with whites, light greens, turquoises, and small gray reflections.

The edge of the fountain forms an ascending curve that embracing the fruits and vegetables. This line helps organize the abundance of rounded and elongated forms. The green and dark outlines separate the vessel from the background and reinforce its presence.

The exterior surface of the fountain presents broad white areas combined with greenish stripes. These variations suggest reflections, decoration, or changes in lighting. The clarity of the vessel contrasts with the intense colors of its contents.

At the center, a large green and rounded piece stands out, possibly a squash, a melon, or a similarly shaped vegetable. Its volume occupies a good portion of the fountain and becomes the main chromatic nucleus. The greens, dark greens, turquoises, grays, and yellows build its surface.

Several curved lines traverse this central piece and suggest its lobed shape. Light reflections concentrate on the top and front, while deep shadows appear around the base. Its size provides stability and a sense of abundance.

To the left of the green vegetable appears a red-toned rounded fruit. Its reds, oranges, ochres, and yellows create an attractive contrast with the greens. The piece seems to rest on the edge of the fountain and is partially hidden by the foods behind it.

The surface of this fruit shows color changes suggesting ripeness and an irregular skin. Some areas appear lit, while others darken toward the edges. Its rounded shape dialogues with the large green piece and the orange fruit on the right.

On the right side of the fountain stands a large fruit in yellow and orange tones. Its almost circular volume occupies an important position and visually balances the reddish piece on the opposite side. Warm colors bring brightness and energy.

The fruit features a central yellow zone surrounded by oranges, ochers, and small greenish contours. This chromatic sequence provides volume and suggests an orange, a peach, or a ripe seasonal piece. Its appearance conveys sweetness and fullness.

Above the rounded fruits extends a long shape in intense yellow. It could be a pepper, a elongated squash, a banana, or a similar vegetable. Its diagonal direction introduces dynamism and connects both ends of the fountain.

The yellow form combines greens on the stem, bright yellows, ochers, and small orange reflections. Its curvature breaks the repetition of circular shapes and adds variety. Being placed at the top, it becomes one of the most visible elements.

Below it appears a dark violet piece that can be associated with an eggplant or similar fruit. Its violets, blacks, and grays contrast strongly with the yellow above. This chromatic opposition enriches the upper area of the composition.

The violet piece is partially hidden, but its rounded and elongated shape can be recognized among the other fruits. Some light reflections run across its surface and reveal its volume. Its darkness provides depth to the fountain.

At the rear another fruit in reddish-orange tones is visible. Its rounded shape appears almost covered by the yellow element. The reds establish a dialogue with the watermelon and the fruit on the left.

The accumulation of foods transmits a sense of an abundant harvest. The pieces are not aligned or rigidly organized; they overlap naturally. This spontaneous arrangement adds life and prevents the scene from feeling overly calculated.

The fountain seems to overflow toward the viewer. Some fruits approach the edge and others protrude above. This organization creates depth and conveys the impression that the vessel can hardly contain all the gathered abundance.

On the left rises a tall green bottle. Its vertical silhouette contrasts with the fountain's horizontality and the rounded shapes of the fruits. The bottle acts as an important balancing point.

The neck is narrow and elongated, while the body widens at the bottom. The dark greens, blacks, turquoises, and blues build the transparency and volume of the glass. Some clear reflections run across the surface.

A wide blue-toned area lights the left side of the bottle. This stripe suggests a reflection from the surroundings and prevents the object from appearing completely dark. The combination of blue and green adds freshness.

The black and intensely green outline defines the bottle clearly against the bright background. Its lower part is partially hidden by a yellow fruit in front. This overlap reinforces the depth of the foreground.

The bottle introduces an indirect human presence. It could contain water, wine, or oil and be part of a table set for cooking or sharing a meal. Its presence links the foods with domestic life.

In front of the bottle appears a yellow-orange fruit. Its rounded shape rests at the lower left. The green and brown reflections suggest shadows from the bottle and the surroundings.

This piece visually balances the watermelon slice on the right side. Both occupy the lower extremes and create a warm frame for the central fountain. The yellow fruit adds light, while the watermelon concentrates the deepest red.

In the lower center is a white bulb, possibly an onion or a head of garlic. Its oval shape is constructed with whites, creams, pale greens, and small bluish reflections. The clarity of this piece stands out against the intense colors around it.

The bulb features soft curved lines that suggest layers or folds. Its white color introduces a visual pause between the yellow fruit and the watermelon. It also establishes a chromatic relationship with the fountain.

The position of the bulb in the foreground makes it a near-to-view element. Its simplicity contrasts with the abundance of the central vessel. This detail recalls everyday ingredients that are part of cooking and domestic life.

On the right appears a large slice of watermelon. Its interior is a deep red surrounded by a green rind and a light band. The semicircular shape adds variety and becomes one of the most striking focal points.

The pulp red includes carmine, orange, white, and small dark shadows. The curved lines across its interior suggest the fruit's volume and juiciness. The chromatic intensity animates the entire right side.

The rind features dark greens, turquoises, and whites. These bands clearly delimit the pulp and connect the watermelon with the greenish tones of the fountain and the bottle. The contrast between exterior and interior reinforces the shape.

The watermelon seems to lean on the table, with the cut part oriented toward the viewer. This arrangement allows viewing its interior and adds a sensory dimension. The fruit evokes freshness, summer, and sweetness.

Behind the objects appear several yellow and ocher shapes that could correspond to chair backs, containers, or furniture elements. Their vertical and rectangular lines create a secondary structure. The warm color helps frame the fountain.

At the far right a clearer one of these shapes is distinguished. Its upper part is wide and yellow, while the lower part incorporates browns and greenish reflections. The watermelon partially hides its base, creating an interesting overlap.

To the left of the fountain appears another similar yellow element. Together with the one on the right, they create a certain symmetry. These forms provide stability and allow imagining the still life arranged on a table in a domestic space.

The surface on which the objects rest is dominated by yellows, ochers, creams, greens, and small browns. These warm tones make the foods stand out and create a cozy atmosphere. The table seems to gather the reflections of the fruits.

The background is built with whites, creams, very light grays, and small greenish nuances. Its brightness avoids competing with the main objects. Some vertical and diagonal lines add movement and suggest an illuminated wall.

The greenish areas of the background establish a connection with the bottle, the fountain, and the central vegetable. The whites widen the sense of light and freshness. This harmony keeps the unity of the set despite the color diversity.

The composition combines circular, oval, and elongated shapes. Round fruits provide stability; the bottle and the yellow shapes add verticality; and the elongated vegetable introduces a diagonal. This variety prevents monotony.

Dark outlines delineate many objects and allow each to retain its identity. At the same time, some colors blend at contact zones. The whole conveys unity without losing diversity.

The color range centers around greens, yellows, reds, and whites. Violets and blues add depth, while oranges introduce warmth. This combination creates a cheerful and energetic scene.

Cool colors concentrate in the bottle, the fountain, and the central vegetable. Warm colors dominate the fruits, the watermelon, and the table background. This balance visually organizes the different elements.

Light seems to come from the front and top. It illuminates the fruits, the vessel, and the white bulb, while leaving small shadows under the objects. The overall clarity conveys a sense of freshness and vitality.

The absence of human figures concentrates attention on the foods, but the objects evoke a nearby presence. The bottle, the fountain, and the fruits seem prepared for a meal, a kitchen, or a domestic gathering. The scene conveys hospitality.

The work can be interpreted as a celebration of the earth's fruits. The abundance of colors and shapes recalls the variety of a harvest. Each food represents a distinct texture, aroma, and taste.

The large fountain acts as a symbol of generosity. Its abundant contents suggest fullness and well-being. The fruits that surround it seem to extend that abundance beyond the container.

The bottle and the bulb introduce a daily-life dimension. It is not merely an exhibition of exceptional fruits, but a scene linked to cooking and everyday objects. This combination brings closeness and authenticity.

The watermelon introduces a direct association with summer. Its intense red and green rind evoke outdoor meals, markets, and warm days. The yellow fruit and the vegetables extend this seasonal feeling.

There is also a symbolic dimension related to the passage of time. The fruits are ripe and in their moment of greatest fullness, but their beauty is temporary. The composition visually preserves that moment before they are consumed or altered.

The still life conveys optimism through color. The yellows suggest light, the greens freshness, and the reds energy. The combination creates an image capable of enlivening the space and awakening pleasant sensations.

Overall, this precious painting offers a luminous and exuberant still life, featuring a large overflowing fountain of fruits and vegetables, accompanied by a green bottle, a yellow fruit, a white bulb, and an intense watermelon slice. The richness of greens, yellows, oranges, reds, purples, and whites builds a scene full of vitality, freshness, and abundance. The work transforms everyday foods into a joyful celebration of the harvest, cooking, generosity, and the simple pleasures of life.