Games table - Walnut, bronze casting - Openable demi-lune console





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Demilune console table with an opening top, Italian Neoclassical design dating to 1850–1900, made of walnut with cast bronze fittings, 110 cm wide, 80 cm deep, 80 cm high, weight about 5 kg, in good used condition with minor age-related marks.
Description from the seller
The piece is a half-moon gaming table (commonly called a demilune table or expandable console), antique and of Italian or French manufacture, dating to the first half of the 19th century (19th century / Romantic era). The reference style is Neoclassicism, with strong allusions to the sober and elegant lines of the Louis XVI period and of the subsequent Directoire / Empire style. Compared with the earlier Baroque splendors, this style favors symmetry, clean geometric forms, and inspiration from Greco-Roman antiquity. Structural Analysis and Operation
The furniture is born with a double decorative and functional persona, designed for the salons of the upper middle class or aristocracy of the 19th century: The Console (Closed): When the table is placed against the wall, it presents itself as a refined space-saving console. The upper top has a perfect semi-circular shape (half-moon). The Gaming Table (Open): The top consists of two mirrored panels joined by hidden hinges. For use, the central rear leg (or a compass-like framework integrated into the fascia) is pulled outward to provide support. The partial top folds out like a 180° book, transforming the console into a perfectly circular center table, historically used for card playing, reading, or serving tea. Supports: The table rests on slender legs with square cross-section, known as spade legs or truncated pyramid legs. This tapered-down form lightens the piece and elongates its silhouette. Decorative Details and Hardware
The ornamental apparatus is restrained and concentrated at the furniture's focal points:
Central Frieze: At the center of the sub-top fascia stands a finely chased golden or bronze-burnished plaque. It depicts a laurel (or crown) garland tied at the bottom by a flowing ribbon with a bow. This motif symbolized glory, wisdom, and eternity, and was one of the most loved decors of the Neoclassical period. Leg Applications: At the top of each leg (the junction block with the fascia) there is a small coordinated bronze geometric-floral element (a rosette or a small decorative cube) that serves to break the verticality of the wood. Condition at Present
From the images it is evident that the furniture is structurally intact and preserves an excellent original patina, but shows the usual signs of time:
Wood Surface: The top shows slight halos and surface scratches from use (including a light circular impression on the open top). The essence appears to be a fine wood (probably walnut, mahogany, or veneer in dark woods).
Signs of Time: On the legs and fascia there are small borings from beetles. The appearance of these holes (dark and without fresh sawdust) suggests an old, inactive infestation typical of antique furniture that has lived in non-climate-controlled environments."
The piece is a half-moon gaming table (commonly called a demilune table or expandable console), antique and of Italian or French manufacture, dating to the first half of the 19th century (19th century / Romantic era). The reference style is Neoclassicism, with strong allusions to the sober and elegant lines of the Louis XVI period and of the subsequent Directoire / Empire style. Compared with the earlier Baroque splendors, this style favors symmetry, clean geometric forms, and inspiration from Greco-Roman antiquity. Structural Analysis and Operation
The furniture is born with a double decorative and functional persona, designed for the salons of the upper middle class or aristocracy of the 19th century: The Console (Closed): When the table is placed against the wall, it presents itself as a refined space-saving console. The upper top has a perfect semi-circular shape (half-moon). The Gaming Table (Open): The top consists of two mirrored panels joined by hidden hinges. For use, the central rear leg (or a compass-like framework integrated into the fascia) is pulled outward to provide support. The partial top folds out like a 180° book, transforming the console into a perfectly circular center table, historically used for card playing, reading, or serving tea. Supports: The table rests on slender legs with square cross-section, known as spade legs or truncated pyramid legs. This tapered-down form lightens the piece and elongates its silhouette. Decorative Details and Hardware
The ornamental apparatus is restrained and concentrated at the furniture's focal points:
Central Frieze: At the center of the sub-top fascia stands a finely chased golden or bronze-burnished plaque. It depicts a laurel (or crown) garland tied at the bottom by a flowing ribbon with a bow. This motif symbolized glory, wisdom, and eternity, and was one of the most loved decors of the Neoclassical period. Leg Applications: At the top of each leg (the junction block with the fascia) there is a small coordinated bronze geometric-floral element (a rosette or a small decorative cube) that serves to break the verticality of the wood. Condition at Present
From the images it is evident that the furniture is structurally intact and preserves an excellent original patina, but shows the usual signs of time:
Wood Surface: The top shows slight halos and surface scratches from use (including a light circular impression on the open top). The essence appears to be a fine wood (probably walnut, mahogany, or veneer in dark woods).
Signs of Time: On the legs and fascia there are small borings from beetles. The appearance of these holes (dark and without fresh sawdust) suggests an old, inactive infestation typical of antique furniture that has lived in non-climate-controlled environments."

