Alberto Ricardo (XXI) - Luz de atrdecer

Artwork created on professional canvas using the giclée printing technique on canvas. Digital art using contemporary media and AI
Artwork by the artist Alberto Ricardo made with the Giclée Printing technique on high-quality professional canvas, 100% cotton, highly resistant to handling and external agents from the Eco Canvas Roma Glossy, satin finish.
We guarantee a durable product with visual quality.
Dimensions of 65 x 100 cm of painting with 5 cm depth.
Limited edition 2/5 signed by hand on the front.
On the back of the piece you will find the data about the work.
Shipping will be carried out through United Parcel Service (UPS) for Spain and Europe, and through FedEx for the rest of the world.
The work will be rolled and protected with several layers of packaging, bubble wrap, and placed in a sturdy tube.
Once the work is paid for, three days are required for the packaging process and delivery to the shipping company.
The piece will reach you within ten days, depending on the destination country.
The portrait, here fragmented, does not seek to tell it all. It leaves out the eyes, but not the soul. What at first glance might seem like an omission — the absence of the full face — reveals instead a powerful aesthetic choice. This image does not need to be looked at to move you. A contained mouth, a clavicle that shines under the light, shoulders that breathe dignity and skin are enough. The painted matter suffices, the fire of color, the carnality of the stroke. Printed on canvas, this work is not contemplated: it is felt like a heartbeat.

From a technical standpoint, we are faced with a painting of great sensory charge. The painted surface is built with a thick impasto technique rich in material: bold brushstrokes, undulating textures, overlapped layers that give life to the skin, to the flowers, to the background. Mastery of light is magistral. There is no pure white, but illumination is present in the golden reflections on the shoulders and the décolletage. Each shadow is loaded with nuances: violets, earth tones, reds. The skin is not flat nor uniform; it is a field of energy where the oil vibrates, whispers.

Color is an undeniable protagonist. Fiery reds, saturated oranges, intense yellows, deep blues: everything seems inflamed by a contained emotion. The contrast between the warmth of the body and the coolness of the blue in the background creates an enveloping visual tension. The flowers — or flames, or explosions, depending on how you look at them — are not ornaments: they are emotional extensions of the character, a manifestation of the inner landscape that wells up from the chest and spills into space.

Conceptually, the work plays with fragmentation to propose a symbolic totality. By removing the face, it forces us to look differently. Anonymity does not nullify identity: it universalizes it. This woman, without a name or a gaze, represents many. She is body, she is color, she is symbol. The use of golden rings, clearly visible, suggests a cultural continuity, an anchor in a visual tradition that associates adornment with pride, with heritage, with the soft power of the feminine.

Printed on canvas, the result is deeply physical. The texture of the canvas reinforces the original painted matter, giving the image a nearly sculptural character. The natural light falling on the printed fabric emphasizes the volumes, brings each brushstroke to life. This is a work that, far from being a simple visual object, becomes presence: a figure that breathes from the wall, that illuminates and heats the space it inhabits.

In short, this image printed on canvas is both a poetic and a pictorial act. It is a body that speaks without a voice, a language of color that imposes itself on the literal narrative. Technique, symbolism, and emotion merge into a single surface that does not need to say much to say it all. In its silence, this image says: here I am. And the canvas, with its textured humility, responds: I am skin too.