Elizabeth (XX) - Santuario Onírico

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Santuario Onírico is an oil on canvas painting by Elizabeth (XX) from Spain, created after 2020 in a Surrealist style, 70 × 50 cm, multicolour, original edition and hand-signed.

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Description from the seller

Artwork by artist Elizabeth created in high-quality professional oil on canvas. Painting dimensions: 50 x 70 cm. Original edition. Shipping will be carried out via United Parcel Service (UPS) for Spain and Europe, and via FedEx for the rest of the world. The artwork will be rolled and protected with several layers of packaging, bubble wrap, and placed in a sturdy tube. Once the artwork is paid for, three days are required for the packing process and delivery to the shipping company. The piece will arrive within ten days, depending on the destination country.

The Cuban painter Elizabeth (professional training), based and active in Havana, develops a series of dreamlike landscapes where domestic architecture rests on suspended rocks and impossible balances. Her compositions —between the sea and the celestial— offer a poetic reflection on refuge, memory, and the fragility of what is habitable. With an atmospheric handling of the sky and a vibrant palette of blues, pinks, and greens, the artist creates scenes of intense emotional luminosity: lit windows, smoking chimneys, stairs that ascend, trees that bloom at improbable heights. The work combines precision in detail with expressiveness in matter, achieving images with strong visual and narrative impact, capable of existing between contemplation and wonder.

These Elizabeth pieces build a universe where the house —that intimate symbol of refuge— becomes a poetic idea rather than architecture: it appears suspended, anchored to impossible rocks, balanced on stone towers, isolated on minimal islets as if the real world had been reduced to the essential. There is a silent narrative in each scene: the staircase that climbs toward the unknown, the smoke rising from a chimney as a sign of life, the lit windows warming the remote, and the trees that, even at improbable heights, unfold as a promise of continuity.

The theme is, at bottom, a metaphor about belonging and balance: to inhabit is not just to be somewhere, but to sustain it. Elizabeth turns landscape into an emotional state. The stone —heavy, ancestral— appears worked with volume and nuance, with colors ranging from violet to ochre and from deep blue to mossy greens, as if each rock held memory and time. On top of that, life: red roofs, glowing wood, lush foliage. That tension between the solid and the fragile, between the stable and the suspended, is where the work breathes most strongly.

In chromatic terms there is a clear decision: expansive, atmospheric skies filled with clouds that function as stage and as music. Color does not merely describe; it interprets. The blues become ocean and also distance; the pinks and oranges of twilight bring a luminous melancholy; the greens, at times intense, introduce hope and freshness. The brushwork alternates between soft areas (skies and glazes) and more emphatic moments in foliage and rock, where a taste for contrast and texture is evident. The result is a highly legible image —almost a fairy tale— but with symbolic depth that avoids mere decoration.

Also notable is the compositional sense: Elizabeth knows how to guide the gaze with clear pathways (stairs, railings, diagonals of the cliff, curves of trunks) and to create centers of interest without overwhelming. Birds, waves, foreground rocks, and details of doors and balconies are not accessories: they are signs that activate the scene, small “proofs” of reality within a world that allows the impossible. This blend of fantasy and emotional truth places these works in a territory close to magical realism: a place where the extraordinary does not surprise, it simply happens.

This evocative oil-on-canvas work of surrealist and illustrative aesthetic presents a picturesque wooden cottage erected on a towering stack of rocks that rises above a sea of clouds. The composition stands out for its vibrant color contrast, juxtaposing the lush foliage of a large tree in pink-magenta and crimson against the stormy blue of the sky and the warm golden lights of the house. A hanging bridge, a long staircase, and small birds in flight complement the scene, contributing to a narrative of dreaminess, poetic isolation, and imaginative fantasy.

Artwork by artist Elizabeth created in high-quality professional oil on canvas. Painting dimensions: 50 x 70 cm. Original edition. Shipping will be carried out via United Parcel Service (UPS) for Spain and Europe, and via FedEx for the rest of the world. The artwork will be rolled and protected with several layers of packaging, bubble wrap, and placed in a sturdy tube. Once the artwork is paid for, three days are required for the packing process and delivery to the shipping company. The piece will arrive within ten days, depending on the destination country.

The Cuban painter Elizabeth (professional training), based and active in Havana, develops a series of dreamlike landscapes where domestic architecture rests on suspended rocks and impossible balances. Her compositions —between the sea and the celestial— offer a poetic reflection on refuge, memory, and the fragility of what is habitable. With an atmospheric handling of the sky and a vibrant palette of blues, pinks, and greens, the artist creates scenes of intense emotional luminosity: lit windows, smoking chimneys, stairs that ascend, trees that bloom at improbable heights. The work combines precision in detail with expressiveness in matter, achieving images with strong visual and narrative impact, capable of existing between contemplation and wonder.

These Elizabeth pieces build a universe where the house —that intimate symbol of refuge— becomes a poetic idea rather than architecture: it appears suspended, anchored to impossible rocks, balanced on stone towers, isolated on minimal islets as if the real world had been reduced to the essential. There is a silent narrative in each scene: the staircase that climbs toward the unknown, the smoke rising from a chimney as a sign of life, the lit windows warming the remote, and the trees that, even at improbable heights, unfold as a promise of continuity.

The theme is, at bottom, a metaphor about belonging and balance: to inhabit is not just to be somewhere, but to sustain it. Elizabeth turns landscape into an emotional state. The stone —heavy, ancestral— appears worked with volume and nuance, with colors ranging from violet to ochre and from deep blue to mossy greens, as if each rock held memory and time. On top of that, life: red roofs, glowing wood, lush foliage. That tension between the solid and the fragile, between the stable and the suspended, is where the work breathes most strongly.

In chromatic terms there is a clear decision: expansive, atmospheric skies filled with clouds that function as stage and as music. Color does not merely describe; it interprets. The blues become ocean and also distance; the pinks and oranges of twilight bring a luminous melancholy; the greens, at times intense, introduce hope and freshness. The brushwork alternates between soft areas (skies and glazes) and more emphatic moments in foliage and rock, where a taste for contrast and texture is evident. The result is a highly legible image —almost a fairy tale— but with symbolic depth that avoids mere decoration.

Also notable is the compositional sense: Elizabeth knows how to guide the gaze with clear pathways (stairs, railings, diagonals of the cliff, curves of trunks) and to create centers of interest without overwhelming. Birds, waves, foreground rocks, and details of doors and balconies are not accessories: they are signs that activate the scene, small “proofs” of reality within a world that allows the impossible. This blend of fantasy and emotional truth places these works in a territory close to magical realism: a place where the extraordinary does not surprise, it simply happens.

This evocative oil-on-canvas work of surrealist and illustrative aesthetic presents a picturesque wooden cottage erected on a towering stack of rocks that rises above a sea of clouds. The composition stands out for its vibrant color contrast, juxtaposing the lush foliage of a large tree in pink-magenta and crimson against the stormy blue of the sky and the warm golden lights of the house. A hanging bridge, a long staircase, and small birds in flight complement the scene, contributing to a narrative of dreaminess, poetic isolation, and imaginative fantasy.

Details

Artist
Elizabeth (XX)
Sold with frame
No
Sold by
Direct from the artist
Edition
Original
Title of artwork
Santuario Onírico
Technique
Oil painting
Signature
Hand signed
Country of origin
Spain
Condition
Excellent condition
Colour
Multicolour
Height
70 cm
Width
50 cm
Style
Surrealism
Period
2020+
SpainVerified
1326
Objects sold
99.54%
protop

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