M. Palumbo (XX) - San Michele Arcangelo

02
days
15
hours
35
minutes
49
seconds
Current bid
€ 171
No reserve price
IT
€171
IT
€161
IT
€141

Catawiki Buyer Protection

Your payment’s safe with us until you receive your object.View details

Trustpilot 4.4 | 143856 reviews

Rated Excellent on Trustpilot.

San Michele Arcangelo, original tempera on panel from Italy, period 2020+, dimensions 40 × 30 cm.

AI-assisted summary

Description from the seller

This panel depicts the Archangel Michael, created according to the Byzantine iconographic tradition.
NOTE ON THE AUTHOR AND THE WORKMANSHIP
Origin of the Author: Created by an artist and iconographer originally from Monte Sant'Angelo.
Training and Technique: The author earned the iconographer's certificate at the Abbey of Santa Maria di Pulsano, where the monks passed down to him the ancient and rigorous method of egg tempera, uniting natural pigments with egg yolk according to the canonical tradition.
Sacred Value: The work has already received a blessing inside the Celestial Cave of Monte Sant'Angelo, a place of worship historically consecrated to the presence of Saint Michael.
DESCRIPTION AND ICONOGRAPHIC SYMBOLISM
The icon follows the theological canons of Byzantine painting, where every stylistic and chromatic element has a precise spiritual meaning:
Subject and Attributes: The Archangel Michael is depicted frontally and hierarchically. In his right hand he wields a drawn sword, symbol of the word of God, divine justice, and constant spiritual defense against the forces of evil. The ribbon between the hair (called torques or strophion) symbolizes attentive listening to the will of God and readiness to carry out His orders.
Halo and Leaf of Gold: The large golden halo represents the inaccessible light of God and holiness. The incorruptible gold symbolizes the heavenly kingdom and eternity.
Inscriptions: At the top appear the traditional abbreviations in Greek/Church Slavonic indicating the subject’s identity: Ó Ách. Michaíl (The Archangel Michael).
SYMBOLISM OF COLORS IN RELIGIOUS DOCTRINE
In Byzantine icon theology, colors do not serve a merely decorative function; they constitute a true theological language:
Red / Purple (Mantle and Wings): It is the color of divine fire, blood, royalty, and charitable love. The red garment and the warm hues on the wings indicate the spiritual ardor of the Archangel and his closeness to the throne of the divine as prince of the heavenly hosts.
Blue (Cuffs and Ribbons): It represents the mystery of the divine nature, the sky, and transcendence. Present on the sleeves of the robe and on the highlights, it signifies the heavenly origin and the grace of the Holy Spirit that enfolds God’s messenger.
Green (Background): The dark green background represents the earth, life that renews itself, and the action of God’s grace on creation.
Gold: Symbol of the created light of God. It surrounds the Saint’s face to indicate that his figure shares in the glory of the Kingdom of God.

This panel depicts the Archangel Michael, created according to the Byzantine iconographic tradition.
NOTE ON THE AUTHOR AND THE WORKMANSHIP
Origin of the Author: Created by an artist and iconographer originally from Monte Sant'Angelo.
Training and Technique: The author earned the iconographer's certificate at the Abbey of Santa Maria di Pulsano, where the monks passed down to him the ancient and rigorous method of egg tempera, uniting natural pigments with egg yolk according to the canonical tradition.
Sacred Value: The work has already received a blessing inside the Celestial Cave of Monte Sant'Angelo, a place of worship historically consecrated to the presence of Saint Michael.
DESCRIPTION AND ICONOGRAPHIC SYMBOLISM
The icon follows the theological canons of Byzantine painting, where every stylistic and chromatic element has a precise spiritual meaning:
Subject and Attributes: The Archangel Michael is depicted frontally and hierarchically. In his right hand he wields a drawn sword, symbol of the word of God, divine justice, and constant spiritual defense against the forces of evil. The ribbon between the hair (called torques or strophion) symbolizes attentive listening to the will of God and readiness to carry out His orders.
Halo and Leaf of Gold: The large golden halo represents the inaccessible light of God and holiness. The incorruptible gold symbolizes the heavenly kingdom and eternity.
Inscriptions: At the top appear the traditional abbreviations in Greek/Church Slavonic indicating the subject’s identity: Ó Ách. Michaíl (The Archangel Michael).
SYMBOLISM OF COLORS IN RELIGIOUS DOCTRINE
In Byzantine icon theology, colors do not serve a merely decorative function; they constitute a true theological language:
Red / Purple (Mantle and Wings): It is the color of divine fire, blood, royalty, and charitable love. The red garment and the warm hues on the wings indicate the spiritual ardor of the Archangel and his closeness to the throne of the divine as prince of the heavenly hosts.
Blue (Cuffs and Ribbons): It represents the mystery of the divine nature, the sky, and transcendence. Present on the sleeves of the robe and on the highlights, it signifies the heavenly origin and the grace of the Holy Spirit that enfolds God’s messenger.
Green (Background): The dark green background represents the earth, life that renews itself, and the action of God’s grace on creation.
Gold: Symbol of the created light of God. It surrounds the Saint’s face to indicate that his figure shares in the glory of the Kingdom of God.

Details

Sold with frame
No
Sold by
Direct from the artist
Edition
Original
Artist
M. Palumbo (XX)
Title of artwork
San Michele Arcangelo
Technique
Tempera
Signature
Hand signed
Country of origin
Italy
Year
2026
Condition
Excellent condition
Height
40 cm
Width
30 cm
Depiction/theme
Religion
Style
Classical
Period
2020+
ItalyVerified
27
Objects sold
66.67%
Private

Similar objects

  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​

For you in

Classical Art & Impressionism

  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​