Carlo Mirabasso - L'instant d'aprés






Over 10 years' experience in art trade and previously founded his own gallery.
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Original oil and acrylic painting on board by Carlo Mirabasso, titled L'instant d'aprés, a 22 x 16 cm landscape, hand-signed, 2026, Italy, an original edition in excellent condition, sold directly by the artist with a certificate of authenticity.
Description from the seller
- Dimensions: 22 cm x 16 cm
- Original painting by Carlo Mirabasso.
- Technique: oil and acrylic on board / MDF panel.
- Ground prepared with a textured gesso.
- Finish with a transparent, glossy topcoat.
- Unique piece signed by hand on the front and back.
- Certificate of Authenticity.
- Careful, protective packaging.
- Fast and secure shipping with tracking number.
- Work unframed.
Website: www.carlomirabasso.it
Instagram: carlomirabasso_art
***
In the Umbrian region, hearth of the Prerenaissance era, important for those first realistic sparks that sprang from nature and from those empirical forms of spatial representation, lives Carlo Mirabasso. A humble yet reflective artist who intelligently combines a somewhat geometric and rhythmic manner of painting with that expressive primordiality of volumes of the medieval world, perhaps the embryo of all modern art to follow. A
- Dimensions: 22 cm x 16 cm
- Original painting by Carlo Mirabasso.
- Technique: oil and acrylic on board / MDF panel.
- Ground prepared with a textured gesso.
- Finish with a transparent, glossy topcoat.
- Unique piece signed by hand on the front and back.
- Certificate of Authenticity.
- Careful, protective packaging.
- Fast and secure shipping with tracking number.
- Work unframed.
Website: www.carlomirabasso.it
Instagram: carlomirabasso_art
***
In the Umbrian region, hearth of the Prerenaissance era, important for those first realistic sparks that sprang from nature and from those empirical forms of spatial representation, lives Carlo Mirabasso. A humble yet reflective artist who intelligently combines a somewhat geometric and rhythmic manner of painting with that expressive primordiality of volumes of the medieval world, perhaps the embryo of all modern art to follow. A
