Fertility fetish - Kongo / Bakongo - DR Congo






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Description from the seller
Democratic Republic of the Congo (DRC)
Kongo
Wood, patina of use.
Height: 390 mm + base 55 mm
Width: 110 mm
Depth: 90 mm
Original Kongo statuette (more precisely from the Yombe or Woyo sub-group, in the region of the Congo River mouth).
Here are the elements typical of its origin and use:
1. Kongo / Yombe stylistic markers
Several characteristic clues do not mislead:
The headdress (Mpu): This high rounded cap or mitre-shaped form represents the traditional raffia-fiber woven headdress, worn exclusively by clan chiefs or high-status women.
The gaze and the inlaid eyes: White eyes, often originally made with mirror fragments, glass or imported porcelain, are a major signature of Kongo art. They symbolize the figure’s ability to see beyond the visible world and to communicate with the realm of the dead (Mpemba).
The open mouth and carved teeth: One can discern the visible dentition through slightly parted lips, a common aesthetic and ritual practice in this region.
The kneeling posture: Unlike Baoulé statues which are almost always standing, the kneeling posture (or seated cross-legged) on a rectangular pedestal is very common among the Kongo. It is an attitude of respect, devotion, and dignity.
Geometric scarifications: The raised motifs on the shoulders and upper back are typical of Yombe female body adornments.
2. Sacred use and function
In Kongo culture, such a female statuette has an important ritual function:
Ancestor worship and fertility: These pieces (sometimes close to maternities figures called Pfemba, even if this one does not bear a child) embody the founding female ancestor of the lineage. The Kongo society being matrilineal, the woman is the pillar of the transmission of power and life.
Spiritual intermediary for the Nganga: This statue served as a receptacle or anchor for the spirits. It was used by the diviner-healer (the Nganga) during rituals aimed at curing fertility problems, protecting the community, or legitimizing the power of a clan chief.
Packages are sent from Monday to Saturday with insurance and tracking number.
Delivery in 1 to 3 days in France with Chronopost, 2 and 5 days throughout the European Union.
Delivery in the rest of Europe and around the world with International Colissimo.
We speak english
Mask african art African mask art arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
Máscara de estatua de galería de arte africano
Seller's Story
Democratic Republic of the Congo (DRC)
Kongo
Wood, patina of use.
Height: 390 mm + base 55 mm
Width: 110 mm
Depth: 90 mm
Original Kongo statuette (more precisely from the Yombe or Woyo sub-group, in the region of the Congo River mouth).
Here are the elements typical of its origin and use:
1. Kongo / Yombe stylistic markers
Several characteristic clues do not mislead:
The headdress (Mpu): This high rounded cap or mitre-shaped form represents the traditional raffia-fiber woven headdress, worn exclusively by clan chiefs or high-status women.
The gaze and the inlaid eyes: White eyes, often originally made with mirror fragments, glass or imported porcelain, are a major signature of Kongo art. They symbolize the figure’s ability to see beyond the visible world and to communicate with the realm of the dead (Mpemba).
The open mouth and carved teeth: One can discern the visible dentition through slightly parted lips, a common aesthetic and ritual practice in this region.
The kneeling posture: Unlike Baoulé statues which are almost always standing, the kneeling posture (or seated cross-legged) on a rectangular pedestal is very common among the Kongo. It is an attitude of respect, devotion, and dignity.
Geometric scarifications: The raised motifs on the shoulders and upper back are typical of Yombe female body adornments.
2. Sacred use and function
In Kongo culture, such a female statuette has an important ritual function:
Ancestor worship and fertility: These pieces (sometimes close to maternities figures called Pfemba, even if this one does not bear a child) embody the founding female ancestor of the lineage. The Kongo society being matrilineal, the woman is the pillar of the transmission of power and life.
Spiritual intermediary for the Nganga: This statue served as a receptacle or anchor for the spirits. It was used by the diviner-healer (the Nganga) during rituals aimed at curing fertility problems, protecting the community, or legitimizing the power of a clan chief.
Packages are sent from Monday to Saturday with insurance and tracking number.
Delivery in 1 to 3 days in France with Chronopost, 2 and 5 days throughout the European Union.
Delivery in the rest of Europe and around the world with International Colissimo.
We speak english
Mask african art African mask art arte de máscaras africanas arte delle maschere africane
statue african art Arte de estatuas africanas arte delle statue africane Afrikanische Maskenkunst
Máscara de estatua de galería de arte africano
