Spanish school (XX) - Torero





€43 | ||
|---|---|---|
€40 | ||
€30 | ||
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Torero is a hand-signed oil portrait from 1930–1940 by the Spanish School (20th century), made in Spain and sold framed, measuring 81 × 65 cm.
Description from the seller
• The torero: In the foreground a man with strong features, a serious gaze, and prominent sideburns, characteristic of the classic look of matadors, stands out. He wears the montera (the textured black hat) on his head. His right hand rests near the lapel of his shirt.
• The suit of lights: He wears a spectacular jacket (chaquetilla) in turquoise, lavishly decorated with gold embroidery, tassels, and rigid shoulder pads with metallic fringe. Beneath it you can see a white shirt and a pinkish or reddish tie or cravat. At the bottom, part of the paseo cape is visible, with floral embroidered details.
Composition and secondary characters
• Second plane: Behind the left shoulder of the protagonist emerges the figure of another man with his face tilted downward. His presence adds depth to the scene and evokes the atmosphere of the arena’s alley or the moments before the celebration (the patio de cuadrillas), where toreros are usually surrounded by members of their cuadrilla or mozos de espadas.
• Background and light: The background is dark, blurred, and earthy-toned, which makes the vibrant colors and the golden highlights of the suit of lights stand out. The lighting falls directly on the torero’s face and torso, creating a strong chiaroscuro contrast that lends drama to his expression.
The work stands out for its high level of detail in the texture of the gold embroidery and the psychological rendering of the torero’s expression, reflecting solemnity and concentration.
• The torero: In the foreground a man with strong features, a serious gaze, and prominent sideburns, characteristic of the classic look of matadors, stands out. He wears the montera (the textured black hat) on his head. His right hand rests near the lapel of his shirt.
• The suit of lights: He wears a spectacular jacket (chaquetilla) in turquoise, lavishly decorated with gold embroidery, tassels, and rigid shoulder pads with metallic fringe. Beneath it you can see a white shirt and a pinkish or reddish tie or cravat. At the bottom, part of the paseo cape is visible, with floral embroidered details.
Composition and secondary characters
• Second plane: Behind the left shoulder of the protagonist emerges the figure of another man with his face tilted downward. His presence adds depth to the scene and evokes the atmosphere of the arena’s alley or the moments before the celebration (the patio de cuadrillas), where toreros are usually surrounded by members of their cuadrilla or mozos de espadas.
• Background and light: The background is dark, blurred, and earthy-toned, which makes the vibrant colors and the golden highlights of the suit of lights stand out. The lighting falls directly on the torero’s face and torso, creating a strong chiaroscuro contrast that lends drama to his expression.
The work stands out for its high level of detail in the texture of the gold embroidery and the psychological rendering of the torero’s expression, reflecting solemnity and concentration.

