Wall mirror - Gilt bronze

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Starting bid
€ 1

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Annick van Itallie
Expert
Selected by Annick van Itallie

Graduated in art history with over 25 years' experience in antiques and applied arts appraisal.

Estimate  € 550 - € 650
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Description from the seller

Large wall mirror in golden bronze with a female mascaron and latticework decoration, Louis XV / Rococo Revival style, probably Spain, mid-20th century, circa 1940–1960. Impressive wall mirror of substantial size, featuring an elaborately conceived frame entirely executed in gilded bronze, inspired by Louis XV and marked Rococo Revival language.

The composition develops according to an exuberant design of curves and counter-curves, combining scrolls, vegetal scrollwork, acanthus leaves, floral elements, shell motifs, and latticed, openwork areas, in a revivalist interpretation of the 18th-century French decorative vocabulary.

The upper part is particularly expressive, crowned by a large gilded high-relief female mascaron, framed by a kind of radiating shell or sonnet. The carefully modeled face constitutes the main sculptural element of the composition and is flanked by scrolls, small floral motifs and broad areas of celosia or open lattice, which give lightness to a substantial bronze structure.

Below the mascaron develop two large arched movements that follow the upper contour of the mirrored panel. From this zone hang delicate bronze garlands of flowers and foliage, suspended over the mirror itself, enhancing the three-dimensional effect of the decoration. The sides show successive C- and S-shaped scrolls, stylized flowers, foliage and new openwork lattice reserves, forming a dynamic and intricately cut silhouette.

Despite the deliberately dynamic Rococo language, the overall composition maintains a careful bilateral organization, a characteristic of many historicist interpretations of the style produced in the 20th century. In the lower section, the decoration becomes denser again, with a sequence of acanthus leaves and scrolls converging toward a large central vase or palm frond, conceived as a visual counterpoint to the mascaron crowning the mirror.

The mirrored panel also has its own decoration, presenting several stylized vegetal motifs engraved or frosted on the glass, composed of fine curved stems, small leaves and circular elements resembling berries or pearls. This peripheral decoration discreetly follows the frame design without interfering with the large central reflective surface.

The bronze shows a warm golden tone, with slight variations and patina in the deeper relief areas, a circumstance that enhances the reading of volumes and highlights the sculptural richness of the casting. The reverse preserves a cut protection panel following the contour of the mirrored panel and a metal suspension system located near the upper finish.

Stylistic framing - The piece belongs to the movement of recovery of French historic styles that remained especially popular in European decoration during the first half and mid-20th century. The model directly reincorporates elements associated with French Rococo of the Louis XV reign, namely Rocaille, shells, asymmetrical curves, naturalistic vegetal elements, mascarons and the taste for alternating densely ornamented zones with openwork elements.

In good condition. The bronze preserves the gilded finish well, showing slight tonal variations and signs compatible with use and age. The mirrored panel is complete and preserves its engraved/frosted decorative motifs.

Probable origin: Spain / Europe
Era: mid-20th century, probably circa 1940–1960
Style: Louis XV / Rococo Revival
Materials: gilded bronze, decorated mirror glass and rear protective panel
Techniques: casting, gilding and chiseling of bronze; partially openwork structure; frosted/engraved decoration on the mirror
Dimensions: 78 × 85 × 10 cm
Typology: wall mirror

Large wall mirror in golden bronze with a female mascaron and latticework decoration, Louis XV / Rococo Revival style, probably Spain, mid-20th century, circa 1940–1960. Impressive wall mirror of substantial size, featuring an elaborately conceived frame entirely executed in gilded bronze, inspired by Louis XV and marked Rococo Revival language.

The composition develops according to an exuberant design of curves and counter-curves, combining scrolls, vegetal scrollwork, acanthus leaves, floral elements, shell motifs, and latticed, openwork areas, in a revivalist interpretation of the 18th-century French decorative vocabulary.

The upper part is particularly expressive, crowned by a large gilded high-relief female mascaron, framed by a kind of radiating shell or sonnet. The carefully modeled face constitutes the main sculptural element of the composition and is flanked by scrolls, small floral motifs and broad areas of celosia or open lattice, which give lightness to a substantial bronze structure.

Below the mascaron develop two large arched movements that follow the upper contour of the mirrored panel. From this zone hang delicate bronze garlands of flowers and foliage, suspended over the mirror itself, enhancing the three-dimensional effect of the decoration. The sides show successive C- and S-shaped scrolls, stylized flowers, foliage and new openwork lattice reserves, forming a dynamic and intricately cut silhouette.

Despite the deliberately dynamic Rococo language, the overall composition maintains a careful bilateral organization, a characteristic of many historicist interpretations of the style produced in the 20th century. In the lower section, the decoration becomes denser again, with a sequence of acanthus leaves and scrolls converging toward a large central vase or palm frond, conceived as a visual counterpoint to the mascaron crowning the mirror.

The mirrored panel also has its own decoration, presenting several stylized vegetal motifs engraved or frosted on the glass, composed of fine curved stems, small leaves and circular elements resembling berries or pearls. This peripheral decoration discreetly follows the frame design without interfering with the large central reflective surface.

The bronze shows a warm golden tone, with slight variations and patina in the deeper relief areas, a circumstance that enhances the reading of volumes and highlights the sculptural richness of the casting. The reverse preserves a cut protection panel following the contour of the mirrored panel and a metal suspension system located near the upper finish.

Stylistic framing - The piece belongs to the movement of recovery of French historic styles that remained especially popular in European decoration during the first half and mid-20th century. The model directly reincorporates elements associated with French Rococo of the Louis XV reign, namely Rocaille, shells, asymmetrical curves, naturalistic vegetal elements, mascarons and the taste for alternating densely ornamented zones with openwork elements.

In good condition. The bronze preserves the gilded finish well, showing slight tonal variations and signs compatible with use and age. The mirrored panel is complete and preserves its engraved/frosted decorative motifs.

Probable origin: Spain / Europe
Era: mid-20th century, probably circa 1940–1960
Style: Louis XV / Rococo Revival
Materials: gilded bronze, decorated mirror glass and rear protective panel
Techniques: casting, gilding and chiseling of bronze; partially openwork structure; frosted/engraved decoration on the mirror
Dimensions: 78 × 85 × 10 cm
Typology: wall mirror

Details

Era
1900-2000
Style subtype
Louis XV
Bronze type
Gilt bronze
Country of origin
Spain
Material
Bronze
Style
Antique
Condition
Good condition - used with small signs of aging & blemishes
External height
78 cm
External width
85 cm
Internal height
43 cm
Internal width
67 cm
Estimated period
1940-1950
PortugalVerified
268
Objects sold
97.1%
Private

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