She has folded herself around her own knees, one arm crossing her face so that only a single eye remains, watching from inside the shelter she has built with her own body. There is no room left outside that curve. The pose is a wall and a window at once, open just enough to let one eye meet yours. No paint. No print. No ink. The entire figure is formed through controlled surface damage, a field of fine scratches held in the acrylic glass itself, left to hold their place in the material rather than sit on top of it. From across a room the body reads as a single pale shape curled against the dark, almost whole, almost calm. Step closer and that calm dissolves into the field of individual marks that built it, each one part of a surface that never stops moving under the eye. The black around her is left untouched, so the glass itself becomes the space she is hiding in. Light does not create the image, it is always there, but light sharpens it, deepens the contrast along her spine and knees, and lets the one visible eye hold its quiet weight from almost any angle in the room. This is a portrait of the moment before a person decides whether to be seen. The knees, the crossed arm, the hidden half of the face, all of it reads as self protection rather than concealment, a body curling inward to gather itself rather than to disappear. What remains uncovered, that single eye, is the part of her still choosing to look back. Curled Into Her Own Light continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. A visual language where damage is not destruction, but structure. "She gives you one eye, and keeps the rest of herself for no one." About Art with Scratch Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness. From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into a dense field of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole. Light does not create the image. It sharpens it. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens and settles back toward the darkness from which it came, without ever disappearing. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality. What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence. In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it settles back into stillness. It is within that movement, between sharpness and calm, that the work comes alive. Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light. About the Artist My name is Tijs Dragtsma, founder of TD Fine Art Studio. As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together. My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create. Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence. I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time. TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive. This listing contains AI-generated visualisations. Please refer to the original photographs to assess the actual condition of the object.