Italian school (XVIII) - Pietà





€111 | ||
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€101 | ||
€1 |
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Description from the seller
This oil painting on canvas depicts The Lamentation over the Dead Christ (or Pietà), a traditional iconographic theme of Christian sacred art that shows Jesus' body laid down from the cross, surrounded by the Madonna and grieving figures. The work presents stylistic traits typical of figurative painting from a European school (common in productions between the 17th and 18th centuries), with the presence of the Instruments of the Passion (nails, pliers, and the ladder) in the foreground at the foot of the catafalque. Subject: The lamentation and the preparation of Christ's body for burial with the Virgin Mary, the pious women and Saint John or similar figures. Iconography: The composition highlights the dramatic pathos typical of Baroque or late Baroque painting, evident in the dark colors of the landscape and the draped garments of the characters. Symbolic elements: At the bottom one notes the crown of thorns, the nails and the pliers resting on the shroud. Frame and structure: The frame is equipped with a central vertical and horizontal cross-shaped member to ensure stability and prevent the canvas from warping or sagging. Markings and conservation: On the left upright are visible numerical and inventory inscriptions in block letters typical of art galleries, auction houses, or historic museum storerooms.
This oil painting on canvas depicts The Lamentation over the Dead Christ (or Pietà), a traditional iconographic theme of Christian sacred art that shows Jesus' body laid down from the cross, surrounded by the Madonna and grieving figures. The work presents stylistic traits typical of figurative painting from a European school (common in productions between the 17th and 18th centuries), with the presence of the Instruments of the Passion (nails, pliers, and the ladder) in the foreground at the foot of the catafalque. Subject: The lamentation and the preparation of Christ's body for burial with the Virgin Mary, the pious women and Saint John or similar figures. Iconography: The composition highlights the dramatic pathos typical of Baroque or late Baroque painting, evident in the dark colors of the landscape and the draped garments of the characters. Symbolic elements: At the bottom one notes the crown of thorns, the nails and the pliers resting on the shroud. Frame and structure: The frame is equipped with a central vertical and horizontal cross-shaped member to ensure stability and prevent the canvas from warping or sagging. Markings and conservation: On the left upright are visible numerical and inventory inscriptions in block letters typical of art galleries, auction houses, or historic museum storerooms.

