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The intricate world of cameras brought to you by {name}

Edwin Molenaar

Die Kamera ist weitgehend sauber und intakt. Auf der Vorderseite ist ein schmaler Schwundriss in der Holzplatte. Die Kamera lässt sich über den Hebel spannen und löst einwandfrei aus.     


The camera is largely clean and intact. There is a small shrinkage crack in the wooden plate on the front. The camera can be cocked using the lever and releases perfectly.

Maße:  20cm x 20cm x 8 cm

Diesen Text habe ich aus der Sammlung Kurt Tauber:

Was auf den ersten Blick aussieht wie eine etwas eigenwillige Stereokamera ist eine Magazinkamera aus Frankreich von Jules Carpentier, Paris. Ursprünglich 1890 zunächst als Einzelstück für seinen persönlichen Gebrauch konstruiert, fand der Apparat soviel Interesse, dass Carpentier sich 1892 zum Serienbau entschloss. Die Photo-Jumelle war eben keine Stereokamera mit zwei Objektiven, sondern auf der einen Seite der Frontplatte war das Aufnahme-Objektiv, auf der anderen das Sucher-Objektiv angeordnet. Im Innern der Kamera war ein Magazin für 12 Platten 4,5 x 6 cm, die durch einen seitlichen Schieber (im Bild oben: links) transportiert werden konnten. 1894 kam auch ein Modell für 18 oder 24 Platten 6,5 x 9 cm heraus (unsere Bilder). Die Belichtungszeit von 1/60 Sekunde reichte für normale Motive völlig aus. Sie wurde durch einen horizontal angeordneten Guillotine-Verschluss geregelt. Der Erfolg von Carpentiers Jumelle machte auch andere Hersteller auf diese Bauweise aufmerksam. Um 1895 erschienen eine Reihe weiterer Jumelles (aufgrund ihrer Form "Opernglaskameras" genannt) von Mackenstein, Gaumont, Bellieni, Joux und anderen. 1895 erschien die Steno-Jumelle von L. Joux, Paris. Sie ähnelte im Kamerakörper der Jumelle von Carpentier, hatte aber nur ein Objektiv.    


I got this text from the Kurt Tauber collection:

What at first glance looks like a somewhat unconventional stereo camera is a magazine camera from France by Jules Carpentier, Paris. Originally designed in 1890 as a one-off for his personal use, the camera attracted so much interest that Carpentier decided to produce it in series in 1892. The Photo-Jumelle was not a stereo camera with two lenses, but instead had the taking lens on one side of the front plate and the viewfinder lens on the other. Inside the camera was a magazine for 12 4.5 x 6 cm plates, which could be transported through a slide on the side (left in the picture above). In 1894, a model for 18 or 24 plates 6.5 x 9 cm was also released (our pictures). The exposure time of 1/60 second was perfectly adequate for normal subjects. It was regulated by a horizontally arranged guillotine shutter. The success of Carpentier's Jumelle also attracted the attention of other manufacturers to this design. Around 1895, a series of other Jumelles (known as ‘opera glass cameras’ because of their shape) appeared from Mackenstein, Gaumont, Bellieni, Joux and others. The Steno-Jumelle by L. Joux, Paris, appeared in 1895. Its camera body was similar to Carpentier's Jumelle, but it only had one lens.

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Jules Carpentier Photo-Jumelle Analogue camera

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Jules Carpentier Photo-Jumelle Analogue camera

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Cameras & Optical Equipment

This object is no longer available, but there’s still lots to explore

Jules Carpentier Photo-Jumelle Analogue camera

Popular in Cameras & Optical Equipment

2004 objects

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