Thomas TEXIER - Jardin du sud de l’Italie





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Thomas Texier, Jardin du sud de l’Italie, oil painting on grey cardboard, signed, 2025, 43 × 80 cm, unframed, France, original edition.
Description from the seller
Oil on gray boards - signed - 2025
Thomas Texier - Garden of Southern Italy
Oil on gray boards
signed
Dimensions: 43 x 80 cm
unframed
Certificate of authenticity attached
Guid’Arts 2025: Appraisal of artists from the 15th century to the present day
Who’s Who in International Art 2005
then artist, Friend of the WHO’S WHO Art Club International
- Associate Academician of the Academy of Fine Arts of Saint Louis (French Polynesia).
- Diploma and Bronze Medal, International Salon Cannes Azur (M.C.A)
- Diploma “coup de coeur” awarded by the visiting public at the International Salon of Fine Arts “Trophée D’Or” (Artists of France)
- Diploma “Artists of France” International Festival in Nîmes
- Diploma and Bronze Medal, International Salon U.V.A Paris 18th (European Academy of Arts)
- Diploma and Silver Medal with mention, Grand International Competition of the Lutèce Academy Paris
- Vermeil Medal, French Cultural Solidarity (f.n.c.f)
- Honor Award (Public Prize) Bronze Medal, International Prestige Salon “Les Léopard” Saint Tropez (f.n.c.f)
- Silver Medal, French Cultural Solidarity (f.n.c.f)
- Toile d’Or (f.n.c.f)
Biography:
Thomas was born in 1977 in the Paris region.
As a teenager, he began painting his first canvases, inspired by renowned masters and works exhibited in Barbizon galleries.
Through hard work and persistence, at the age of 22 he forged his own identity, confident enough to share his works through various exhibitions. Thus began a series of large abstract paintings called “Chromatisme,” which allowed him to win numerous prizes, including the silver medal with mention from the International Lutèce Academy.
Encouraged by the widespread acclaim of his work, he decided to become a professional at that time, dedicating himself full-time to his art.
In recent years, the artist’s peers have recognized him as having established a true personality in his paintings.
To date, critics are unanimous: “it is at the height of color that the artist reveals all his art.”
Oil on gray boards - signed - 2025
Thomas Texier - Garden of Southern Italy
Oil on gray boards
signed
Dimensions: 43 x 80 cm
unframed
Certificate of authenticity attached
Guid’Arts 2025: Appraisal of artists from the 15th century to the present day
Who’s Who in International Art 2005
then artist, Friend of the WHO’S WHO Art Club International
- Associate Academician of the Academy of Fine Arts of Saint Louis (French Polynesia).
- Diploma and Bronze Medal, International Salon Cannes Azur (M.C.A)
- Diploma “coup de coeur” awarded by the visiting public at the International Salon of Fine Arts “Trophée D’Or” (Artists of France)
- Diploma “Artists of France” International Festival in Nîmes
- Diploma and Bronze Medal, International Salon U.V.A Paris 18th (European Academy of Arts)
- Diploma and Silver Medal with mention, Grand International Competition of the Lutèce Academy Paris
- Vermeil Medal, French Cultural Solidarity (f.n.c.f)
- Honor Award (Public Prize) Bronze Medal, International Prestige Salon “Les Léopard” Saint Tropez (f.n.c.f)
- Silver Medal, French Cultural Solidarity (f.n.c.f)
- Toile d’Or (f.n.c.f)
Biography:
Thomas was born in 1977 in the Paris region.
As a teenager, he began painting his first canvases, inspired by renowned masters and works exhibited in Barbizon galleries.
Through hard work and persistence, at the age of 22 he forged his own identity, confident enough to share his works through various exhibitions. Thus began a series of large abstract paintings called “Chromatisme,” which allowed him to win numerous prizes, including the silver medal with mention from the International Lutèce Academy.
Encouraged by the widespread acclaim of his work, he decided to become a professional at that time, dedicating himself full-time to his art.
In recent years, the artist’s peers have recognized him as having established a true personality in his paintings.
To date, critics are unanimous: “it is at the height of color that the artist reveals all his art.”

