Egon Schiele (1890-1918), after - Sonnenblumen (1911)





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Egon Schiele (after), Sonnenblumen (1911), 1951, a limited edition collotype in expressionist style, 34 cm by 24 cm, depicting a Herbstszene, origin Österreich, sold by Galerie, in acceptable condition.
Description from the seller
Egon Schiele (1890-1918), after
Sunflowers (1911) / Sunflowers
Egon Schiele as a draftsman, 1951
Phototype, size approximately 340 x 240 mm.
After Egon Schiele. Provenance: small edition printed in Vienna by the State Print Office of Austria (Staatsdruckerei Österreich) on high-quality paper at the end of the 1940s / beginning of the 1950s.
This rare print, which showcases Schiele's distinctive style, is very well preserved.
International shipping, tracking number, insurance. Will be very carefully and securely packed.
About the phototype technique
Phototype is the highest quality printing process ever, with only three phototype printshops left in the world today. The color image is broken down into up to 25 colors and then printed on top of each other in as many print cycles. The finished image achieved a color quality that was almost comparable to that of an oil painting.
This technique was mainly used for illustrating books or prints in small editions. It makes it possible to achieve prints of incredibly high original fidelity.
Egon Schiele (1890-1918), after
Sunflowers (1911) / Sunflowers
Egon Schiele as a draftsman, 1951
Phototype, size approximately 340 x 240 mm.
After Egon Schiele. Provenance: small edition printed in Vienna by the State Print Office of Austria (Staatsdruckerei Österreich) on high-quality paper at the end of the 1940s / beginning of the 1950s.
This rare print, which showcases Schiele's distinctive style, is very well preserved.
International shipping, tracking number, insurance. Will be very carefully and securely packed.
About the phototype technique
Phototype is the highest quality printing process ever, with only three phototype printshops left in the world today. The color image is broken down into up to 25 colors and then printed on top of each other in as many print cycles. The finished image achieved a color quality that was almost comparable to that of an oil painting.
This technique was mainly used for illustrating books or prints in small editions. It makes it possible to achieve prints of incredibly high original fidelity.

