Robert Frank - MOVING OUT - 1995






Founded and directed two French book fairs; nearly 20 years of experience in contemporary books.
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MOVING OUT, a photobook by Robert Frank, is a 1st edition published in 1995 by the National Gallery of Art, in Japanese and English, with 335 pages.
Description from the seller
MOVING OUT
Robert Frank
National Gallery of Art/1995/japanese/300*245*33
Moving Out, a photobook by Robert Frank, a Swiss-born photographer who made his mark in America. Japanese photography now garners global attention, but its foundation was laid by the generation represented by Yasuhiro Ishimoto, Kazutaka Narahara, Eikoh Hosoe, Kikuji Kawada, and Teruaki Higashimatsu—selected for the 1950s “Ten Eyes” exhibition—along with Nobuyoshi Araki, influenced by them, and Provoke members like Daido Moriyama, Takuma Nakahira, and Yutaka Takanashi, as well as photographers of the Compola generation. In shaping this new photographic movement, they were profoundly influenced by two works: William Klein's ‘New York (1956)’ and Robert Frank's ‘The Americans (1958)’. It seems particularly many photographers favored Frank's work. This book is a collection published on the occasion of an exhibition held by this great photographer in the 1990s. It is a volume packed with highlights, featuring major works from his early period, as well as stills and contact prints from the 1970s and 1980s.
MOVING OUT
Robert Frank
National Gallery of Art/1995/japanese/300*245*33
Moving Out, a photobook by Robert Frank, a Swiss-born photographer who made his mark in America. Japanese photography now garners global attention, but its foundation was laid by the generation represented by Yasuhiro Ishimoto, Kazutaka Narahara, Eikoh Hosoe, Kikuji Kawada, and Teruaki Higashimatsu—selected for the 1950s “Ten Eyes” exhibition—along with Nobuyoshi Araki, influenced by them, and Provoke members like Daido Moriyama, Takuma Nakahira, and Yutaka Takanashi, as well as photographers of the Compola generation. In shaping this new photographic movement, they were profoundly influenced by two works: William Klein's ‘New York (1956)’ and Robert Frank's ‘The Americans (1958)’. It seems particularly many photographers favored Frank's work. This book is a collection published on the occasion of an exhibition held by this great photographer in the 1990s. It is a volume packed with highlights, featuring major works from his early period, as well as stills and contact prints from the 1970s and 1980s.
