auguste roedel - la romance Auguste Roedel - 1890s
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Selected by Juan Antonio Rodríguez
Eight years experience valuing posters, previously valuer at Balclis, Barcelona.
Estimate € 280 - € 350
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Description from the seller
Auguste Roedel (1859-1900)
The Romance (The Novel)
Original lithograph from the glorious portfolio « L’Estampe Moderne », issue #13 (May 1898)
On paper
Woven Year: 1898
Size (sheet): 405 x 305 mm
Size (image): 345 x 225 mm
Signed on the plaque 'Roedel,' bottom right.
Blind stamp of the editor, bottom right, outside the image.
State: minor signs of aging and manipulation, but stain at the top.
Full margins (uncropped, uncut)
Please provide the text you'd like translated.
About the collection (L’Estampe Moderne)
L’Estampe Moderne was published from 1897 to 1899 as a series of 24 monthly issues, each containing 4 original lithographs printed by the Parisian Imprimerie Champenois. Many seasoned European Art Nouveau painters contributed to this publication, which contained only original prints specially invented and produced for this collection. The publication was edited by Charles Masson and H. Piazza. Each issue was presented with a paper cover featuring an original lithograph by Alphonse Mucha.
Each lithograph was accompanied by a handkerchief containing the details (title of the work, name of the artist, etc.) and a short text by a famous author who inspired the artist (specifically, the poem 'Les Fraises' by the French poet Pierre Dupont).
Please provide the text you'd like translated.
About the artist
Eugène Jérôme Auguste Roedel (1859 - 1900) was a French illustrator, poster artist, caricaturist, watercolorist, and lithographer, who signed his works 'Roedel'.
He met Jules Chéret shortly before 1890 and began producing posters for Imprimerie Chaix, including Linge Monopole Maxime Faivret, which, unlike the Chérette (the tall, active woman typical of Chéret), promoted a rounder woman.
In 1895, he became the official poster designer of the Moulin Rouge; he also organized various artistic events with his dissident friends from the cabaret Le Chat Noir, including Adolphe Léon Willette.
Damaged by absinthe abuse, Roedel died suddenly in Paris on April 13, 1900.
Her works are exhibited in several international museums (Musée Carnavalet and Musée des Arts Décoratifs in Paris, Van Gogh Museum and Rijksmuseum in Amsterdam, etc.), and sold by international auctioneers around the world.
Please provide the text you'd like translated.
According to the text about tissue paper (in French).
Among the romances of our fathers, some were less frankly inept than 'Partant pour la Syrie'; there are even some — of which we know too little — that are true little masterpieces of sentiment and poetry. Such are the verses of Pierre Dupont that more than one of the pretty women of times gone by had to sing, accompanied by a harp, as evoked by the delicate pencil of Rodel.
Auguste Roedel (1859-1900)
The Romance (The Novel)
Original lithograph from the glorious portfolio « L’Estampe Moderne », issue #13 (May 1898)
On paper
Woven Year: 1898
Size (sheet): 405 x 305 mm
Size (image): 345 x 225 mm
Signed on the plaque 'Roedel,' bottom right.
Blind stamp of the editor, bottom right, outside the image.
State: minor signs of aging and manipulation, but stain at the top.
Full margins (uncropped, uncut)
Please provide the text you'd like translated.
About the collection (L’Estampe Moderne)
L’Estampe Moderne was published from 1897 to 1899 as a series of 24 monthly issues, each containing 4 original lithographs printed by the Parisian Imprimerie Champenois. Many seasoned European Art Nouveau painters contributed to this publication, which contained only original prints specially invented and produced for this collection. The publication was edited by Charles Masson and H. Piazza. Each issue was presented with a paper cover featuring an original lithograph by Alphonse Mucha.
Each lithograph was accompanied by a handkerchief containing the details (title of the work, name of the artist, etc.) and a short text by a famous author who inspired the artist (specifically, the poem 'Les Fraises' by the French poet Pierre Dupont).
Please provide the text you'd like translated.
About the artist
Eugène Jérôme Auguste Roedel (1859 - 1900) was a French illustrator, poster artist, caricaturist, watercolorist, and lithographer, who signed his works 'Roedel'.
He met Jules Chéret shortly before 1890 and began producing posters for Imprimerie Chaix, including Linge Monopole Maxime Faivret, which, unlike the Chérette (the tall, active woman typical of Chéret), promoted a rounder woman.
In 1895, he became the official poster designer of the Moulin Rouge; he also organized various artistic events with his dissident friends from the cabaret Le Chat Noir, including Adolphe Léon Willette.
Damaged by absinthe abuse, Roedel died suddenly in Paris on April 13, 1900.
Her works are exhibited in several international museums (Musée Carnavalet and Musée des Arts Décoratifs in Paris, Van Gogh Museum and Rijksmuseum in Amsterdam, etc.), and sold by international auctioneers around the world.
Please provide the text you'd like translated.
According to the text about tissue paper (in French).
Among the romances of our fathers, some were less frankly inept than 'Partant pour la Syrie'; there are even some — of which we know too little — that are true little masterpieces of sentiment and poetry. Such are the verses of Pierre Dupont that more than one of the pretty women of times gone by had to sing, accompanied by a harp, as evoked by the delicate pencil of Rodel.
Details
Era
1400-1900
Designer/Artist
auguste roedel
Poster title
la romance Auguste Roedel
Estimated Period
1890s
Condition
B- (fair - notable defects)
Nr of items
1
Height
41 cm
Width
30.5 cm
Autographed by a famous person
No
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