Bold yet intimate, Existencilism is a compact gem in the early catalogue of Banksy’s output — a book that strikes as much for its content as for its scarcity. Published in 2002 by Weapons of Mass Distraction, this volume captures the raw, graffiti‑born spirit of Banksy’s stencil‑art era, pairing black‑and‑white photographs and colour images with the artist’s sharp commentary on street culture, power, commerce and rebellion. What elevates Existencilism from a typical art book to a coveted collectible is its limited print run, early publication date, and the fact that it remains less commonly found in mint condition than many later, more widely distributed Banksy publications. For any enthusiast of street art, stencil work or urban sub‑culture aesthetics, this book is a tangible piece of early‑2000s counter‑art heritage — a time capsule of Banksy’s evolving voice and visual language. The very nature of its rarity adds a layer of intrigue: to hold a clean copy is to own a fragment of the rebellion. Whether you’re building a collection of Banksy’s printed works or books, or simply seeking a meaningful document of street‑art evolution, Existencilism stands out as one of the more elusive and rewarding acquisitions.