Alessandro Alteo (1997) - Monocromo Blu - 573 - XL

Mixed media - Hand-signed - 2025
Artist: Alessandro Alteo
Title: Blue Monochrome - 573
Technique: estroflessione on canvas
Year: 2025
Dimensions: 100x70
Condition: Perfect

AMAZING LARGE PIECE!
Young artist born in 1997.
Stitching on canvas.

The shipment may take a few extra days to allow for careful and proper packaging of the artwork. Additionally, for shipments to Switzerland, timelines could be extended further due to the preparation and handling of the necessary customs documentation.


Original work by Alessandro Alteo, characterized by a blue monochrome surface traversed by an outwardly protruding circular form, capable of generating a refined dialogue between light and shadow, matter and space.

The artist's search has its roots in the great tradition of Italian extroflexion, drawing inspiration from the formal elegance and plastic tension of masters such as Agostino Bonalumi, Enrico Castellani, Paolo Scheggi, Turi Simeti and Giuseppe Amadio, while at the same time engaging with the material force of Alberto Burri and the sculptural monumentalism of Arnaldo Pomodoro, up to the monochrome and analytical explorations of Bernard Aubertin and the poetic sensibility of Giorgio Morandi. In this vein, the painted surface becomes a living body, vibrant, responsive to light and to the gaze.

Within a modern abstraction, Alteo builds a personal language that opens up to modern and contemporary art, integrating influences from minimalism, Pop Art and especially Street Art and graffiti writing. His imagery ideally engages with artists and movements that range from Banksy, Keith Haring, Andy Warhol, Jean-Michel Basquiat, Jeff Koons, Roy Lichtenstein, Damien Hirst, Takashi Murakami, to the urban culture linked to Shepard Fairey (OBEY), JR, Invader, Space Invader, Jef Aérosol, C215, Futura 2000, COPE2, Vhils, D*Face, Os Gemeos, JonOne, Alec Monopoly, Speedy Graphito, Hayden Kays, Kev Munday, Chanoir.

Up to the most contemporary interpretations of the international urban and post-graffiti scene, featuring figures such as Sandra Chevrier, Handiedan, Chuck Sperry, Borondo, PichiAvo, Orticanoodles, Inti, Saner, M-City, Levalet, Cranio, Dan23, DZIA, Hom Nguyen and André Saraiva, Mario Merz, Lucio Fontana.

At the same time, his visual sensibility feeds on a pop-luxury, collectible aesthetic, where design, fashion and contemporary lifestyle icons—from Hermès, Dior, Chanel, Cartier, Louis Vuitton, Prada, Bulgari to the imagined world of collecting tied to Rolex, Patek Philippe, Audemars Piguet, Daytona, Nautilus, Richard Mille—coexist with references to screen printing, art prints, vinyl, analog photography, cinema, tin toys, and the visual memory of the twentieth century.

There is no shortage of learned references to art history, from Mario Schifano to Joan Miró, from Salvador Dalí to Pierre Soulages, helping to reinforce the conceptual and visual dimension of the work between abstraction, matter and light.

The distinctive hallmark of Alessandro Alteo lies in the synthesis between geometric rigor and emotional lyricism, where the circle becomes a universal sign, a visual archetype and a space for contemplation.
This work thus serves as a bridge between the analytical season and the Italian estroflessa and a urban and contemporary sensibility, presenting itself as a piece with strong identity, visual impact and aesthetic recognizability in the panorama of contemporary art.

Opera archived on Gigarte, with certificates of authentication!