Jean-Michel Basquiat - Basquiat Dipinti - 2000s





Add to your favourites to get an alert when the auction starts.

Eight years experience valuing posters, previously valuer at Balclis, Barcelona.
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 129125 reviews
Rated Excellent on Trustpilot.
Description from the seller
This is a poster for an exhibition dedicated to Jean-Michel Basquiat, held at the Chiostro del Bramante in Rome in 2002. The artwork depicted is a graffiti-inspired, neo-expressionist reinterpretation of Leonardo da Vinci's Mona Lisa.
The poster features Basquiat’s work Mona Lisa (1983). The artist transforms the Renaissance icon into a distorted and almost skeletal figure, using his distinctive style that blends graffiti and figurative art. The subject is framed within a border reminiscent of a one-dollar bill (Federal Reserve Note), with inscriptions such as "THIS NOTE IS LEGAL TENDER" and the number "1" in the corners. The use of warm colors like ochre and brown contrasts with bold black lines and touches of red and yellow, creating a raw, energetic image that serves as a social critique of the commercial value of art.
Cultural Importance: It is an interesting piece because it documents one of the major Italian retrospective exhibitions of the early 2000s. The pairing of Basquiat with a classical institution like the Chiostro del Bramante reflects the dialogue between contemporary art and classicism.
This is a poster for an exhibition dedicated to Jean-Michel Basquiat, held at the Chiostro del Bramante in Rome in 2002. The artwork depicted is a graffiti-inspired, neo-expressionist reinterpretation of Leonardo da Vinci's Mona Lisa.
The poster features Basquiat’s work Mona Lisa (1983). The artist transforms the Renaissance icon into a distorted and almost skeletal figure, using his distinctive style that blends graffiti and figurative art. The subject is framed within a border reminiscent of a one-dollar bill (Federal Reserve Note), with inscriptions such as "THIS NOTE IS LEGAL TENDER" and the number "1" in the corners. The use of warm colors like ochre and brown contrasts with bold black lines and touches of red and yellow, creating a raw, energetic image that serves as a social critique of the commercial value of art.
Cultural Importance: It is an interesting piece because it documents one of the major Italian retrospective exhibitions of the early 2000s. The pairing of Basquiat with a classical institution like the Chiostro del Bramante reflects the dialogue between contemporary art and classicism.
