Unlabeled - 4/4 - - Violin - 1800





| €30 | ||
|---|---|---|
| €1 |
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Unlabeled 4/4 wooden violin, manufactured in 1800, in excellent physical condition and tested and working, includes an extra item and an old wooden case with a period bow.
Description from the seller
Introduction
This full-size German workshop violin is offered as a characterful antique instrument with genuine musical potential, accompanied by an old wooden case with original green felt lining and a period bow. Carrying no interior label, the violin presents itself through the quality of its materials and construction: a fine-grained spruce top, a beautifully flamed one-piece maple back, and a warm amber-red varnish of evident age and depth. Instruments of this type — produced in the workshops of Saxony and Bavaria during the early decades of the twentieth century — represent a proud chapter in the history of European lutherie, and this example shows the hallmarks of an experienced hand.
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Historical and Artistic Context
The German workshop tradition of the late nineteenth and early twentieth centuries produced instruments across an extraordinarily wide spectrum of quality. This violin belongs firmly in the upper range of that production. Its one-piece maple back with well-developed flame, the careful purfling inlay, and the overall proportions of the corpus reflect the standards of a workshop engaged in serious craft rather than purely commercial output. The full-size body and the quality of its construction make it a compelling proposition for players and collectors seeking an antique instrument of genuine character.
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Craftsmanship and Materials
The top plate is of fine-grained spruce (Picea abies) with an even, well-matched grain pattern. The back is a handsome one-piece maple slab displaying a clear, moderately developed flame running across the full width of the plate — a feature that is both visually striking and acoustically significant. The varnish is a warm amber-red oil finish, well-aged and showing the characteristic depth and variation of hand-applied varnish. The neck and scroll are of maple, darkened with age; the volute is cleanly carved with good proportions. The pegbox is fitted with modern mechanical geared pegs with ebony-style knobs, providing reliable tuning stability. The fingerboard is of ebony, showing some wear. The tailpiece is of black synthetic material with a single fine-tuner. Purfling is neatly inlaid on both top and back.
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Tonal Character and Playability
This violin requires a professional setup before playing. Both the bridge and soundpost — the bridge supplied as a new uncut blank, the soundpost as a new uncut component — are yet to be professionally fitted and adjusted. The intake notes indicate that both are to be custom-made to suit this specific instrument. Once this work has been carried out by a qualified luthier, the violin can reasonably be expected to produce a warm, singing tone with good resonance and projection — qualities characteristic of well-built German workshop violins of this period. The quality of the wood and the depth of the aged varnish point to an instrument with genuine tonal potential waiting to be fully realised.
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Condition
The instrument is offered in antique, played condition and is currently not in playing condition, requiring professional setup.
Bridge: A new, uncut bridge blank is supplied and included. It has not been fitted or adjusted and requires professional shaping and placement to suit this specific instrument.
Soundpost: A new, uncut soundpost is supplied for professional installation. It has not yet been placed inside the instrument.
Strings: A factory-quality set of strings without brand designation is installed on the instrument.
Case: An old but fully functional wooden violin case is included, featuring original green felt lining and period metal hardware. A period bow is also included in the case.
Condition notes: The instrument shows age-related wear throughout, including varnish abrasion along the edges of the bouts, surface wear near the neck root, and areas of varnish loss on the lower back. No structural damage or cracks are noted on the intake form, and none are visible in the photographs. The overall structural condition is sound and stable.
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Measurements
Total length: 60.0 cm
Size: 4/4 (full size)
Weight: 460 g
Corpus: Default form
Top / Middle / Lower bout: Default graduation
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Packaging, Shipping, and Warranty
This violin will be carefully packed within its original wooden case, which will in turn be secured within professional luthier-grade outer shipping packaging with internal cushioning. Strings will be loosened prior to shipping. Full insurance is included in the shipping cost. Every precaution is taken to ensure the instrument arrives in the same condition as when it left us.
Please note that this instrument is sold as an antique workshop violin requiring professional setup. No warranty on playability is offered or implied beyond accurate description.
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Attribution
An unlabelled German workshop violin in the Central European trade tradition, circa 1900–1940. Offered without attribution to a named maker. Accompanied by an old wooden case and a period bow.
Seller's Story
Introduction
This full-size German workshop violin is offered as a characterful antique instrument with genuine musical potential, accompanied by an old wooden case with original green felt lining and a period bow. Carrying no interior label, the violin presents itself through the quality of its materials and construction: a fine-grained spruce top, a beautifully flamed one-piece maple back, and a warm amber-red varnish of evident age and depth. Instruments of this type — produced in the workshops of Saxony and Bavaria during the early decades of the twentieth century — represent a proud chapter in the history of European lutherie, and this example shows the hallmarks of an experienced hand.
---
Historical and Artistic Context
The German workshop tradition of the late nineteenth and early twentieth centuries produced instruments across an extraordinarily wide spectrum of quality. This violin belongs firmly in the upper range of that production. Its one-piece maple back with well-developed flame, the careful purfling inlay, and the overall proportions of the corpus reflect the standards of a workshop engaged in serious craft rather than purely commercial output. The full-size body and the quality of its construction make it a compelling proposition for players and collectors seeking an antique instrument of genuine character.
---
Craftsmanship and Materials
The top plate is of fine-grained spruce (Picea abies) with an even, well-matched grain pattern. The back is a handsome one-piece maple slab displaying a clear, moderately developed flame running across the full width of the plate — a feature that is both visually striking and acoustically significant. The varnish is a warm amber-red oil finish, well-aged and showing the characteristic depth and variation of hand-applied varnish. The neck and scroll are of maple, darkened with age; the volute is cleanly carved with good proportions. The pegbox is fitted with modern mechanical geared pegs with ebony-style knobs, providing reliable tuning stability. The fingerboard is of ebony, showing some wear. The tailpiece is of black synthetic material with a single fine-tuner. Purfling is neatly inlaid on both top and back.
---
Tonal Character and Playability
This violin requires a professional setup before playing. Both the bridge and soundpost — the bridge supplied as a new uncut blank, the soundpost as a new uncut component — are yet to be professionally fitted and adjusted. The intake notes indicate that both are to be custom-made to suit this specific instrument. Once this work has been carried out by a qualified luthier, the violin can reasonably be expected to produce a warm, singing tone with good resonance and projection — qualities characteristic of well-built German workshop violins of this period. The quality of the wood and the depth of the aged varnish point to an instrument with genuine tonal potential waiting to be fully realised.
---
Condition
The instrument is offered in antique, played condition and is currently not in playing condition, requiring professional setup.
Bridge: A new, uncut bridge blank is supplied and included. It has not been fitted or adjusted and requires professional shaping and placement to suit this specific instrument.
Soundpost: A new, uncut soundpost is supplied for professional installation. It has not yet been placed inside the instrument.
Strings: A factory-quality set of strings without brand designation is installed on the instrument.
Case: An old but fully functional wooden violin case is included, featuring original green felt lining and period metal hardware. A period bow is also included in the case.
Condition notes: The instrument shows age-related wear throughout, including varnish abrasion along the edges of the bouts, surface wear near the neck root, and areas of varnish loss on the lower back. No structural damage or cracks are noted on the intake form, and none are visible in the photographs. The overall structural condition is sound and stable.
---
Measurements
Total length: 60.0 cm
Size: 4/4 (full size)
Weight: 460 g
Corpus: Default form
Top / Middle / Lower bout: Default graduation
---
Packaging, Shipping, and Warranty
This violin will be carefully packed within its original wooden case, which will in turn be secured within professional luthier-grade outer shipping packaging with internal cushioning. Strings will be loosened prior to shipping. Full insurance is included in the shipping cost. Every precaution is taken to ensure the instrument arrives in the same condition as when it left us.
Please note that this instrument is sold as an antique workshop violin requiring professional setup. No warranty on playability is offered or implied beyond accurate description.
---
Attribution
An unlabelled German workshop violin in the Central European trade tradition, circa 1900–1940. Offered without attribution to a named maker. Accompanied by an old wooden case and a period bow.

