Figure - Vedette Belle Époque - Textile, Fur





| €6 | ||
|---|---|---|
| €5 | ||
| €4 | ||
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 129291 reviews
Rated Excellent on Trustpilot.
Estimated period 1910–1920; materials: textile and leather; made in France.
Description from the seller
The figure you show fits very naturally into the aesthetic universe of the Belle Époque, when a taste for the theatrical, the exotic, and the ornamental permeated both stage settings and the decorative objects of bourgeois salons. It is clearly a vedette, a music-hall or cabaret artist, depicted with that air between sophisticated and fantastical that fascinated the public of the era. The face is hand-painted, with delicate features and a hint of coquettishness, typical of French and Central European salon dolls from the early 20th century, which were not meant as toys but as decorative pieces, almost small textile sculptures.
The turban or golden headdress wrapped in mesh responds to the Orientalist fashion that spread across Europe after the universal exhibitions and the rise of Art Nouveau. That taste for the “exotic” mingled with the glamorized image of variety show dancers and singers, who typically appeared in posters, postcards, and luxury objects. The real fur on the arms reinforces that idea of theatrical luxury, a detail not used in popular pieces but in objects aimed at an affluent audience. The elaborately sewn blue fabric shoes recall those worn by artists on stage, with adornments designed to catch the light and attention.
The pose and the overall ensemble convey a clearly decorative intention: this is not a child’s doll, but an object meant to occupy a visible place on a dressing table, a boudoir, or a salon. This type of figure was produced in artisanal workshops, often in France, Germany, or Austria, and each piece had its own character because the facial painting, the fabric combinations, and the accessories were made by hand. Therefore, even if similar models existed, each piece preserves its own personality.
Taken together, your figure is a small testament to the Belle Époque imaginary: the cult of elegance, the fascination with showmanship, the taste for the artisanal, and the mix of Oriental and European influences. It is a piece that not only represents a vedette but also a way of understanding luxury and fantasy in a historical moment when urban life, theater, and fashion were in full effervescence.
Tracked shipping and careful packaging.
Seller's Story
Translated by Google TranslateThe figure you show fits very naturally into the aesthetic universe of the Belle Époque, when a taste for the theatrical, the exotic, and the ornamental permeated both stage settings and the decorative objects of bourgeois salons. It is clearly a vedette, a music-hall or cabaret artist, depicted with that air between sophisticated and fantastical that fascinated the public of the era. The face is hand-painted, with delicate features and a hint of coquettishness, typical of French and Central European salon dolls from the early 20th century, which were not meant as toys but as decorative pieces, almost small textile sculptures.
The turban or golden headdress wrapped in mesh responds to the Orientalist fashion that spread across Europe after the universal exhibitions and the rise of Art Nouveau. That taste for the “exotic” mingled with the glamorized image of variety show dancers and singers, who typically appeared in posters, postcards, and luxury objects. The real fur on the arms reinforces that idea of theatrical luxury, a detail not used in popular pieces but in objects aimed at an affluent audience. The elaborately sewn blue fabric shoes recall those worn by artists on stage, with adornments designed to catch the light and attention.
The pose and the overall ensemble convey a clearly decorative intention: this is not a child’s doll, but an object meant to occupy a visible place on a dressing table, a boudoir, or a salon. This type of figure was produced in artisanal workshops, often in France, Germany, or Austria, and each piece had its own character because the facial painting, the fabric combinations, and the accessories were made by hand. Therefore, even if similar models existed, each piece preserves its own personality.
Taken together, your figure is a small testament to the Belle Époque imaginary: the cult of elegance, the fascination with showmanship, the taste for the artisanal, and the mix of Oriental and European influences. It is a piece that not only represents a vedette but also a way of understanding luxury and fantasy in a historical moment when urban life, theater, and fashion were in full effervescence.
Tracked shipping and careful packaging.

