Luis Enrique González - Sangre de Estirpe

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€ 110
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Egidio Emiliano Bianco
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Selected by Egidio Emiliano Bianco

Holds a bachelor’s degree in art history and a master’s degree in arts and cultural management.

Gallery Estimate  € 1,000 - € 1,200
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ESBidder 7519
€110

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Luis Enrique González — Sangre de Estirpe — original oil on canvas, 49 cm high by 40.5 cm wide, 2025, hand-signed, in excellent condition, Brazil origin; sold by Representante.

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Description from the seller

In “Bloodline,” Luis Enrique González presents an equestrian portrait that transcends the representational to become an affirmation of lineage, elegance, and contained power.

The work is built on flawless technical execution, where the oil is worked with precision and sensitivity to reveal every nuance of the coat, every light transition, and every anatomical plane with an almost sculptural clarity. The lighting, subtle yet strategic, emerges from a warm, deep background, enveloping the figure and granting it a nearly ceremonial presence.

The horse, captured in a serene and dominant profile, conveys a silent nobility that does not need to assert itself: it simply is. Its gaze, steadfast and restrained, establishes a direct connection with the viewer, evoking intelligence, discipline, and a refined inner strength.

The composition, sober and unadorned, responds to a classical pictorial tradition, where the subject is elevated to a symbol. Here, the horse is not merely an animal but a representation of heritage, purity, and character.

This piece stands out for its ability to integrate into sophisticated spaces and demanding collections, being particularly attractive to lovers of figurative art of high technical quality and of the equestrian universe.

Original work made in oil on canvas.

The work is carefully shipped protected in a transport tube to guarantee maximum safety.


Artist Statement — Luis Enrique González

My work is a constant dialogue between light and form, where oil painting becomes a medium to explore the emotional and symbolic depth of reality. I am interested in nature and the human figure not only as visual motifs but as living territories filled with stories, silences, and tensions. Through realism, I seek to reveal what hides in the everyday: fragility, strength, persistence, and the beauty that manifest in gestures, in matter, and in the spaces we inhabit.

Chiaroscuro, for me, is a tool of thought. Through contrast, I find the internal structure of each image, the atmosphere that lets color breathe and become protagonist. I work with meticulous observation, trying to ensure that every brushstroke preserves the sensitivity of the moment and, at the same time, a permanence that transcends the temporality of the depicted object.

My pieces sit at a crossroads between academic tradition and a contemporary gaze, where rigorous technique coexists with a personal expressive search. I paint because I find in oil a space of revelation: a way of understanding the world and at the same time reinventing it through light, texture, and color.

Cuban visual artist specialized in oil painting on canvas, with a realistic approach that stands out for its technical precision, handling of chiaroscuro, and a deep interest in nature and the human figure. His work combines solid academic training with an aesthetic quest focused on detail, light, and the expressive strength of color. Studies 2012 • Baccalaureate in Plastic Arts. Professional Academy of Plastic Arts, Las Tunas, Cuba. Exhibitions and Salons 2011 • Nicolás Guillén Iconographic Salon. UNEAC, Las Tunas, Cuba. • Exhibition “Vástagos.” Provincial Center of Plastic Arts, Las Tunas, Cuba. 2012 • Martiano Salon. Sculpture Workshop Gallery, Las Tunas, Cuba. • Exhibition “Lithographs.” UNEAC, Las Tunas, Cuba. • Exhibition “Final Integral Exercise.” Professional Academy of Plastic Arts, Las Tunas, Cuba. 2013 • Martiano Salon. Huellas Cultural Center, Las Tunas, Cuba. • Exhibition “La Víspera.” Provincial Center of Plastic Arts, Las Tunas, Cuba. 2014 • Salon “Guernica.” AHS, Las Tunas, Cuba. • Salon “Plastic in April.” Provincial Center of Plastic Arts, Las Tunas, Cuba. • Collective Expo “Art, a Social Image.” Provincial Center of Plastic Arts, Las Tunas, Cuba. 2023 • 52nd Expofeira do Amapá, Brazil. 2024 • Collective Expo “Fluxo Feminino: An art exhibition that Inspires and Transforms.” Government Palace of the State of Amapá, Brazil. • Reopening of Samaúma Gallery, Amapá, Brazil. • “Artistic Convergence: Realism and Artificial Intelligence.” Rede Amazônica, Amapá, Brazil. • Reopening of Silvio Romero Theater, Amapá, Brazil. • “Amazon in Screens.” 53rd Expofeira do Amapá, Brazil. 2025 • Aldir Blanc Law Certification. Silvio Romero Theater, Amapá, Brazil. • Collective Expo “A Forest.” Rede Amazônica and Public Defender’s Office of the State of Amapá, Brazil.

In “Bloodline,” Luis Enrique González presents an equestrian portrait that transcends the representational to become an affirmation of lineage, elegance, and contained power.

The work is built on flawless technical execution, where the oil is worked with precision and sensitivity to reveal every nuance of the coat, every light transition, and every anatomical plane with an almost sculptural clarity. The lighting, subtle yet strategic, emerges from a warm, deep background, enveloping the figure and granting it a nearly ceremonial presence.

The horse, captured in a serene and dominant profile, conveys a silent nobility that does not need to assert itself: it simply is. Its gaze, steadfast and restrained, establishes a direct connection with the viewer, evoking intelligence, discipline, and a refined inner strength.

The composition, sober and unadorned, responds to a classical pictorial tradition, where the subject is elevated to a symbol. Here, the horse is not merely an animal but a representation of heritage, purity, and character.

This piece stands out for its ability to integrate into sophisticated spaces and demanding collections, being particularly attractive to lovers of figurative art of high technical quality and of the equestrian universe.

Original work made in oil on canvas.

The work is carefully shipped protected in a transport tube to guarantee maximum safety.


Artist Statement — Luis Enrique González

My work is a constant dialogue between light and form, where oil painting becomes a medium to explore the emotional and symbolic depth of reality. I am interested in nature and the human figure not only as visual motifs but as living territories filled with stories, silences, and tensions. Through realism, I seek to reveal what hides in the everyday: fragility, strength, persistence, and the beauty that manifest in gestures, in matter, and in the spaces we inhabit.

Chiaroscuro, for me, is a tool of thought. Through contrast, I find the internal structure of each image, the atmosphere that lets color breathe and become protagonist. I work with meticulous observation, trying to ensure that every brushstroke preserves the sensitivity of the moment and, at the same time, a permanence that transcends the temporality of the depicted object.

My pieces sit at a crossroads between academic tradition and a contemporary gaze, where rigorous technique coexists with a personal expressive search. I paint because I find in oil a space of revelation: a way of understanding the world and at the same time reinventing it through light, texture, and color.

Cuban visual artist specialized in oil painting on canvas, with a realistic approach that stands out for its technical precision, handling of chiaroscuro, and a deep interest in nature and the human figure. His work combines solid academic training with an aesthetic quest focused on detail, light, and the expressive strength of color. Studies 2012 • Baccalaureate in Plastic Arts. Professional Academy of Plastic Arts, Las Tunas, Cuba. Exhibitions and Salons 2011 • Nicolás Guillén Iconographic Salon. UNEAC, Las Tunas, Cuba. • Exhibition “Vástagos.” Provincial Center of Plastic Arts, Las Tunas, Cuba. 2012 • Martiano Salon. Sculpture Workshop Gallery, Las Tunas, Cuba. • Exhibition “Lithographs.” UNEAC, Las Tunas, Cuba. • Exhibition “Final Integral Exercise.” Professional Academy of Plastic Arts, Las Tunas, Cuba. 2013 • Martiano Salon. Huellas Cultural Center, Las Tunas, Cuba. • Exhibition “La Víspera.” Provincial Center of Plastic Arts, Las Tunas, Cuba. 2014 • Salon “Guernica.” AHS, Las Tunas, Cuba. • Salon “Plastic in April.” Provincial Center of Plastic Arts, Las Tunas, Cuba. • Collective Expo “Art, a Social Image.” Provincial Center of Plastic Arts, Las Tunas, Cuba. 2023 • 52nd Expofeira do Amapá, Brazil. 2024 • Collective Expo “Fluxo Feminino: An art exhibition that Inspires and Transforms.” Government Palace of the State of Amapá, Brazil. • Reopening of Samaúma Gallery, Amapá, Brazil. • “Artistic Convergence: Realism and Artificial Intelligence.” Rede Amazônica, Amapá, Brazil. • Reopening of Silvio Romero Theater, Amapá, Brazil. • “Amazon in Screens.” 53rd Expofeira do Amapá, Brazil. 2025 • Aldir Blanc Law Certification. Silvio Romero Theater, Amapá, Brazil. • Collective Expo “A Forest.” Rede Amazônica and Public Defender’s Office of the State of Amapá, Brazil.

Details

Artist
Luis Enrique González
Sold by
Agent
Edition
Original
Title of artwork
Sangre de Estirpe
Technique
Oil painting
Signature
Hand signed
Country of origin
Brazil
Year
2025
Sold with stand
No
Condition
Excellent condition
Height
49 cm
Width
40.5 cm
Style
Realism
Period
2020+
SpainVerified
606
Objects sold
100%
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