Invader (1969) - Rubik country life






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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€1,000 |
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Invader, Rubik country life, a Giclée mounted under Diasec on aluminium panel in Pop Art style, 100 × 100 cm, edition 87/431, signed, produced in 2023 in the United Kingdom, in excellent condition.
Description from the seller
Technique : Giclée montée sous Diasec
Support : Aluminium acrylic panel
Edition : 87/431
Signature : Hand-signed
Dimensions : 100x100cm
Condition : Excellent
Authentification : Sold with certificate of authenticity
Informations sur l’œuvre :
Invader is one of the most emblematic and recognizable figures in contemporary urban art. A elusive artist, he defines himself as an Unidentified Free Artist (UFA), insisting that anonymity is a founding principle of his practice. Masked, pixelated, deliberately out of frame, his pseudonym reflects his artistic project: to invade public space with art.
Since the late 1990s, Invader has transposed the digital universe into the physical world through his famous mosaics inspired by 1980s video games, notably Space Invaders. These pixelated figures, instantly readable, constitute a universal visual language, accessible to all, that dissolves the boundaries between popular culture, contemporary art, and urban space. Far from a simple playful gesture, this aesthetic questions our relationship to images, to technology, and to collective memory.
What began in 1998 with the installation of a first mosaic on a Parisian wall quickly became a worldwide project. To date, more than 4,000 works have been disseminated in dozens of cities around the world, turning the act of art-making into a planetary map. This approach takes on a strong symbolic dimension when one of his works becomes the first artwork exhibited in space, integrated into the International Space Station.
Alongside his activity in public space, Invader has progressively entered the institutional field. He has presented solo exhibitions in major galleries and institutions, from Paris to Osaka, never renouncing his street roots. This double presence—on the street and in dedicated spaces—constitutes one of the foundations of his singularity.
His work also extends to new mediums, notably with the Rubikcubism series, in which he composes painting-sculptures from Rubik’s Cubes. Faithful to his pixelated vocabulary, this series continues his reflection on digital imagery, color, and materiality, while placing his work within a contemporary tradition of sculpture and assemblage.
Seller's Story
Technique : Giclée montée sous Diasec
Support : Aluminium acrylic panel
Edition : 87/431
Signature : Hand-signed
Dimensions : 100x100cm
Condition : Excellent
Authentification : Sold with certificate of authenticity
Informations sur l’œuvre :
Invader is one of the most emblematic and recognizable figures in contemporary urban art. A elusive artist, he defines himself as an Unidentified Free Artist (UFA), insisting that anonymity is a founding principle of his practice. Masked, pixelated, deliberately out of frame, his pseudonym reflects his artistic project: to invade public space with art.
Since the late 1990s, Invader has transposed the digital universe into the physical world through his famous mosaics inspired by 1980s video games, notably Space Invaders. These pixelated figures, instantly readable, constitute a universal visual language, accessible to all, that dissolves the boundaries between popular culture, contemporary art, and urban space. Far from a simple playful gesture, this aesthetic questions our relationship to images, to technology, and to collective memory.
What began in 1998 with the installation of a first mosaic on a Parisian wall quickly became a worldwide project. To date, more than 4,000 works have been disseminated in dozens of cities around the world, turning the act of art-making into a planetary map. This approach takes on a strong symbolic dimension when one of his works becomes the first artwork exhibited in space, integrated into the International Space Station.
Alongside his activity in public space, Invader has progressively entered the institutional field. He has presented solo exhibitions in major galleries and institutions, from Paris to Osaka, never renouncing his street roots. This double presence—on the street and in dedicated spaces—constitutes one of the foundations of his singularity.
His work also extends to new mediums, notably with the Rubikcubism series, in which he composes painting-sculptures from Rubik’s Cubes. Faithful to his pixelated vocabulary, this series continues his reflection on digital imagery, color, and materiality, while placing his work within a contemporary tradition of sculpture and assemblage.
