Alessandro Alteo (1997) - Monocromo Bianco - 618

Mixed technique - Hand-signed - 2025
Artist: Alessandro Alteo
Title: Monochrome White - 618
Technique: outstretched relief on canvas
Year: 2025
Dimensions: 20x20
Condition: Perfect

STUNNING PIECE!
YOUNG ARTIST BORN IN 1997

Artwork ready to hang!

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The color may vary from the photos and from your screen.

Original work by Alessandro Alteo, characterized by a monochrome white surface, capable of generating a refined dialogue between light and shadow, matter and space.

The artist’s search sinks its roots in the great Italian outstretched-relief tradition, drawing inspiration from the formal elegance and plastic tension of masters such as Agostino Bonalumi, Enrico Castellani, Paolo Scheggi, Lucio Fontana, Turi Simeti and Giuseppe Amadio, while engaging with the material force of Alberto Burri and the sculptural monumentality of Arnaldo Pomodoro, up to the monochrome and analytical explorations of Bernard Aubertin and the poetic sensibility of Giorgio Morandi. In this lineage, the painted surface becomes a living, vibrant body, sensitive to light and gaze.

Within a modern abstraction, Alteo builds a personal language that opens to modern and contemporary art, integrating influences from minimalism, Pop Art and especially Street Art and Graffiti writing. His imaginary dialogue idealistically with artists and movements ranging from Banksy, Keith Haring, Andy Warhol, Jean-Michel Basquiat, Jeff Koons, Roy Lichtenstein, Damien Hirst, Takashi Murakami, to the urban culture tied to Shepard Fairey (OBEY), JR, Invader, Space Invader, Jef Aérosol, C215, Futura 2000, COPE2, Vhils, D*Face, Os Gemeos, JonOne, Alec Monopoly, Speedy Graphito, Hayden Kays, Kev Munday, Chanoir.

Up to the more contemporary declinations of the international urban and post-graffiti scene, with figures such as Sandra Chevrier, Handiedan, Chuck Sperry, Borondo, PichiAvo, Orticanoodles, Inti, Saner, M-City, Levalet, Cranio, Dan23, DZIA, Hom Nguyen and André Saraiva, Mario Merz, Lucio Fontana.

Parallelly, his visual sensibility nourishes from a pop-luxury and collecting aesthetic, where icons of design, fashion and contemporary lifestyle — from Hermès, Dior, Chanel, Cartier, Louis Vuitton, Prada, Bulgari to the collecting imagery related to Rolex, Patek Philippe, Audemars Piguet, Daytona, Nautilus, Richard Mille — coexist with references to screen printing, art printing, vinyl, analog photography, cinema, tin toys, and the visual memory of the twentieth century.

There are also cultivated references to art history, from Mario Schifano to Joan Miró, from Salvador Dalí to Pierre Soulages, contributing to strengthen the conceptual and visual dimension of the work between abstraction, matter and light.

Alteo’s distinctive signature lies in the synthesis of geometric rigor and emotional lyricism, where the circle becomes a universal sign, a visual archetype and a space for contemplation.

This work thus configuration as a bridge between the analytical and outstretched Italian season and a urban and contemporary sensibility, presenting itself as a piece with a strong identity, visual impact and aesthetic recognizability in the contemporary art landscape.

Artwork archived on Gigarte, with authentication certificates!