Alessandro Alteo (1997) - Monocromo - 620 - 1/10

Mixed media - Hand-signed - 2025
Artist: Alessandro Alteo
Title: Monochrome - 620
Technique: extroflection on canvas / overlapping combustion
Year: 2025
Dimensions: 50x40
Condition: Perfect

STUNNING PIECE!
YOUNG ARTIST BORN 1997

Ready to hang!
Combustion: two canvases superimposed 1/10
Limited edition of 10 pieces!

Shipping may take a few extra days to allow for careful and proper packaging of the artwork. Additionally, for shipments to Switzerland, times may be extended further due to the preparation and handling of the necessary customs documentation.

The color may vary from the photos and from your screen.

Original work by Alessandro Alteo, characterized by a monochrome surface capable of generating a refined dialogue between light and shadow, matter and space.

The artist’s research roots itself in the great tradition of Italian extroflection, drawing inspiration from the formal elegance and plastic tension of masters such as Agostino Bonalumi, Enrico Castellani, Paolo Scheggi, Lucio Fontana, Turi Simeti and Giuseppe Amadio, while dialoguing with the material force of Alberto Burri and the sculptural monumental presence of Arnaldo Pomodoro, up to the monochrome and analytical explorations of Bernard Aubertin and the poetic sensibility of Giorgio Morandi. In this tradition, the painted surface becomes a living, vibrant body, sensitive to light and to the gaze.

Within a modern abstraction, Alteo builds a personal language that opens to modern and contemporary art, integrating influences from minimalism, Pop Art and especially Street Art and Graffiti writing. His imaginative world ideally dialogues with artists and movements ranging from Banksy, Keith Haring, Andy Warhol, Jean-Michel Basquiat, Jeff Koons, Roy Lichtenstein, Damien Hirst, Takashi Murakami, to urban culture tied to Shepard Fairey (OBEY), JR, Invader, Space Invader, Jef Aérosol, C215, Futura 2000, COPE2, Vhils, D*Face, Os Gemeos, JonOne, Alec Monopoly, Speedy Graphito, Hayden Kays, Kev Munday, Chanoir.

Up to the more contemporary declinations of the international urban and post-graffiti scene, with figures such as Sandra Chevrier, Handiedan, Chuck Sperry, Borondo, PichiAvo, Orticanoodles, Inti, Saner, M-City, Levalet, Cranio, Dan23, DZIA, Hom Nguyen and André Saraiva, Mario Merz, Lucio Fontana.

At the same time, his visual sensibility feeds on a pop-luxury and collectible aesthetic, where icons of design, fashion and contemporary lifestyle — from Hermès, Dior, Chanel, Cartier, Louis Vuitton, Prada, Bulgari to the collecting imaginary around Rolex, Patek Philippe, Audemars Piguet, Daytona, Nautilus, Richard Mille — coexist with references to screen printing, art prints, vinyl, analog photography, cinema, tin toys, and the visual memory of the twentieth century.

There are also cultivated references to art history, from Mario Schifano to Joan Miró, from Salvador Dalí to Pierre Soulages, contributing to strengthen the conceptual and visual dimension of the work between abstraction, matter and light.

Aleardo Alteo’s distinctive signature lies in the synthesis between geometric rigor and emotional lyricism, where the circle becomes a universal sign, a visual archetype and a space for contemplation.

This piece thus stands as a bridge between the Italian analytic and extroflected tradition and a urban, contemporary sensibility, offering a work of strong identity, visual impact and aesthetic recognizability in the contemporary art landscape.

Artwork archived on Gigarte, with authentication certificates!"} } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } } }