Impressionist school (XX) - Trees Before The Blue Mountain





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Trees Before The Blue Mountain, an original oil painting from the post-impressionist Catalan tradition of the mid-20th century (1940–1950) originating in Spain, signed by hand and sold with a frame, measuring 56 x 65 cm and weighing 4 kg.
Description from the seller
MOUNTAINOUS LANDSCAPE WITH TREES AND VEGETATION
- Catalan late-impressionist school
- Mid-20th century
- Oil on canvas
- Signed
- Canvas dimensions: 46 x 55 cm
- Frame dimensions: 56 x 65 cm
- Landscape with groves, mountain and Mediterranean vegetation
- Frame included as a gift
-- The artwork will be professionally packed using custom packaging and shipped insured to any international destination
-- We work with a specialized logistics center, with preparation and distribution approximately within 3 days once payment is confirmed
1. IDENTIFICATION
1.1. Typology and subject represented
Oil on canvas signed, belonging to the Catalan late-impressionist school of the mid-20th century.
The work depicts a mountainous landscape with strong vegetal presence, dark-crowned trees, mountains in the background, and a lower area of earth and vegetation treated with loose and expressive brushwork.
1.2. Proposed school and chronology
The work is prudently cataloged as Catalan late-impressionist school, considering its pictorial language, free treatment of the landscape, impasto brushwork, and chromatic construction of nature.
No definite attribution to a specific author is made beyond the visible signature on the work.
2. ARTISTIC DESCRIPTION
2.1. General composition
The composition is organized around a large group of trees on the left side, which acts as a visual axis and adds depth to the scene.
To the right, the landscape opens toward a distant mountain and a clear sky, creating a contrast between the vegetal density of the foreground and the breadth of the background.
The lower area, with earth, shrubs and vegetation, introduces a warm, materially rich base.
2.2. Light, color and atmosphere
The work presents a sober yet vibrant palette, with deep greens, muted blues, warm earth tones, ochres and bright touches applied with direct brushwork.
The light seems to filter through the vegetation and open toward the distant landscape, generating a Mediterranean, tranquil atmosphere of great pictorial sensitivity.
The clear sky and the bluish mountain provide distance, while the dark trees in the foreground intensify the depth of the scene.
3. STYLE, SCHOOL AND CONTEXT
3.1. Catalan late-impressionist sensibility
The painting is linked to the Catalan late-impressionist tradition, where landscape is interpreted from chromatic emotion, materiality and direct impression of nature.
The artist does not seek a meticulous description, but a sensitive synthesis of the environment: trees, mountain, earth and light transformed into spots, impastos and rhythms of color.
3.2. Pictorial language
The brushwork is visible, free and impasted, especially in the trees, vegetation and the lower area of the landscape.
The contrast between dark masses and sky highlights provides compositional strength, while the greens, ochres and blues build an atmospheric reading of the territory.
The work has an expressive character, close to a landscape painted with speed, sensitivity and knowledge of the pictorial medium.
3.3. Visual presence
Despite its medium format, the work has an intense presence.
The grove dominates the composition with character, while the distant mountain and open sky balance the whole.
It is a painting particularly attractive to collectors of Catalan landscape, Mediterranean late-impressionism and mid-20th-century works with strong material painterly quality.
4. CONDITION
4.1. Painterly surface
The work shows visible signs of age and use, with small surface irregularities, patina, possible scuffs, occasional craquelure, light wear and marks from the passage of time.
The painting retains good overall readability and an attractive visual presence.
Photographs form an essential part of the description and allow assessing the real conservation state of the piece.
4.2. Support, reverse and frame
The canvas remains mounted on a frame, with reverse visible in the photographs.
The frame shows signs of use, small marks, wear and possible losses due to the passage of time. It is included as a gift, and its condition is not a fundamental part of the artwork's value.
Please carefully review all photographs before bidding.
5. GUARANTEE, TRANSPARENCY AND SHIPPING
5.1. Prudent cataloging
The work is offered as signed oil on canvas, cataloged as Catalan late-impressionist school from the mid-20th century according to its visible characteristics, materials, stylistic and compositional features.
No definite attribution to a specific author.
5.2. Photographs and description
The photographs are an essential part of the work’s description.
Due to its age and material nature, the piece may exhibit restorations, overpaint, small losses, wear, craquelure, marks, darkening or alterations not always visible in photography.
No claims will be accepted for aspects described in the cataloging or visible in the supplied images. Please carefully review all photographs before bidding.
5.3. Professional packaging and insured shipping
The work will be professionally packed with tailor-made packaging, prepared by a specialized company and managed through our logistics center.
Shipping will be insured, with special attention to the frame size, canvas support and the piece’s material fragility.
Once payment is confirmed, the work will be prepared and distributed within approximately 3 days.
5.4. Special transport conditions
Shipping can be made to any international destination.
In the case of high-rate European zones, insular destinations, remote areas, or non-EU shipments, any logistic, customs, tax or transport surcharges will be borne by the buyer.
The frame is considered included as a gift. For this reason, no claims will be accepted regarding the frame’s condition.
6. CONTEMPLATION
6.1. Nature and matter
This work conveys the silent force of the Mediterranean landscape.
The trees, the mountain and the vegetation appear built with a lively brushstroke, where the oil’s matter plays an essential role.
6.2. Light among the trees
The beauty of the piece lies in the contrast between the vegetal shade in the foreground and the luminous opening of the landscape in the background.
It is a painting to be viewed slowly, appreciating the vibration of the greens, the density of the trees and the bluish calm of the mountain.
An attractive work for collectors of the Catalan school, late-impressionist landscape and mid-20th-century painting with character, matter and sensitivity."
Seller's Story
MOUNTAINOUS LANDSCAPE WITH TREES AND VEGETATION
- Catalan late-impressionist school
- Mid-20th century
- Oil on canvas
- Signed
- Canvas dimensions: 46 x 55 cm
- Frame dimensions: 56 x 65 cm
- Landscape with groves, mountain and Mediterranean vegetation
- Frame included as a gift
-- The artwork will be professionally packed using custom packaging and shipped insured to any international destination
-- We work with a specialized logistics center, with preparation and distribution approximately within 3 days once payment is confirmed
1. IDENTIFICATION
1.1. Typology and subject represented
Oil on canvas signed, belonging to the Catalan late-impressionist school of the mid-20th century.
The work depicts a mountainous landscape with strong vegetal presence, dark-crowned trees, mountains in the background, and a lower area of earth and vegetation treated with loose and expressive brushwork.
1.2. Proposed school and chronology
The work is prudently cataloged as Catalan late-impressionist school, considering its pictorial language, free treatment of the landscape, impasto brushwork, and chromatic construction of nature.
No definite attribution to a specific author is made beyond the visible signature on the work.
2. ARTISTIC DESCRIPTION
2.1. General composition
The composition is organized around a large group of trees on the left side, which acts as a visual axis and adds depth to the scene.
To the right, the landscape opens toward a distant mountain and a clear sky, creating a contrast between the vegetal density of the foreground and the breadth of the background.
The lower area, with earth, shrubs and vegetation, introduces a warm, materially rich base.
2.2. Light, color and atmosphere
The work presents a sober yet vibrant palette, with deep greens, muted blues, warm earth tones, ochres and bright touches applied with direct brushwork.
The light seems to filter through the vegetation and open toward the distant landscape, generating a Mediterranean, tranquil atmosphere of great pictorial sensitivity.
The clear sky and the bluish mountain provide distance, while the dark trees in the foreground intensify the depth of the scene.
3. STYLE, SCHOOL AND CONTEXT
3.1. Catalan late-impressionist sensibility
The painting is linked to the Catalan late-impressionist tradition, where landscape is interpreted from chromatic emotion, materiality and direct impression of nature.
The artist does not seek a meticulous description, but a sensitive synthesis of the environment: trees, mountain, earth and light transformed into spots, impastos and rhythms of color.
3.2. Pictorial language
The brushwork is visible, free and impasted, especially in the trees, vegetation and the lower area of the landscape.
The contrast between dark masses and sky highlights provides compositional strength, while the greens, ochres and blues build an atmospheric reading of the territory.
The work has an expressive character, close to a landscape painted with speed, sensitivity and knowledge of the pictorial medium.
3.3. Visual presence
Despite its medium format, the work has an intense presence.
The grove dominates the composition with character, while the distant mountain and open sky balance the whole.
It is a painting particularly attractive to collectors of Catalan landscape, Mediterranean late-impressionism and mid-20th-century works with strong material painterly quality.
4. CONDITION
4.1. Painterly surface
The work shows visible signs of age and use, with small surface irregularities, patina, possible scuffs, occasional craquelure, light wear and marks from the passage of time.
The painting retains good overall readability and an attractive visual presence.
Photographs form an essential part of the description and allow assessing the real conservation state of the piece.
4.2. Support, reverse and frame
The canvas remains mounted on a frame, with reverse visible in the photographs.
The frame shows signs of use, small marks, wear and possible losses due to the passage of time. It is included as a gift, and its condition is not a fundamental part of the artwork's value.
Please carefully review all photographs before bidding.
5. GUARANTEE, TRANSPARENCY AND SHIPPING
5.1. Prudent cataloging
The work is offered as signed oil on canvas, cataloged as Catalan late-impressionist school from the mid-20th century according to its visible characteristics, materials, stylistic and compositional features.
No definite attribution to a specific author.
5.2. Photographs and description
The photographs are an essential part of the work’s description.
Due to its age and material nature, the piece may exhibit restorations, overpaint, small losses, wear, craquelure, marks, darkening or alterations not always visible in photography.
No claims will be accepted for aspects described in the cataloging or visible in the supplied images. Please carefully review all photographs before bidding.
5.3. Professional packaging and insured shipping
The work will be professionally packed with tailor-made packaging, prepared by a specialized company and managed through our logistics center.
Shipping will be insured, with special attention to the frame size, canvas support and the piece’s material fragility.
Once payment is confirmed, the work will be prepared and distributed within approximately 3 days.
5.4. Special transport conditions
Shipping can be made to any international destination.
In the case of high-rate European zones, insular destinations, remote areas, or non-EU shipments, any logistic, customs, tax or transport surcharges will be borne by the buyer.
The frame is considered included as a gift. For this reason, no claims will be accepted regarding the frame’s condition.
6. CONTEMPLATION
6.1. Nature and matter
This work conveys the silent force of the Mediterranean landscape.
The trees, the mountain and the vegetation appear built with a lively brushstroke, where the oil’s matter plays an essential role.
6.2. Light among the trees
The beauty of the piece lies in the contrast between the vegetal shade in the foreground and the luminous opening of the landscape in the background.
It is a painting to be viewed slowly, appreciating the vibration of the greens, the density of the trees and the bluish calm of the mountain.
An attractive work for collectors of the Catalan school, late-impressionist landscape and mid-20th-century painting with character, matter and sensitivity."

