[Incunable] - Alberto Magno - Summa de Creaturis - 1498

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Ilaria Colombo
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Selected by Ilaria Colombo

Specialist in old books, specialising in theological disputes since 1999.

Estimate  € 3,600 - € 5,000
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Description from the seller

ANGELS, DEMONS AND POSSIBLE WORLDS - SUMMA OF CREATURES: THE SECRET OF CREATION:
Extraordinary testimony of medieval cosmological and anthropological thought, this very rare first edition of Albertus Magnus' Summa de Creaturis represents one of the most ambitious attempts to reconcile Aristotelian philosophy with Christian theology. Printed in Venice in 1498 for Andrea Torresani da Asola, future father-in-law of Aldus Manutius and a central figure in Venetian typography, the work addresses the great questions of creation, the structure of the universe, the nature of angels, and the essence of man. Through an imposing speculative construction, Albertus Magnus analyzes matter, time, celestial motion, the faculties of the soul, the senses, dreams, the intellect, and free will, ultimately asking whether the existence of other worlds is possible. It is one of the most fascinating monuments of scholastic knowledge, printed in the very late 15th century, when the printing revolution was beginning to transform the circulation of ideas in Europe.
MARKET VALUE
Incunabula by Albertus Magnus occupy a prominent place in the international market for antique books. The early Venetian editions of his philosophical and theological works, especially when printed by prestigious workshops like that of Andrea Torresani, can fetch values between 8,000 and 20,000 euros, with higher realizations for complete, well-preserved copies with significant provenance. The absence of the first fascicle and the structural conditions of the copy affect valuation, but the rarity of the first edition of Summa de Creaturis keeps collectible and scholarly interest high. Estimated range: 4,000-9,000 euros.

PHYSICAL DESCRIPTION AND CONDITION
In-folio (302 x 200 mm). Two parts in one volume. Text in Gothic type set in two columns. Numerous marginal notes by an early hand between the first and second part. Time marks on the first two leaves. Final fascicle with a pale stain. Contemporary flexible parchment binding with a title hand-written on the back, with losses and wear. Despite the defects, the copy appears internally very fresh and genuine, preserving a notable historical and documentary charm. Leaves 195, [1]. The first of two fascicles containing the title and the Tabula articulorum is missing; the last blank leaf is present. In old books, with a centuries-long history, a few imperfections may be present, not always noted in the description.

FULL TITLE AND AUTHOR
Prima [-secunda] pars summe Alberti Magni de quatuor coequeuis vna cum secunda eius que est de homine.
Venetijs, impressa impensis domini Andree Torresani de Asula, arte vero Simonis de Luere, 1498.
Albertus Magnus (ca. 1200-1280)

CONTEXT AND SIGNIFICANCE
The Summa de Creaturis constitutes one of the most important works of Albertus Magnus's entire philosophical output and stands as a pinnacle of scholastic speculation in the thirteenth century. The author confronts the fundamental problem of the origin and structure of creation, developing a monumental synthesis between Aristotelian metaphysics, the Neoplatonist tradition, and Christian theology.

The first part, dedicated to the so-called quatuor coaequaevia, examines the realities created simultaneously at the beginning of time: the angelic world, prime matter, the heavens, and time itself. Albert investigates causality, the motion of the celestial spheres, the hierarchy of angels, and the fundamental principles of cosmic order.

The second part, De homine, is one of the most refined medieval analyses of human nature. It discusses the relationships between soul and body, the senses, memory, imagination, dreams, passions, intellect, and free will. Particularly fascinating are reflections on human knowledge and the theoretical possibility of other worlds, a theme that prefigures questions that would resurface in the following centuries.

The work represents a fundamental milestone in the development of European natural philosophy and testifies to the medieval attempt to build a unified vision of reality, in which cosmology, anthropology, and theology are integrated into a single system.

BIOGRAPHY OF THE AUTHOR
Albertus Magnus was probably born in Lauingen, Bavaria, around 1200 and died in Cologne in 1280. A Dominican, theologian, philosopher, scientist, and master of Thomas Aquinas, he was one of the most influential figures of the Latin Middle Ages. His wide range of interests earned him the title Doctor Universalis. He commented on Aristotle in a systematic way and contributed decisively to the introduction of Aristotelian thought into European universities. Canonized in 1931 and proclaimed Doctor of the Church, he is regarded as one of the founders of medieval scientific tradition.

PRINTING HISTORY AND CIRCULATION
This 1498 edition constitutes the first and only incunable edition of the Summa de creaturis. It was produced in Venice for Andrea Torresani da Asula, one of the era's most important editors and book entrepreneurs. Torresani had acquired Nicolas Jenson's workshop and transformed his enterprise into one of the major European printing centers. A few years later he would enter solidly into the history of printing thanks to the collaboration and family ties with Aldus Manutius.

The actual printing was entrusted to Simone Bevilacqua, known as Simon de Luere, a printer active in late fifteenth-century Venice. The edition fits into the broader Venetian publishing program aimed at disseminating the great works of medieval scholasticism to universities, monasteries, and ecclesiastical libraries.

The rarity of this edition is confirmed by its presence in major international incunabula catalogues and by the relatively small number of copies preserved in public libraries.

BIBLIOGRAPHY AND REFERENCES
ISTC ia00334000.
GW 779.
IGI 238.
Goff A-334.
Hain *569.
BMC V, p. 574.
Polain, Catalogue des livres imprimés au XVe siècle des bibliothèques de Belgique, voci Albertus Magnus.
Bod-inc A-141.
OCLC / WorldCat, records of Summa de creaturis, Venezia 1498.
ICCU / OPAC SBN, census of Italian copies.
Thorndike, A History of Magic and Experimental Science, vol. II, pp. 517-592.
Weisheipl, Albertus Magnus and the Sciences.
Mandonnet, Siger de Brabant et l'Averroïsme latin.
Étienne Gilson, La philosophie au Moyen Âge.
Friedberg, Die Theologie des Albertus Magnus.

GENRE
Cosmology – Philosophical anthropology – Latin Aristotelianism – Venetian incunabula.

Seller's Story

Luxury Books: Your Go-To Guide for Nabbing Literary Treasures! Embarking on the thrilling journey of collecting rare and timeless printed works? Here's your snappy rundown, "The Collector's Cheat Sheet," to ensure you're not just flipping pages but stacking up the value: 1. Edition and Rarity: Rarity is the name of the game. First editions, limited printings, and books flaunting unique features like eye-catching illustrations or mind-blowing bindings? Consider them the VIPs of the collector's world. 2. Condition & Dimension: Picture this – a book in mint condition, untouched by the woes of wear and tear. Now, flip the script: wear, foxing, discoloration – they're the villains here. And don't forget to size up the dimensions, because a book's size matters in the collector's universe. 3. Authenticity: In a world of replicas and forgeries, verifying a book's authenticity is your superhero move. Expert examination and authentication – your trusty sidekicks in this quest. 4. Provenance: Who owned it before you? If the book has hobnobbed with famous figures or danced through historical events, its value skyrockets. Every book has a story, but some have blockbuster tales. 5. Demand and Market Trends: Think of book values as the stock market of the literary world. Stay savvy on collector trends and market shifts to ride the waves of value. 6. Subject Matter: Some topics are like fine wine – they get better with time. Dive into subjects with a timeless appeal or ride the wave of emerging cultural and historical relevance. 7. Binding and Design: Beauty is more than skin deep. Intricate bindings, stunning covers, and illustrations – these are the accessories that make a book runway-ready in the collector's eyes. 8. Association Copies: Books with a personal touch – whether it's a connection to the author or a famous personality – elevate the historical vibes. A book with a backstory? Count us in. 9. Investment Potential: Passion is the engine, but some collectors eye future returns. Keep in mind, though, that the book market can be as unpredictable as a plot twist. 10. Expert Advice: New to the game? Don't play solo. Seek wisdom from the book gurus, hit up book fairs, and join collector communities. We at Luxury Books are the Yodas of the rare book galaxy, helping you build collections that scream sophistication and cultural clout. Because collecting rare books isn't just about dollar signs – it's a journey of preserving heritage and embracing literary treasures. Happy collecting!
Translated by Google Translate

ANGELS, DEMONS AND POSSIBLE WORLDS - SUMMA OF CREATURES: THE SECRET OF CREATION:
Extraordinary testimony of medieval cosmological and anthropological thought, this very rare first edition of Albertus Magnus' Summa de Creaturis represents one of the most ambitious attempts to reconcile Aristotelian philosophy with Christian theology. Printed in Venice in 1498 for Andrea Torresani da Asola, future father-in-law of Aldus Manutius and a central figure in Venetian typography, the work addresses the great questions of creation, the structure of the universe, the nature of angels, and the essence of man. Through an imposing speculative construction, Albertus Magnus analyzes matter, time, celestial motion, the faculties of the soul, the senses, dreams, the intellect, and free will, ultimately asking whether the existence of other worlds is possible. It is one of the most fascinating monuments of scholastic knowledge, printed in the very late 15th century, when the printing revolution was beginning to transform the circulation of ideas in Europe.
MARKET VALUE
Incunabula by Albertus Magnus occupy a prominent place in the international market for antique books. The early Venetian editions of his philosophical and theological works, especially when printed by prestigious workshops like that of Andrea Torresani, can fetch values between 8,000 and 20,000 euros, with higher realizations for complete, well-preserved copies with significant provenance. The absence of the first fascicle and the structural conditions of the copy affect valuation, but the rarity of the first edition of Summa de Creaturis keeps collectible and scholarly interest high. Estimated range: 4,000-9,000 euros.

PHYSICAL DESCRIPTION AND CONDITION
In-folio (302 x 200 mm). Two parts in one volume. Text in Gothic type set in two columns. Numerous marginal notes by an early hand between the first and second part. Time marks on the first two leaves. Final fascicle with a pale stain. Contemporary flexible parchment binding with a title hand-written on the back, with losses and wear. Despite the defects, the copy appears internally very fresh and genuine, preserving a notable historical and documentary charm. Leaves 195, [1]. The first of two fascicles containing the title and the Tabula articulorum is missing; the last blank leaf is present. In old books, with a centuries-long history, a few imperfections may be present, not always noted in the description.

FULL TITLE AND AUTHOR
Prima [-secunda] pars summe Alberti Magni de quatuor coequeuis vna cum secunda eius que est de homine.
Venetijs, impressa impensis domini Andree Torresani de Asula, arte vero Simonis de Luere, 1498.
Albertus Magnus (ca. 1200-1280)

CONTEXT AND SIGNIFICANCE
The Summa de Creaturis constitutes one of the most important works of Albertus Magnus's entire philosophical output and stands as a pinnacle of scholastic speculation in the thirteenth century. The author confronts the fundamental problem of the origin and structure of creation, developing a monumental synthesis between Aristotelian metaphysics, the Neoplatonist tradition, and Christian theology.

The first part, dedicated to the so-called quatuor coaequaevia, examines the realities created simultaneously at the beginning of time: the angelic world, prime matter, the heavens, and time itself. Albert investigates causality, the motion of the celestial spheres, the hierarchy of angels, and the fundamental principles of cosmic order.

The second part, De homine, is one of the most refined medieval analyses of human nature. It discusses the relationships between soul and body, the senses, memory, imagination, dreams, passions, intellect, and free will. Particularly fascinating are reflections on human knowledge and the theoretical possibility of other worlds, a theme that prefigures questions that would resurface in the following centuries.

The work represents a fundamental milestone in the development of European natural philosophy and testifies to the medieval attempt to build a unified vision of reality, in which cosmology, anthropology, and theology are integrated into a single system.

BIOGRAPHY OF THE AUTHOR
Albertus Magnus was probably born in Lauingen, Bavaria, around 1200 and died in Cologne in 1280. A Dominican, theologian, philosopher, scientist, and master of Thomas Aquinas, he was one of the most influential figures of the Latin Middle Ages. His wide range of interests earned him the title Doctor Universalis. He commented on Aristotle in a systematic way and contributed decisively to the introduction of Aristotelian thought into European universities. Canonized in 1931 and proclaimed Doctor of the Church, he is regarded as one of the founders of medieval scientific tradition.

PRINTING HISTORY AND CIRCULATION
This 1498 edition constitutes the first and only incunable edition of the Summa de creaturis. It was produced in Venice for Andrea Torresani da Asula, one of the era's most important editors and book entrepreneurs. Torresani had acquired Nicolas Jenson's workshop and transformed his enterprise into one of the major European printing centers. A few years later he would enter solidly into the history of printing thanks to the collaboration and family ties with Aldus Manutius.

The actual printing was entrusted to Simone Bevilacqua, known as Simon de Luere, a printer active in late fifteenth-century Venice. The edition fits into the broader Venetian publishing program aimed at disseminating the great works of medieval scholasticism to universities, monasteries, and ecclesiastical libraries.

The rarity of this edition is confirmed by its presence in major international incunabula catalogues and by the relatively small number of copies preserved in public libraries.

BIBLIOGRAPHY AND REFERENCES
ISTC ia00334000.
GW 779.
IGI 238.
Goff A-334.
Hain *569.
BMC V, p. 574.
Polain, Catalogue des livres imprimés au XVe siècle des bibliothèques de Belgique, voci Albertus Magnus.
Bod-inc A-141.
OCLC / WorldCat, records of Summa de creaturis, Venezia 1498.
ICCU / OPAC SBN, census of Italian copies.
Thorndike, A History of Magic and Experimental Science, vol. II, pp. 517-592.
Weisheipl, Albertus Magnus and the Sciences.
Mandonnet, Siger de Brabant et l'Averroïsme latin.
Étienne Gilson, La philosophie au Moyen Âge.
Friedberg, Die Theologie des Albertus Magnus.

GENRE
Cosmology – Philosophical anthropology – Latin Aristotelianism – Venetian incunabula.

Seller's Story

Luxury Books: Your Go-To Guide for Nabbing Literary Treasures! Embarking on the thrilling journey of collecting rare and timeless printed works? Here's your snappy rundown, "The Collector's Cheat Sheet," to ensure you're not just flipping pages but stacking up the value: 1. Edition and Rarity: Rarity is the name of the game. First editions, limited printings, and books flaunting unique features like eye-catching illustrations or mind-blowing bindings? Consider them the VIPs of the collector's world. 2. Condition & Dimension: Picture this – a book in mint condition, untouched by the woes of wear and tear. Now, flip the script: wear, foxing, discoloration – they're the villains here. And don't forget to size up the dimensions, because a book's size matters in the collector's universe. 3. Authenticity: In a world of replicas and forgeries, verifying a book's authenticity is your superhero move. Expert examination and authentication – your trusty sidekicks in this quest. 4. Provenance: Who owned it before you? If the book has hobnobbed with famous figures or danced through historical events, its value skyrockets. Every book has a story, but some have blockbuster tales. 5. Demand and Market Trends: Think of book values as the stock market of the literary world. Stay savvy on collector trends and market shifts to ride the waves of value. 6. Subject Matter: Some topics are like fine wine – they get better with time. Dive into subjects with a timeless appeal or ride the wave of emerging cultural and historical relevance. 7. Binding and Design: Beauty is more than skin deep. Intricate bindings, stunning covers, and illustrations – these are the accessories that make a book runway-ready in the collector's eyes. 8. Association Copies: Books with a personal touch – whether it's a connection to the author or a famous personality – elevate the historical vibes. A book with a backstory? Count us in. 9. Investment Potential: Passion is the engine, but some collectors eye future returns. Keep in mind, though, that the book market can be as unpredictable as a plot twist. 10. Expert Advice: New to the game? Don't play solo. Seek wisdom from the book gurus, hit up book fairs, and join collector communities. We at Luxury Books are the Yodas of the rare book galaxy, helping you build collections that scream sophistication and cultural clout. Because collecting rare books isn't just about dollar signs – it's a journey of preserving heritage and embracing literary treasures. Happy collecting!
Translated by Google Translate

Details

Number of books
1
Subject
Incunabula & early printing
Book title
Summa de Creaturis
Author/ Illustrator
[Incunable] - Alberto Magno
Condition
Good
Publication year oldest item
1498
Height
302 mm
Edition
1st Edition
Width
201 mm
Language
Latin
Original language
Yes
Publisher
Venetijs, impressa impensis domini Andree Torresani de Asula, arte vero Simonis de Luere, 1498.
Binding/ Material
Vellum
Number of pages
392
ItalyVerified
104
Objects sold
100%
protop

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