Jean-Guy Caumeil (1945–2018) - Sharlyne en 2-2






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Description from the seller
The proposed photograph is titled "Sharlyne in 2-2".
It is an art print on professional Fujifilm Museum Crystal DP II photo paper.
Dimensions 30/40 without a margin.
Limited edition of 10 prints, print 2/10, unframed.
Signed by the author on the back and hand-numbered.
New print fresh from the workshop.
Studio du Trident, 1 rue Vial 42000 Saint Etienne, France
The certificate of authenticity will be sent by email
Jean-Guy Caumeil, photographer, still alive, from Saint-Etienne, France. Creator of Studio du Trident.
The author develops a style he describes as minimalist; little or no decor or accessory, the essential lies in capturing an emotion in the model’s posture or gaze. He seeks to strip the scene so that the sign (punctum) is perceived and guides the viewer toward the meaning the viewer will give to the photo. Photography is not a story or a predefined sense to be seen. Photography does not tell a story, does not advocate, does not deliver a message, does not impose a point of view. Photography is a gift that allows the viewer to tell their own story, to advocate, and to read their message.
The handling of light is crucial for him as is the rapport with the model. In this minimalist vein, he began in 2015 a long-running, non-exclusive collaboration with a single model.
The proposed photograph is titled "Sharlyne in 2-2".
It is an art print on professional Fujifilm Museum Crystal DP II photo paper.
Dimensions 30/40 without a margin.
Limited edition of 10 prints, print 2/10, unframed.
Signed by the author on the back and hand-numbered.
New print fresh from the workshop.
Studio du Trident, 1 rue Vial 42000 Saint Etienne, France
The certificate of authenticity will be sent by email
Jean-Guy Caumeil, photographer, still alive, from Saint-Etienne, France. Creator of Studio du Trident.
The author develops a style he describes as minimalist; little or no decor or accessory, the essential lies in capturing an emotion in the model’s posture or gaze. He seeks to strip the scene so that the sign (punctum) is perceived and guides the viewer toward the meaning the viewer will give to the photo. Photography is not a story or a predefined sense to be seen. Photography does not tell a story, does not advocate, does not deliver a message, does not impose a point of view. Photography is a gift that allows the viewer to tell their own story, to advocate, and to read their message.
The handling of light is crucial for him as is the rapport with the model. In this minimalist vein, he began in 2015 a long-running, non-exclusive collaboration with a single model.
