Wall sconce (2) - Alloy - Louis XVI Bacchus





Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 135881 reviews
Rated Excellent on Trustpilot.
Pair of Louis XVI style wall sconces in gold-colour alloy from France, dating to the 20th century, with two fittings and dimensions 27 cm high by 24 cm wide by 14 cm deep, in good condition with small signs of aging and not in working order.
Description from the seller
Candle holder or wall lamp sconce, electrified, height 27 cm, width 24 cm, and depth 14 cm
These magnificent pieces are a pair of two-branch wall sconces in the Louis XVI style (or Napoléon III era, in the “Empress” style that revisited the eighteenth century).
Here is a detailed analysis of their composition, style, and decorative elements that comprise them:
Stylistic and Iconographic Analysis
These sconces are perfect examples of French Neoclassicism from the second half of the eighteenth century, characterized by a return to Antiquity, symmetry, and geometric rigor.
The Central Mascaron (Bacchus / Faun): At the heart of the wall plate sits a bearded face surrounded by grape leaves or ivy. It is a classic representation of Bacchus (Dionysus) or a faun, a motif highly favored in the Louis XVI period for its association with nature and festivity.
The Ribbon Knot: The top of each sconce is crowned with a relief ribbon knot, typical of Louis XVI ornamentation (often associated with Marie-Antoinette motifs). This knot usually conceals the wall fixation point.
The Fluted Shaft: The lower portion (the central body) takes the form of a fluted shaft tapering downward, adorned with vertical channels, reminiscent of Greek and Roman temple architecture.
Pearl Garlands (or imposts): On either side of the central shaft, there are draped pearl garlands that add a touch of softness to the otherwise very geometric structure.
Candle holder or wall lamp sconce, electrified, height 27 cm, width 24 cm, and depth 14 cm
These magnificent pieces are a pair of two-branch wall sconces in the Louis XVI style (or Napoléon III era, in the “Empress” style that revisited the eighteenth century).
Here is a detailed analysis of their composition, style, and decorative elements that comprise them:
Stylistic and Iconographic Analysis
These sconces are perfect examples of French Neoclassicism from the second half of the eighteenth century, characterized by a return to Antiquity, symmetry, and geometric rigor.
The Central Mascaron (Bacchus / Faun): At the heart of the wall plate sits a bearded face surrounded by grape leaves or ivy. It is a classic representation of Bacchus (Dionysus) or a faun, a motif highly favored in the Louis XVI period for its association with nature and festivity.
The Ribbon Knot: The top of each sconce is crowned with a relief ribbon knot, typical of Louis XVI ornamentation (often associated with Marie-Antoinette motifs). This knot usually conceals the wall fixation point.
The Fluted Shaft: The lower portion (the central body) takes the form of a fluted shaft tapering downward, adorned with vertical channels, reminiscent of Greek and Roman temple architecture.
Pearl Garlands (or imposts): On either side of the central shaft, there are draped pearl garlands that add a touch of softness to the otherwise very geometric structure.

