Eugene Eechaut (1928-2019) - Nu féminin agenouillé






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Description from the seller
Eugène Eechaut (1928-2019)
Kneeling female nude
Chinese ink on paper, 1979
Artist's studio seal on the back + Galerie Pfeiffer stamp, Brussels
Dimensions: 41 × 31 cm (including frame)
Sold framed
Condition: Excellent – framed work and ready to hang.
Framing: Frame in light natural wood with black matting (included).
Description of the work
Magnificent line drawing by Eugène Eechaut dated 1979. This kneeling female nude is executed with remarkable economy of means and great sensuality. The body, slightly turned, is rendered with a fluid, precise, and living line that emphasizes the curve of the hips, the roundness of the breasts, and the delicacy of the extremities.
The work oscillates between classicism and modernity: the pure, almost calligraphic line evokes the tradition of the great masters of the nude while asserting a contemporary freedom and a discreet yet powerful sensuality. The contrast between solids and hairlines, the absence of excessive modeling, and the highlighting of the body in the empty space confer upon this composition a poetry and intensity that are rare.
Typical of the artist's intimate and refined output in the late 1970s, this drawing is at once sober, carnal, minimalist, and deeply human.
Biography
Eugène Eechaut (1928-2019) is a Belgian artist of French origin, a painter, draftsman, and watercolorist known for a sensitive and poetic universe located at the crossroads of free figuration, abstraction, and drawing of great delicacy. He settled in Belgium where he attended evening classes at the Saint-Gilles Academy (Brussels) while largely improving his skills as a self-t taught artist.
From 1958, he received his first distinctions at the European Centre of Art and Aesthetics. A member of the Jecta Group since 1968, he developed a personal style marked by the influence of Gromaire and La Fresnaye, while affirming a singular voice. His work explores landscapes, abstract compositions, nudes, floral still lifes, as well as more fantastical themes or inspired by the insect world. He produced countless graphic, industrial, or animal drawings, using with virtuosity the dilutions of Chinese ink and textural effects.
The Tamara Pfeiffer Gallery (Galerie Pfeiffer) in Brussels played a decisive role in his career between the 1960s and 1980s. It regularly exhibited him alongside great 20th-century masters such as René Magritte (with whom he had a deep friendship), Jean Cocteau, Ambrogiani, Bricault, Félicien Rops, and many others. This international visibility contributed to his recognition among collectors.
His work, valued for the delicacy of his line, the expressive force of the material, and a great freedom of expression, appeals through its elegance and intimate atmosphere.
After his passing in 2019 in Brussels, the recent rediscovery of his studio revealed a multitude of works and archives, highlighting the rarity and quality of his output.
Today, his watercolors, inks, and paintings can be found in numerous private collections and continue to be sought after for their visual poetry and authenticity.
Seller's Story
Eugène Eechaut (1928-2019)
Kneeling female nude
Chinese ink on paper, 1979
Artist's studio seal on the back + Galerie Pfeiffer stamp, Brussels
Dimensions: 41 × 31 cm (including frame)
Sold framed
Condition: Excellent – framed work and ready to hang.
Framing: Frame in light natural wood with black matting (included).
Description of the work
Magnificent line drawing by Eugène Eechaut dated 1979. This kneeling female nude is executed with remarkable economy of means and great sensuality. The body, slightly turned, is rendered with a fluid, precise, and living line that emphasizes the curve of the hips, the roundness of the breasts, and the delicacy of the extremities.
The work oscillates between classicism and modernity: the pure, almost calligraphic line evokes the tradition of the great masters of the nude while asserting a contemporary freedom and a discreet yet powerful sensuality. The contrast between solids and hairlines, the absence of excessive modeling, and the highlighting of the body in the empty space confer upon this composition a poetry and intensity that are rare.
Typical of the artist's intimate and refined output in the late 1970s, this drawing is at once sober, carnal, minimalist, and deeply human.
Biography
Eugène Eechaut (1928-2019) is a Belgian artist of French origin, a painter, draftsman, and watercolorist known for a sensitive and poetic universe located at the crossroads of free figuration, abstraction, and drawing of great delicacy. He settled in Belgium where he attended evening classes at the Saint-Gilles Academy (Brussels) while largely improving his skills as a self-t taught artist.
From 1958, he received his first distinctions at the European Centre of Art and Aesthetics. A member of the Jecta Group since 1968, he developed a personal style marked by the influence of Gromaire and La Fresnaye, while affirming a singular voice. His work explores landscapes, abstract compositions, nudes, floral still lifes, as well as more fantastical themes or inspired by the insect world. He produced countless graphic, industrial, or animal drawings, using with virtuosity the dilutions of Chinese ink and textural effects.
The Tamara Pfeiffer Gallery (Galerie Pfeiffer) in Brussels played a decisive role in his career between the 1960s and 1980s. It regularly exhibited him alongside great 20th-century masters such as René Magritte (with whom he had a deep friendship), Jean Cocteau, Ambrogiani, Bricault, Félicien Rops, and many others. This international visibility contributed to his recognition among collectors.
His work, valued for the delicacy of his line, the expressive force of the material, and a great freedom of expression, appeals through its elegance and intimate atmosphere.
After his passing in 2019 in Brussels, the recent rediscovery of his studio revealed a multitude of works and archives, highlighting the rarity and quality of his output.
Today, his watercolors, inks, and paintings can be found in numerous private collections and continue to be sought after for their visual poetry and authenticity.
