victor vasarely - BIDIM

Victor Vasarely. BIDIM, 1968.

Victor Vasarely, widely regarded as the father of Op Art, was one of the most influential figures in 20th-century abstract art. His research into visual perception, color, and geometry transformed the relationship between spectator and image, creating compositions capable of producing movement, depth, and vibration through precise mathematical structures.
Rolls
'Copyright 1975 Editions du Griffon, Neuchâtel/Switzerland' on the back.
Embossing stamp of the Vasarely Foundation.
Photolithography on glossy paper
In BIDIM (1968), Vasarely constructs one of his most powerful optical architectures using a repetitive cubic grid that folds into itself, generating the illusion of an impossible volume. The structure seems to expand simultaneously outward and to open inward, creating a visual paradox in which the flat surface becomes an unstable three-dimensional construction.
The work belongs to a period in which the artist achieves a complete synthesis between art, science, and system. Here, the image is not the result of an individual gesture but of a reproducible constructive logic, which anticipates key concepts of digital art, visual programming, and generative design.