Roger Muhl (1929-2008) - Une pâle lueur rose





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Roger Muhl, Une pâle lueur rose, original lithograph on vellum paper, 42 x 32 cm, numbered and pencil-signed by the artist, printed at the Mourlot workshop in Paris, edition limited, 1986, excellent condition, France origin.
Description from the seller
Roger Mühl: A Pale Pink Glow
Original lithograph on vellum paper, measuring 42 x 32 cm.
Numbered and signed in pencil by the artist.
Printed on the presses of Mourlot Studio, Paris.
Artwork in perfect condition, never framed.
We provide meticulous packaging, international tracking, insurance, and express shipping for all deliveries.
Roger Mühl, born December 20, 1929 in Strasbourg, died April 4, 2008 in Mougins, was a French painter, draftsman, and sculptor.
He entered the École nationale supérieure des arts décoratifs in Strasbourg, from which he left in 1948 to move to the Belfort region. He settled in 1954 at Montreux-Château and held his first Paris exhibition at the Galerie de Paris in 1960. Then in Geneva, London, Milan, Dallas, Cologne, Stuttgart, Tokyo, Kyoto, Belfort, and New York. He mostly worked on the French Riviera. He was regarded as a figurative painter, a painter of Provence and its landscapes, above all a painter of light and atmosphere; his impasto techniques served to establish the perspectives suggested by color alone.
Seller's Story
Roger Mühl: A Pale Pink Glow
Original lithograph on vellum paper, measuring 42 x 32 cm.
Numbered and signed in pencil by the artist.
Printed on the presses of Mourlot Studio, Paris.
Artwork in perfect condition, never framed.
We provide meticulous packaging, international tracking, insurance, and express shipping for all deliveries.
Roger Mühl, born December 20, 1929 in Strasbourg, died April 4, 2008 in Mougins, was a French painter, draftsman, and sculptor.
He entered the École nationale supérieure des arts décoratifs in Strasbourg, from which he left in 1948 to move to the Belfort region. He settled in 1954 at Montreux-Château and held his first Paris exhibition at the Galerie de Paris in 1960. Then in Geneva, London, Milan, Dallas, Cologne, Stuttgart, Tokyo, Kyoto, Belfort, and New York. He mostly worked on the French Riviera. He was regarded as a figurative painter, a painter of Provence and its landscapes, above all a painter of light and atmosphere; his impasto techniques served to establish the perspectives suggested by color alone.

