loro blonyo figuren - Sculpture - Indonesia






Has over 25 years' experience in Asian art and owned an art gallery.
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€9 | ||
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This unsigned pair of Indonesian loro blonyo figures, over 200 years old, is carved from wood and polychromed, depicting Dewi Sri and Sadono in traditional wedding attire.
Description from the seller
This beautiful pair of "loro blonyo" figures is made from carved, light-colored wood and finished with polychrome painting. Such figures were used during wedding ceremonies in Central Java.
They depict Dewi Sri, the goddess of the rice harvest, and her consort Sadono. Dewi Sri is a deity who, through her association with rice and the rice harvest, is linked to fertility and prosperity. The figures originate in Java’s pre-Islamic culture and were later absorbed into the syncretic ritual practices of the Javanese population.
Traditionally the figures were placed at the foot of the wedding bed with heaven (krobongan) to promote a prosperous marriage. This practice was initially reserved for royal and noble families, but later spread to other layers of society. (The clothing of the two figures is based on the ceremonial wedding attire of the kraton—the palace—of the royal court of Yogyakarta.)
After the wedding ceremony, the figures were removed and the bride and groom themselves took their place.
Both figures are depicted kneeling and wear batik-sarongs with typical Central Javanese patterns. Sadono wears a blangkon—a traditional Javanese head covering of cloth—that is tightly drawn over the head.
Both figures are carved with slightly elongated arms, waists and fingers, reminiscent of the Javanese wayang puppets.
This beautiful pair of "loro blonyo" figures is made from carved, light-colored wood and finished with polychrome painting. Such figures were used during wedding ceremonies in Central Java.
They depict Dewi Sri, the goddess of the rice harvest, and her consort Sadono. Dewi Sri is a deity who, through her association with rice and the rice harvest, is linked to fertility and prosperity. The figures originate in Java’s pre-Islamic culture and were later absorbed into the syncretic ritual practices of the Javanese population.
Traditionally the figures were placed at the foot of the wedding bed with heaven (krobongan) to promote a prosperous marriage. This practice was initially reserved for royal and noble families, but later spread to other layers of society. (The clothing of the two figures is based on the ceremonial wedding attire of the kraton—the palace—of the royal court of Yogyakarta.)
After the wedding ceremony, the figures were removed and the bride and groom themselves took their place.
Both figures are depicted kneeling and wear batik-sarongs with typical Central Javanese patterns. Sadono wears a blangkon—a traditional Javanese head covering of cloth—that is tightly drawn over the head.
Both figures are carved with slightly elongated arms, waists and fingers, reminiscent of the Javanese wayang puppets.
