Item Description A striking large-scale flat vase (henpei) by Kayama Tetsuya 加山哲也 (1954- ), son of the celebrated Cultural Medal-awarded Nihonga master Kayama Matazo. This extraordinary piece was exhibited at the artist's solo exhibition held at Daiwa Department Store, Kanazawa in 1998 (Heisei 10), accompanied by the original exhibition pamphlet, although this particular work is not featured in the pamphlet. After graduating from Tama Art University's Nihonga (Japanese painting) department, Kayama Tetsuya studied pottery under Banura Shiro. He masterfully synthesizes techniques from Yi Dynasty Korean ceramics—particularly buncheong ware—with iron oxide (tetsu-sai) decoration and refined Nihonga painting skills, creating what critics acclaim as "vessels that display paintings." This monumental work demonstrates the artist's exceptional command of classical Korean techniques including sgraffito (kakiotoshi) and white slip inlay (hakudo象嵌), combined with the elegant pictorial sensibility inherited from his father. The dynamic ayu (sweetfish) motif flows across the dramatically flattened form, achieving a remarkable balance between sculptural presence, sophisticated ceramic technique, and high-aesthetic Japanese painting tradition. The vessel's imposing scale and refined execution embody the quality expected of a major exhibition piece. Perfect condition with no damage. Complete with original signed wooden box (tomobako) and exhibition pamphlet. Size Height: 38 cm Width: 40 cm Depth: 16.2 cm Condition Perfect condition with no damage, chips, or repairs. The piece retains its original exhibition quality. Artist Profile Kayama Tetsuya 加山哲也 (1954- ) is a distinguished contemporary Japanese ceramic artist, son of the renowned Nihonga painter and Cultural Medal recipient Kayama Matazo (1927-2004). After graduating from Tama Art University's Japanese Painting department, he apprenticed under potter Banura Shiro, where he developed his distinctive style that merges Korean Yi Dynasty ceramic techniques with Japanese painting traditions. Kayama's work is characterized by his masterful use of buncheong-inspired techniques—white slip decoration, sgraffito, and iron oxide painting—combined with the refined pictorial vocabulary inherited from his father's Nihonga practice. His vessels are celebrated as "utsuwa that display paintings" (e wo miseru utsuwa), bridging the boundary between functional ceramic form and fine art painting. His work has been featured in numerous solo and group exhibitions throughout Japan, earning recognition for his unique synthesis of Korean ceramic tradition and Japanese aesthetic sensibility. NOITICE: The lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation. It takes about 3 weeks to receive normally. Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Sometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping. I appreciate your cooperation.